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[0035-6867] 1978. (Periodical) Very good plus. Notes, appendices, index. Previous owner's name on cover. Note: if purchased in combination with other periodicals bearing this message, we will discount the price depending on quantity ordered. Edited by Leo S. Olschki. Includes M. Conati (Le Ave Maria Su Scala Enigmatica Di Verdi Dalla Prima Alla Seconda Stesura (1889-1897)), R. Di Benedetto (Congetture Su Voiles), I. Fenlon (Fonti E Cronologia Dei Madrigali Di Costanzo Festa), F. Lippmann (Giovanni de Macque Fra Roma E Napoli. Nuovi Documenti.). Article about Costanzo Festa & Giuseppe Verdi. Text in Italian Language. (Music).…

In-8° pp. 110, bross. edit.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2012 Cambridge University Press hadrcover edition. Light reading wear else very good condition. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights. CONTENTS: Part I. Life and Works 1. Edith Wharton: contextual revisions by Laura Rattray 2. Chronology: Wharton in cultural and historical context by Pamela Knights and Laura Rattray 3. Biography by Melanie Dawson 4. Composition and publication by Sharon Kehl Califano 5. Portraits of Wharton by Susan Goodman Part II. Critical Receptions 6. Contemporary reviews, 1877-1938 by Heidi M. Kunz 7. Obituaries by Linda De Roche 8. 'Justice' to Edith Wharton? The early critical responses by Melissa M. Pennell 9. Modern critical receptions by Jessica Schubert McCarthy Part III. Book and Publishing History 10. Wharton and her editors by Sharon Shaloo 11. Selling Wharton by Gary Totten 12. Serialization by Elsa Nettels 13. Short story markets by Bonnie Shannon McMullen Part IV. Arts and Aesthetics 14. Stage adaptations of Wharton's fiction by John Dennis Anderson 15. Wharton's writings on screen by Anne-Marie Evans 16. Visual arts by Emily J. Orlando 17. Architecture by Cecilia Macheski 18. Interior and garden design by Helena Chance 19. Images of Wharton by Katherine Joslin Part V. Social Designs 20. The marriage market by Pamela Knights 21. Leisured lives by Maureen E. Montgomery 22. Wharton and gender by Linda Wagner-Martin 23. Race and imperialism by Margaret Toth 24. Social transitions by Adam Jabbur Part VI. Time and Place 25. Wharton and France by William Blazek 26. Wharton and Italy by Robin Peel 27. Wharton and World War I by Julie Olin-Ammentorp 28. The 1920s by Gail D. Sinclair 29. Wharton and the Great Depression by Carol J. Singley Part VII. Literary Milieux 30. Literary influences by Judith P. Saunders 31. Wharton and the American romantics by Linda Costanzo Cahir 32. The novel of manners by Cecilia Macheski 33. Naturalism by Donna Campbell 34. Modernism by Jennifer Haytock.…

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

copertina morbida. Zustand: buone. Zustand des Schutzumschlags: buone.

Brossura editoriale con titoli al piatto e al dorso, catalogo della mostra tenutasi al Museo Luigi Pigorini di Roma da febbraio ad aprile 1982, ricco di illustrazioni in b/n, in ottime condizioni. In 8 pp. (10) - 115 - (1).

(Forl? , Valbonesi, 1963) stralcio con copertina posticcia muta, pp. 119/124. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo ?® composto da tre pagine. Quando la rivista di provenienza non viene indicata ? perch? ci ?® sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?Äúextract?Äù or ?Äúexcerpt?Äù means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from?Äù ?Äúto", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.…

Milano, Giuffrè, 2007, in-8, br. editoriale, pp. VII, 315. Ottime condizioni.