demand thomas (302 Ergebnisse)

Wraps. Zustand: As New. Thomas Cyrill Demand (born 1964) is a German sculptor and photographer. He currently lives and works in Berlin and Los Angeles, and teaches at the University of Fine Arts, Hamburg. Demand is known for making photographs of three-dimensional models that look like real images of rooms and other spaces, often sites loaded with social and political meanings. He thus describes himself not as a photographer, but as a conceptual artist for whom photography is an intrinsic part of his creative process.".

Paperback. First edition. Exhibition catalogue. Edited by Gilda Williams with work by Richard Billingham, Zarina Bhimji, Thomas Demand, Willie Doherty, Paul Graham, David Griffiths, Sarah Jones, Sarah Lucas, Wendy McMurdo, Steven Pippin, Stuart Smith, John Stezaker, Sam Taylor-Wood, Gillian Wearing, and Catherine Yass. 64 pages; 15 color and b&w plates; 6.5 x 9.25 inches. Text in English and Italian. Artist bios. Condition: Very Good+ with a touch of wear at the extremities and a touch of shelf wear. Ships the next business day, wrapped in padding, in a box.

Zustand: as new. Wie neu/Like new.

Zustand: as new. Wie neu/Like new.

Zustand: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Softcover; 48 pages, in English and Dutch, very good condition except some light rubbing wear to white covers; no internal marks. Foreign shipping may be extra.

Softcover; 56 pages, in English and Italian, very good condition; clean and crisp; no internal marks.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gently used. May include previous owner's signature or bookplate on the front endpaper, sticker on back and/or remainder mark on text block.

Zustand: Fine. *Price HAS BEEN REDUCED by 10^% until Monday, March 16 (weekend SALE item)* 160 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft Cover. Zustand: Fine. This is a fine softcover copy as new still unopened in the publisher's shrinkwrap. Essay by Lars Lerup. This catalog was prepared to accompany an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations. 12" high X 10" wide. This book will be securely packed and shipped with tracking.

Paperback. Zustand: NEW. 1st. [79] pages, illustrations (some colour); 30 cm. Text in English and Dutch. Catalogue of an exhibition organized by and shown at the Aspen Art Museum, Aspen Co., December 14, 2001 to January 27, 2002, and at three other locations. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "German photographer Thomas Demand (b. 1964) is one of the most highly acclaimed artists of his generation. Like many of his contemporaries, his work investigates the nature and process of photography while exploring the role of the media in our culture. Demand begins his process with images of highly charged locations, usually interiors. He obtains these images from a variety of sources, including newspapers, the Internet, and even his own memory. Demand then builds life-size paper and cardboard models of these places, which in turn become the 'subjects' of his large-scale photographs. While the artificiality of these images may not be immediately apparent, upon detailed examination, one can see that details are missing (like light switches), and everything has a hint of peculiarity. In describing his work, Demand has said, 'The surroundings that I portray are, for me, something untouched - a utopic construction. No traces of use are visible on their surfaces, and time seems to have come to a stop.'" - Publisher. Size: 4to. Collectible.

Hardcover without dustjacket as issued; unpaginated, in English and German, good condition, rubbing to covers with large streak to rear cover; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Very Good. VG+ hardcover. Near new but for a little light wear at top of spine.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. First edition. The catalogue for the German exhibition for the 26th Bienal of Sao Paulo, September 25 - December 19, 2004. "Conceptualized by Thomas Demand himself, this book includes three components: a newspaper, a magazine and a book--each of them published on different paper. The newspaper presents the artist's older works; the magazine, printed on glossy paper, introduces new photo works in color and stills from the film Trick; the book portion documents the exhibition architecture." Essays by Bart Lootsma, Douglas Fogle, and Helmut Friedel. 88 pages; color plates + b&w and color text illustrations; 5.75 x 7.75 inches. Text in English, German, and Portuguese. Beitrag der Bundesrepublik Deutschland zur 26a Bienal de Sao Paulo 2004 / German contribution for the 26a bienal of Sao Paolo 2004 / Contribuicao da Republica Federal da Alemanha para a 26a Bienal de Sao Paulo 2004. Condition: Near Fine hardcover with a light bump to two tips and a hint of rubbing to the extremities; appears to be new and unread; no dj as issued. Ships the next business day, wrapped in padding, in a box.

