Dryansky larisa (56 Ergebnisse)

Softcover, staple-bound, 24 pages of photos plus 20 partial pages of text in English and French; good condition; long crease to lower right corner of first page; light edgewear to pages; no internal marks. Foreign shipping may be extra.

Couverture souple. Zustand: Comme neuf.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: None, As Issued. 1st Edition. 1st Printing. 52 pages. Published in 2008. Retrospective Catalog, presented as an Artist Book. One of the most beautiful art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Nazraeli Press: Oversize-volume format. Cream cloth boards with photographic reproduction pasted in front and titles embossed on the cover and spine, as issued. Photographs by Josef Breitenbach. Essay by Larisa Dryansky. Printed on pristine-white, thick coated stock paper to the highest standards. In publisher's original plastic wrappers. Without DJ, as issued. Published in conjunction with The Josef Breitenbach Trust. Presents Josef Breitenbach's "Manifesto". A most beautiful portfolio. "Born in Munich in 1896, Josef Breitenbach began taking photographs while working in the family wine merchant business. Proving less than successful at the latter, he opened his first photographic studio in 1932. Munich at that time was a stronghold of libertarians and bons vivants, and Breitenbach's clients included actors, cabaret stars, writers, and political figures. It was a short-lived venture. When Hitler became Chancellor in 1933, the photographer escaped to Paris, where he stayed for the next six years. There, Breitenbach's close friendship with Max Ernst brought him into contact with the Surrealist Movement although he never became a formal member of that group. His work was included in a number of exhibitions, alongside that of Man Ray, Brassai, and Cartier-Bresson. After the outbreak of war and a period of internment, he fled to New York and established himself as a teacher and commercial photographer. His early work remained unseen until its surprise re-discovery after his death, in 1984" (Publisher's blurb). Josef Breitenbach was the classic Modernist case: A tough-minded, serious, soulful artist whose work was ahead of its time even as he absorbed whatever he found useful among the Movements swirling around him. He is now considered a major forerunner of Andy Warhol in his application of color to black-and-white photographs through toning and bromoil transfer. His Bauhaus-inspired work, especially the photograms (such as "Bird, New York, 1948") are masterpieces that have all the color, warmth, and detail of a painting combined with the clarity, precision, and fluidity of a photograph. Breitenbach's most famous champion/collector today is Sir Elton John, who has amassed what is probably the finest collection of his work. The Sir Elton John Photography Collection has been promised to the City of Houston, which should help make Breitenbach's magnificent work permanently available to the public. An absolute "must-have" title for Josef Breitenbach collectors. This title is a contemporary art photography book classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws because the cream cloth covers soil very easily. A scarce copy thus. 29 full-page plates. One of the greatest artist/photographers of the 20th century. A fine copy. (SEE ALSO OTHER JOSEF BREITENBACH TITLE IN OUR CATALOG) ISBN 1590051858. no.…

Soft cover. Zustand: Fine. 1st Edition. 119pp. Pictorial French Wraps. Color, black and white photos throughout. As new.Josef Breitenbach was a an escaped Jewish refugee from Germany whose photography was representative of the Surrealist movement of the 30's and 40's. Size: 11 1/4" x 9 1/4". Book.

Softcover, 120 pages; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. First edition. Very Good+ paperback with French flaps with a light bend/crease to one corner, a crease to the first page, and rub off to the first and last pages; otherwise appears to be new. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of work by Valerie Belin, held at the Galerie Jerome de Noirmont, Paris, November 7, 2008 - January 8, 2009. The catalogue present three series: the same woman in the same pose but with different showgirl costumes; different men in the same pose shuffling cards and; flower arrangements. Photographs by Valerie Belin; essay by Larisa Dryansky. From a first edition limited to 2000 copies. 52 pages; 16 duo-toned b&w plates; 10.75 x 13 inches. Biography/exhibition history, bibliography. Text in English and French. B/w Photos (illustrator).…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

First Edition. First edition. Softcover. 115 pages. Published in conjunction an exhibition that ran October 2001, through January 27, 2002. Text in English and French. Features a contribution by Larisa Dryansky. Includes some color and numerous black and white images, checklist, a chronology, list of previous exhibitions, and a bibliography. A fine copy in French style wrappers and still in the publisher's shrinkwrap slit open to verify edition.…

Softcover, 52 pages, in English and French; as new condition,except light rubbing to cover; no internal marks. Foreign shipping may be extra. B/w Photos (illustrator).

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Ref. F60981. 24x29. 116 pág. Texto en ingles. Fotos en b/n. Fotografía. 31-I Fotografía Sin categorizar.

Couverture souple. Zustand: Très bon.

First Edition. First edition and first printing. Hardcover. 223 pages. Edited by gallerist Edynn Houk. Features text by Laris Dryansky. A retrospective monograph that includes 110 quadtone black and white images. A clean near fine copy in cloth boards with a small remainder dot to the top of the page edges and in a very near fine dust jacket. A nicely printed book.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: AS NEW. Etat de NEUF / AS NEW condition 9782735508501 9782735508501 1034E 3.

Editions de l'Amateur, Musée Nicéphore Nièpce, 2001, 115 p., broché, bon état.

Couverture souple. Zustand: Neuf. NA12025, 1184E1, 9782735508501.

Hardcover. Zustand: Brand New. 1st edition. 930 pages. 9.50x7.25x1.50 inches. In Stock.

28,5 x 26 cm. 223 S. miz zahlr. s/w Fotoabb. OLn. mit fotoillustr. Orig.-Umschlag (dieser etwas gebraucht und mit kl. Löchlein im Falz).

Hardcover without dustjacket; unpaginated; in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Brand New. bilingual edition. 247 pages. French language. 10.25x7.25x0.75 inches. In Stock.

Zustand: New.

Hardcover. Zustand: new. Hardcover. This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche a Jan Dibbets" that was held at the Bibliotheque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images-both approaches having already produced an important body of comparative readings of medieval and contemporary art-the essays in this volume address the question of medieval art's contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance. Engaging the artists' works as well as their writings, these studies conflate conceptual and esthetic perspectives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardback. Zustand: New. Bilingual.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: fine/fine. First edition. Quarto. (28cm x 26cm) 221pp.

Zustand: As New. Unread book in perfect condition.

Zustand: New.