doherty hannah (34 Ergebnisse)

Zustand: New.

Paperback or Softback. Zustand: New. Romantic Fiction and Literary Excess in the Minerva Press Era. Book.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

SingleIssueMagazine. Zustand: Very Good+ to Near Fine. Vol. 37, No. 3. Edited by Matthew Moring. Cover art is uncredited. Includes "The Guilty" by Jonathan Sheppard; "Twelve Good Men and True" by Jim Doherty; "Prize Fight' by Brian Townsley; "In Custody" by Jane Jakeman; "Fight Music" by Brian Stanley; "Innocent Made Guilty" by Hannah Honeybun; "The Evolution of the Femme Fatale in Raymond Chandler's the Little Sister" by Katrina Younes; "Lady Death" by William Burton McCormick; "Sucker Punch" by Frank Megna; "The Maltese Terrier" by Michael Bracken; "Lyubka the Cossack" by Isaac Babel; "Lock the Death House Door!" by D. L. Champion; "Slippery Fingers" by Dashiell Hammett; "Three Gun terry" by Carroll John Daly; "Nobody's Fall Guy" by Frederick Nebel; "Kentucky Kickback" by T. T. Flynn; "The Green Ghoul" by Frederick C. Davis. Light wear, bumps and dings. Book.

Paperback. Zustand: Brand New. 142 pages. 11.00x8.50x0.36 inches. In Stock.

Zustand: New. 2025. paperback. . . . . .

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Encuadernación de tapa blanda. Zustand: Muy bueno. Librería Aves Del Paraíso. Descripción del libro. Título: Surroundings Autor: Helen Chadwick, Hannah Collins, Willie Doherty, Steven Pippin, Catherine Yass Editorial: Tel Aviv Museum Of Art Lugar: Tel Aviv Año: 1997 Encuadernación: Rustica Páginas: 117+110 Estado General: Muy Bueno Traducción: Ninguna Medidas: 19,5x22cm Peso: 590grs Idioma: Inglés Detalles: Fotografías en b/n y colores. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS.

Taschenbuch. Zustand: Neu. Neuware - Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Zustand: New.

Zustand: New.

Zustand: New. In.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Buch. Zustand: Neu. Neuware - Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Paperback. Zustand: new. Paperback. Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details. In the Romantic period, more novels were published in England than ever before. This book offers scholars and book historians a new perspective on the effects of this change, showing how this age of mass production inspired both critique and innovation among authors, publishers, readers and reviewers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Zustand: Brand New. 308 pages. 6.00x0.65x9.00 inches. In Stock. This item is printed on demand.

Paperback. Zustand: new. Paperback. Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details. In the Romantic period, more novels were published in England than ever before. This book offers scholars and book historians a new perspective on the effects of this change, showing how this age of mass production inspired both critique and innovation among authors, publishers, readers and reviewers. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Zustand: new. Paperback. Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details. In the Romantic period, more novels were published in England than ever before. This book offers scholars and book historians a new perspective on the effects of this change, showing how this age of mass production inspired both critique and innovation among authors, publishers, readers and reviewers. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Zustand: new. Hardcover. Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details. In the Romantic period, more novels were published in England than ever before. This book offers scholars and book historians a new perspective on the effects of this change, showing how this age of mass production inspired both critique and innovation among authors, publishers, readers and reviewers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Zustand: Brand New. 280 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.

Hardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 600.