First edition. Hardcover. Text in English and German. Illustrated throughout with color images. An about fair copy with wear to the spine ends, some soiling and fading to the rear board. No dust jacket as issued.

paperback. Zustand: As New. First Paperback Edition. Publisher: Parkett, Zurich, 2001. FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing.

Exhibition Announcement Cards. This is not a book. The original announcement card for a group exhibition titled "The Photograph in Question" and held at Von Lintel Gallery, NYC, June 9 - July 29, 2005. The artists included in the show were William Anastasi, Shimon Attie, John Baldessari, Marina Berio, Mel Bochner, Marco Breuer, Laura Carton, Sarah Charlesworth, John Chiara, Thomas Demand, Liz Deschenes, Richard Galpin, Matthias Geiger, Vik Muniz, Roger Newton, John O'Reilly, Orit Raff, Gary Schneider, Penelope Umbrico, James Welling, and others. Two pieces: Stiff thin card, printed both sides; 9 x 5.75 inches; and a translucent paper vellum sheet, printed one side; same size. Condition: Both Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. The Winter 2006 issue of the photography magazine Aperture, #185, with articles and portfolios including: Alexandra Boulat on women's lives in the Middle East; graffiti in Sulaymaniyah, Iraq, by Adam Broomberg & Oliver Chanarin; polaroids by Patti Smith; aerial photographs of Anatolia by Marilyn Bridges; Jessica Dimmock's documentary work on heroin addicts; portfolios by Gail Albert Halaban and Eirik Johnson; Cindy Sherman, Thomas Demand, Avedon, and much more. 88 pages; color and b&w illustrations throughout; 9.25 x 11.25 inches. Condition: Fine paperback with a touch of rubbing at one tip and a short writing indent. Ships the next business day, wrapped in padding, in a box.

Paperback. The May/June 2010 issue of Afterimage: The Journal of Media Arts and Cultural Criticism (Vol. 37, No. 6) produced by the Visual Studies Workshop, with articles on Thomas Demand, James Tobias, Van McElwee, John O'Reilly, Weegee by Ceegee, photo-bookworks, books that reference Ed Ruscha's photobooks, and more. Edited by Karen Vanmeenen. 40 pages; b&w photographs throughout; 10.5 x 8.25 inches. Laid in is a brochure for a photo-bookworks symposium held at the VSW. Condition: Fine with a touch of soiling to the back cover. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

104 pp.; 20.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 25, 2006 - January 28, 2007. Contributions by Dieter Dath, Christian Demand, Joachim Valentin, Udo Kittelmann. "he Berlin-based conceptual artist Thomas Demand, born in 1964 in Munich, makes hypnotically 'off' large-scale photographs of painstakingly rendered construction-paper models of architectural spaces and natural environments that he fabricates in his studio. In this small, tight board book printed on thick matte paper, Demand documents his most recent project: a series of five photographs that respond to the 'degenerate' mid-century painter Max Beckmann's recently discovered lithograph series, Apocalypse. In Demand's interpretation, the horrifying incident is not Biblical instead he recreates, with incredibly creepy precision, the environment of a provincial German pub where a recent child abuse and murder scandal took place. The 52 reproductions in Klause reveal cinematically suspenseful details of this project." -- publisher's statement. Very Good, 4 x 20.5 cm. band of discoloration to verso cover, otherwise fine.

Softcover; 116 pages, in English and German; new condition; still sealed. Foreign shipping may be extra.

Hardcover with dustjacket, 114 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First edition. Hardcover. Exhibition catalog for a show that ran November 24, 2000 through February 11, 2001. Text in French with contributions by Francesco Bonami, Regis Durand, and Francois Quintin. Includes numerous color images of which several are gatefolds. A very near fine copy in a very near fine dust jacket.

paperback. Zustand: VERY GOOD. Pages are clean, unmarked, and tight; very light shelf and corner wear on cover.

Hardcover without dustjacket as issued, 256 pages, in English with Italian at rear; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 116 pages; in English and German; as new condition;clean and crisp; no internal marks. Foreign shipping may be extra.