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Hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Hardcover. Zustand: Good. Zustand des Schutzumschlags: no dustjacket as issued. Hardbound book in full color pictorial boards. Isolated soil to rear board and light wear to bottom edges of boards. Text block is crisp, sharp cornered, bright.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Zustand: Fine. No Jacket. Though not as well-known as Monet or VanGogh, Charles Francis Daubigny was one of the most important French landscape painters of the 19th century. This exhibition reassessed his work and examined his importance for the Impressionists as well as VanGogh. First edition as such. About 9 3/4 x 10 1/2 inches in heavy card covers. Front cover shows "Sunset Near Villerville," 1876, from The Mersdag Collection, The Hague. Catalogue is 177 pages with numerous prints of the work of the three artists in color with notes, a bibliography, a list of works in the exhibition and a chronology. Both covers and text are in Fine condition with no flaws or damage such as underlining or dogeared corners.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Zustand: New.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 160 pages with 115 illustrations in color. Foreword by Glenn D. Lowry and Axel Rüger. Introduction by Joachim Pissarro and Sjraar van Heugten. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY September 21, 2008-February 5, 2009 and the Van Gogh Museum, Amsterdam February 13-June 7, 2009. Bibliography. List of Illustrations. Book.

Hardback. Zustand: New. An insightful overview of how Millet influenced and inspired many modernist artists that followed him Jean-Francois Millet (1814-1875) was one of the most important artists of the Barbizon School. Through his publicly exhibited works and their critical reception, Millet was of crucial significance to modernist painters. Millet's modernity is evident in his varied subjects-from peasant themes to landscapes to nudes-and his anti-academic, rough paint application. He also produced highly inventive pastels and drawings.Jean-Francois Millet examines the international range of artists whom he influenced. For instance, Millet was an artistic hero for Vincent van Gogh, whose treatment of numerous motifs-including The Sower and Starry Night-was directly inspired by the older artist. Van Gogh even painted a remarkable series of 21 "copies" after Millet's work while living in the south of France in the final year of his life. Other artists on whom Millet had a profound impact include Camille Pissarro, Georges Seurat, Claude Monet, Edgar Degas, and Winslow Homer, and, in the 20th century, most notably Edvard Munch and Salvador Dali.Published in association with the Van Gogh Museum and the Saint Louis Art MuseumExhibition Schedule:Van Gogh Museum, Amsterdam (October 4, 2019-January 12, 2020)Saint Louis Art Museum (February 16-May 17, 2020).

Soft cover. Zustand: Very Good. 1st Edition. Pages are clean and good condition. Some light wear to cover, including a crease on the bottom back. Beautifully illustrated throughout.

Soft cover. Zustand: Fine. Nice bright and crisp copy with no creasing to the covers or the spine. Very slightly bumped at the top left corner of the back cover. No markings. No remainder mark.

Zustand: Good. Paperback met flappen, veel (paginagrote) illustraties (waaronder foto's) in kleur, 4to.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Paperback met flappen, geïllustreerd met foto's in z/w, 8vo.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2019. Hardcover. . . . . .

Zustand: New.

Zustand: as new. With contributions by Sylvie Crussard and Karen Rechnitzer Pope. Bussum : Thoth Publishers, 2018. Hardcover. 176 pp. Ills. 27 cm. Exhibition, Van Gogh Museum, Amsterdam, 5 October 2018 -12 January 2019. English text. - In 1887, Paul Gauguin, together with fellow-artist Charles Laval, spent four months on the island of Martinique. Both artists were hoping to find an idyllic environment on the Caribbean island. Using scintillating colours and bold compositions, they captured the island in their paintings and drawings as a primitive and tropical paradise. In doing so they clung to their original ideals while ignoring the harsh everyday reality of a colonized world. Their Martinique works occupy a unique position within the oeuvre of both Gauguin and Laval. And, although their stay on the island was brief, it was nonetheless decisive for their future artistic development. Condition : as new copy. ISBN 9789068687644. Keywords : ART, Gauguin, Paul (1848-1903) Laval, Charles (1862-1894).

