De salvo john (22 Ergebnisse)

Paperback. Zustand: Near Fine. 208pp, tight copy. Book.

Softcover missing dustjacket, 160 pages, otherwise very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Zustand: New. pp. 240 15 Illus.

193 pp.; 22.8 x 15.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Transcript of a symposium on Postmodernism that took place online in October 2001. Edited with an introduction by Maurice Berger. Contributions by Maurice Berger, Maxwell Anderson, Ian Berry, Dan Cameron, John Carlin, Donna De Salvo, Steve Dietz, Wendy Ewald, Ann Eden Gibson, Jennifer González, Teresa Grandes, Chrissie Iles, Caroline Jones, Kellie Jones, Mason Klein, Michael Leja, Simon Leung, Catherine Lord, Barbara Buhler Lynes, Nicholas Mirzoeff, James S. Moy, Olu Oguibe, Yvonne Rainer, Aleta M. Ringlero, Robert Rosenblum, David A. Ross, Jerry Saltz, Michele Wallace, and Jonathan Weinberg. Includes selected bibliography and participant biographies. "In October 2001, a few weeks after the tragic events of September 11, an international group of scholars, artists, and curators debated the issue of postmodernism in an online symposium on the Georgia O'Keeffe Museum website. The questions raised by the personal testimony and analysis of symposium participants about the nature of reality and representation, about the appropriateness of irony and cynicism in times of crisis, about the potential of culture to effect social change, about the limits of free expres-sion-were as important to grasping the social and cultural complexities of a wounded nation coping with the reality of September 11 as they were to a discussion of postmodernism." -- from book's back cover Fine. As New. Covers and contents clean and unmarked. …

Zustand: New. pp. 240.

Zustand: New. pp. 240.

256; 29.7 x 22.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 6, 1992 - March 7, 1993. Traveled to the Museum of Contemporary Art, Chicago, April 3 - June 20, 1993 and the Whitney Museum of American Art, New York, July 16 - October 3, 1993. Edited by Russell Ferguson. Texts by David Deitcher, Stephen C. Foster, Dick Hebdige, Linda Norden, Kenneth E. Silver and John Yau. Artists include Billy Al Bengston, Jim Dine, Jean Follett, Joe Goode, Grace Hartigan, Jess, Robert Indiana, Jasper Johns, Allan Kaprow, , Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Peter Saul, Wayne Thiebaud, Cy Twombly, Andy Warhol. Includes index, bibliography and artists' exhibition histories. Very Good / Fine. Very light rubbing of covers and subtle yellowing of page edges from age, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.…

Zustand: New.

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Ex library. Quarto softcover (VG) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.…

Paperback. Zustand: New. British artist Gillian Wearing, winner of the 1997 Turner Prize, uses photography and video to explore the intimacies and complexities of everyday life. Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series Signs that say what you want them to say and not Signs that say what someone else wants them to say', in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.Wearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in Confess All . in which masked individuals confess their darkest secrets, or humorous, as in (Slight) Reprise - a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.With exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.Russell Ferguson of UCLA's  Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. The artist has selected transcripts from director Michael Apted's acclaimed British television documentary series Seven Up, an important influence on the process Wearing uses in her own work. Published here for the first time in full are the transcripts of the artist's video works.…

Softcover with dustjacket, 160 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Zustand: Brand New. not indicated edition. 160 pages. 11.75x10.25x1.00 inches. In Stock.

Zustand: As New.

Zustand: As New. Unread book in perfect condition.

Softcover staple-bound, 44 pages, very good condition; light rubbing and edgewear to covers; no internal marks.

