Douglas ellen (Mehr als 1.000 Ergebnisse)

Sprache: Englisch
Verlag: Algonquin Books, 2000
- Softcover
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Sprache: Englisch
Verlag: Algonquin Books, 2000
- Softcover
Anbieter: World of Books Inc, Montgomery, IL, USAWorld of Books Inc
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Paperback. Zustand: Good. Whether it's the bodybuilder who picks up energy in the air, the rich girl who sees potential in the beer-drinking factory worker at her father's cardboard plant, the girl who turns against her evangelist father to find the real Jesus, the aunt with a withered arm who may have influenced Flannery O'Connor, the feminist scholar trying to reason with a good old boy, or the young MFA student determined to write a good story, this year's collection is about the connections these Southerners will to happen. Each story, as Ellen Douglas's thoughtful preface says, testifies to our need to feel and understand the significance of the buzzing blooming dying chaos of our experience. This fifteenth edition is rich with unforgettable characters and full of great moments of comedy and tragedy. Twenty writers tell their stories in this year's NSFS: A. Manette Ansay, Wendy Brenner, D. Winston Brown, Robert Olen Butler, Cathy Day, R.H.W. Dillard, Tony Earley, Clyde Edgerton, William Gay, Tim Gautreaux, Allan Gurganus, John Holman, Romulus Linney, Thomas H. McNeely, Christopher Miner, Chris Offutt, Margo Rabb, Karen Sagstetter, Mary Helen Stefaniak, Melanie Sumner Each selection is accompanied by a look into the origin of the story. Readers will also find an updated list of magazines consulted by the editor for this edition and a complete list of all the stories selected each year since the series' genesis in 1986.…

- Hardcover
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- Softcover
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Paperback. Zustand: Fair. "It is rare when a book this fine enters the world of contemporary American literature." - The Boston Globe Two women share a Mississippi household for fifteen years, rolling out piecrusts and making conversation. Cornelia is rich, white, and pampered, the mistress of the house, who oversees a seemingly perfect world of smooth surfaces and stubborn silence. Tweet, her housekeeper, is a poor, black, world-weary woman with a ghost-ridden past. As the years go by, Cornelia and Tweet each endure moments of uncertainty and despair; each, in her time of need, is rescued by the other. In the footsteps of Southern writers like Peter Taylor, Eudora Welty, and Flannery O'Connor, Ellen Douglas celebrates the resiliency of the human spirit in this story of two women bound by transgression and guilt, memory and illusion, gratitude and love. "Ellen Douglas is not just one of our best Southern novelists. She is one of our best American novelists." - The New York Times Book Review.…

- Softcover
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Paperback. Zustand: Good. "It is rare when a book this fine enters the world of contemporary American literature." - The Boston Globe Two women share a Mississippi household for fifteen years, rolling out piecrusts and making conversation. Cornelia is rich, white, and pampered, the mistress of the house, who oversees a seemingly perfect world of smooth surfaces and stubborn silence. Tweet, her housekeeper, is a poor, black, world-weary woman with a ghost-ridden past. As the years go by, Cornelia and Tweet each endure moments of uncertainty and despair; each, in her time of need, is rescued by the other. In the footsteps of Southern writers like Peter Taylor, Eudora Welty, and Flannery O'Connor, Ellen Douglas celebrates the resiliency of the human spirit in this story of two women bound by transgression and guilt, memory and illusion, gratitude and love. "Ellen Douglas is not just one of our best Southern novelists. She is one of our best American novelists." - The New York Times Book Review.…

- Hardcover
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Hardback. Zustand: Very Good. In four haunting family stories, Ellen Douglas seeks to track down the truth--about herself, about her white Mississippi forebears, about their relationships to black Mississippians, and ultimately about their guilt as murderers of helpless slaves. Progressively searching further and further back in time, each of these four family tales involves collusion and secrets. In Grant, a randy old uncle dying in the author's house is nursed by a beautiful black woman while his white family watches from a respectful distance. Who loves him better? When truth is death, who is braver facing it? In Julia and Nellie, very close cousins make a marriage in all but name back in the days of easy scandal. The nature of the liaison never mentioned, the family waives its Presbyterian morality in the face of family deviance. In Hampton, her grandmother's servant, who has constructed a world closed to whites, evades the author's tentative efforts at a meeting of minds. And finally, in On Second Creek, Douglas confronts her obsession with the long-lost--or -buried--facts of the examination and execution of slaves who may or may not have plotted an uprising. Having published fiction for four decades, here she crosses over into the mirror world of historical fact. It's a book, she says, about remembering and forgetting, seeing and ignoring, lying and truth-telling. It's about secrets, judgments, threats, danger, and willful amnesia. It's about the truth in fiction and the fiction in truth. Praise for Ellen Douglas: It's possible to think that some people were simply born to write. Ellen Douglas is just such a writer.--Richard Ford; Proust wrote in one of his last letters, 'one must never be afraid of going too far, for the truth is beyond.' Ellen Douglas has taken this very much to heart and has sought the truth in a region beyond falsehood; through falsehood, in effect. It's a fascinating performance.--Shelby Foote.…

- Softcover
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- Hardcover
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