Hardcover. Zustand: new. Hardcover. An insightful overview of how Millet influenced and inspired many modernist artists that followed him Jean-Francois Millet (18141875) was one of the most important artists of the Barbizon School. Through his publicly exhibited works and their critical reception, Millet was of crucial significance to modernist painters. Millets modernity is evident in his varied subjectsfrom peasant themes to landscapes to nudesand his anti-academic, rough paint application. He also produced highly inventive pastels and drawings.Jean-Francois Millet examines the international range of artists whom he influenced. For instance, Millet was an artistic hero for Vincent van Gogh, whose treatment of numerous motifsincluding The Sower and Starry Nightwas directly inspired by the older artist. Van Gogh even painted a remarkable series of 21 copies after Millets work while living in the south of France in the final year of his life. Other artists on whom Millet had a profound impact include Camille Pissarro, Georges Seurat, Claude Monet, Edgar Degas, and Winslow Homer, and, in the 20th century, most notably Edvard Munch and Salvador Dali.Published in association with the Van Gogh Museum and the Saint Louis Art MuseumExhibition Schedule:Van Gogh Museum, Amsterdam (October 4, 2019January 12, 2020)Saint Louis Art Museum (February 16May 17, 2020) An insightful overview of how Millet influenced and inspired many modernist artists that followed him Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: As New. Unread book in perfect condition.

Zustand: new.

Hardback. Zustand: New. An insightful overview of how Millet influenced and inspired many modernist artists that followed him Jean-François Millet (1814-1875) was one of the most important artists of the Barbizon School. Through his publicly exhibited works and their critical reception, Millet was of crucial significance to modernist painters. Millet's modernity is evident in his varied subjects-from peasant themes to landscapes to nudes-and his anti-academic, rough paint application. He also produced highly inventive pastels and drawings.Jean-François Millet examines the international range of artists whom he influenced. For instance, Millet was an artistic hero for Vincent van Gogh, whose treatment of numerous motifs-including The Sower and Starry Night-was directly inspired by the older artist. Van Gogh even painted a remarkable series of 21 "copies" after Millet's work while living in the south of France in the final year of his life. Other artists on whom Millet had a profound impact include Camille Pissarro, Georges Seurat, Claude Monet, Edgar Degas, and Winslow Homer, and, in the 20th century, most notably Edvard Munch and Salvador Dalí.Published in association with the Van Gogh Museum and the Saint Louis Art MuseumExhibition Schedule:Van Gogh Museum, Amsterdam (October 4, 2019-January 12, 2020)Saint Louis Art Museum (February 16-May 17, 2020).

Paperback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.Author: Michael ClarkeFormat: Paperback Number of Pages: 176Charles Francois Daubigny (1817-1878) was one of the most important French landscape painters of the nineteenth century. This book reassesses his work and examines his importance for the Impressionists, as well as Van Gogh. Daubigny helped to shape Impressionism through his working practice: routinely painting outdoors, often from his studio boat; exploring new subjects and unexpected viewpoints; and developing a radically 'unfinished' style and a brighter palette. He supported the Impressionists at the Paris Salons and introduced both Monet and Pissarro to the art dealer Paul Durand-Ruel. He moved towards a more subjective interpretation of nature in his later sunsets and nocturnes, inspiring not only Monet, but Vincent van Gogh, who spent the last two months of his life close to Daubigny's home and studio at Auvers-sur-Oise. These themes and others are explored through a series of essays that examine his interactions with the young Impressionists, the market response to his paintings, the evolution of his highly original technical processes and his role as the leader of an artists' colony. AUTHOR: Lynne Ambrosini is Director of Collections and Exhibitions and Curator of European Art at the Taft Museum of Art, Cincinnati. Nienke Bakker is Curator of Paintings at the Van Gogh Museum. Rene Boitelle is Senior Paintings Conservator a the Van Gogh Museum, Amsterdam. Michael Clarke is Director of the Scottish National Gallery in Edinburgh and is a specialist in French art. Maite van Dijk is Curator of European Paintings at the Van Gogh Museum, Amsterdam. Frances Fowle holds a joint post as Senior Curator of French Art at the Scottish National Gallery and Lecturer in History of Art at the University of Edinburgh. 140 colour. Paperback.

Hardcover. Zustand: New.

Zustand: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Couverture souple. Zustand: Très bon. Maite van Dijk-Joost van der Hoeven-Sylvie Crussard-Karen Rechnitzer Pope GAUGUIN ET LAVAL EN MARTINIQUE Ouvrage publié à l'occasion de l'exposition au Van Gogh Museum du 5 octobre 2018 au 13 janvier 2019 2018, Bruxelles Amsterdam, Edition Fonds Mercator et Van Gogh Museum Format : In-4 (26 x 22 cm), broché sous couverture à larges rabats, 176 pages Abondamment illustré Etat : excellent état, superbe exemplaire poids : 1 kg.