263 pp.; 20.9 x 13.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Volume of texts published in conjunction with a symposium on the work of John Chamberlain hosted by The Chinati Foundation, Marfa, Texas, April 22 - 23, 2006. Introduction by Marianne Stockebrand and Richard Shiff, moderator. Transcriptions of lectures by Steven Nash, Klaus Kertess, Dieter Schwarz, Adrian Kohn, Donna De Salvo, Francesca Esmay, David J, Getsy and William C. Agee. Includes contributor biographies. Good. Overall soiling of covers with rubbing of cover edges and light dust soiling of text block edge. Bumping of right side edge of title page with light soiling, contents otherwise clean and unmarked.…

55 pp.; 22.5 x 16.9 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held March 13 - April 12, 2003. Traveled to Inverleith House, Royal Botanic Garden, Edinburgh, Scotland, April 19 - May 25, 2003. Texts by John Giorno and Donna De Salvo. Very Good. Light edge wear. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked. …

Soft cover. Zustand: As New. 1st Edition, Limited Edition. Andy WARHOL Private Drawings from the 1950s RARE 1/1500 Description ANDY WARHOL Private Drawings from the 1950's Sadie Coles HQ, London Inverleith House, Royal Botanic Garden Edinburgh Verlag der Buchhandlung Walter Konig Kola 1st Edition 2003 1 of 1500 This catalogue was published in a limited edition of 1500 on the occasion of the exhibition at Sadie Coles HQ, London, 13 March to 12 April 2003 and Inverleith House, Royal Botanic Garden Edinburgh, Royal Botanic Garden Edinburgh, 19 April to 25 May 2003. This is a gem of a catalogue from the UK, very rare in that it is limited to only 1500 . It is 55 pages, in paperback It has 47 full page illustrations of Warho's private drawings from 1955 when Bonwit Teller commissioned artists like Jasper Johns and Robert Rauschenberg to create displays in front windows on Fifth Avenue. This volume measures 170 mm x 225 mm and is in beautiful condition; NOT ex-library; NO markings. This RARE gem ( 1 of 1500 ) is a MUST HAVE for serious Warhol fans, and a wonderful collection to your art library. Also, very helpful for students and scholars of Warhol or for anybody called upon to authenticate Warhol drawings- and of course for students, scholars, dealers, collectors and lovers of the art of drawing in particular, as well as Art of the Fifties, homoerotic art, etc. these very stylized, risque (for their time!) drawings- mostly of men in fashionable attire- are fascinating. Andy Warhol (illustrator).…

Paperback. Zustand: New. British artist Gillian Wearing, winner of the 1997 Turner Prize, uses photography and video to explore the intimacies and complexities of everyday life. Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series Signs that say what you want them to say and not Signs that say what someone else wants them to say', in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.Wearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in Confess All . in which masked individuals confess their darkest secrets, or humorous, as in (Slight) Reprise - a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.With exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.Russell Ferguson of UCLA's  Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. The artist has selected transcripts from director Michael Apted's acclaimed British television documentary series Seven Up, an important influence on the process Wearing uses in her own work. Published here for the first time in full are the transcripts of the artist's video works.…

Hardcover. Zustand: New.

Hardcover. Zustand: New. John Chamberlain rose to prominence in the late 1950s with energetic, vibrant sculptures hewn from disused car parts, achieving a three-dimensional form of Abstract Expressionism that astounded critics and captured the imaginations of fellow artists. For a seven-year period in the mid-1960s, the artist abandoned automotive metal and turned to other materials. Motivated by scientific curiosity, Chamberlain produced sculptures in unorthodox media, such as urethene foam, galvanized steel, paper bags, mineral-coated Plexiglas and aluminum foil. Since returning in 1972 to metal as his primary material, Chamberlain limited himself to specific parts of the automobile, adding color to found car parts, dripping, spraying and patterning on top of existing hues to an often wild effect. In recent years, the artist has embarked on the production of a new body of work that demonstrates a decided return to earlier themes. John Chamberlain: Choices accompanies the Guggenheim Museum exhibition, which comprises 95 works, from the artist's earliest monochromatic iron sculptures to the outsized foil creations he is working on today, encompassing shifts in scale, material and methods informed by the collage process that has been central to Chamberlain's working method. This fully illustrated exhibition catalogue includes essays by Susan Davidson, Donna De Salvo, Dave Hickey, Adrian Kohn and Charles Ray with an extensive chronology by Helen Hsu and a lexicon by Don Quaintance.…