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Paperback. Zustand: New. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.…

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Zustand: Wie Neu. Zustandsbeschreibung: ungelesen, leicht bestoßen/unused, slightly bumped. Transnational and Transdisciplinary Perspectives. Edited by Mario Dunkel & Sina A. Nitzsche. In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. With contributions by Klaus Nathaus, Alessandro Mazzola, Nevin Sahin, Rüdiger Ritter, Maristella Feustle, Ádám Ignácz, Martha Bayles, Nicholas Alexander Brown, Sven Kube, Carlos Sanz Diaz and José Manuel Morales Tamaral, Kendra Salois, James R. Ball III, Gesa zur Nieden, Dean Vuletic, Mario Dunkel & Sina A. Nitzsche. 328 Seiten mit 12 Abb., broschiert (Studien zur Popularmusik/transcript Verlag 2018). Statt EUR 44,99. Gewicht: 523 g - Softcover/Taschenbuch.…

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Zustand: Sehr gut. 328 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 510.

Zustand: New. 2018. 1st Edition. paperback. . . . . .

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Originalhardcover. Zustand: Wie neu. 234 S., graph. Darst., Noten. Ein tadelloses Exemplar. - Addressing a range of music examples and texts, the fifteen essays in this volume explore the interaction between both conceptions of time and space and the intermedial relationship between words and music. This intermedial experimentation may serve to adopt the spatio-temporal attributes of the other medium or to comment on a forms own mediality. It has much to say about processes of literary and musical composition and reception, the role of tradition and intertextuality, and the medial constellation in which these works situate themselves. The articles here collected testify to the success of the first conference of the Word and Music Association Forum, founded in 2009 to offer graduate students and post-docs a forum for presenting and discussing work in word and music studies. - Content: Adrian Paterson: Worded or Sung? The Thirteen Teeth of Joyce's Pomes Penyeach -- John McGrath: Musical Repetition in Samuel Beckett's Ill Seen Ill Said -- Isabel Wagner: Aeolian Harps and Creators of Acoustic Spaces: Gert Jonke's Self-Reflexive Soundscapes -- Emily Petermann: The Concept of Time Implied by the Theme and Variations Form: Novels Based on Bach's Goldberg Variations -- Markus Huss: The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works -- Christin Hoene: Sounding Through Time and Space: Music in Postcolonial South-Asian Literature -- Sarah Fekadu: Ezra Pound's Spatial Aesthetics of Music -- Beate Schirrmacher: The Use of Musical Intermediality in Creating Spatial Temporality: Gunter Grass's Novel Ein weites Feld (1995) -- Hannah Ianniello: Violence in Narratives about Jazz Musicians: Performance in Michael Ondaatje's Coming Through Slaughter -- Helen Abbott: Poetic Time and Space, or What Faure Leams from Baudelaire -- Burkhard Sauerwald: A Song and Its Checkered History of Reception and Effect: "Der gute Kamerad" by Ludwig Uhland and Friedrich Silcher -- Diana Kupfer: A Cycle of Songs, Sorrow and Citations: Earl Kim's Now and Then (1981) -- Maria Ristani: Carving Time in Rhythm: Samuel Beckett and Minimalist Music -- Judith Crispin: The Transcendence of Musical Time: Text and Temporality in Busoni's Doktor Faust and Messiaen's Saint Francois d'Assise -- Tyler Cassidy-Heacock: Poetry Traced in the Air: Electronic Mediation, Musicalized Language, and Embodiment in Leroux's Voi(rex). ISBN 9783631606988 Sprache: Englisch Gewicht in Gramm: 405. …

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Zustand: New. pp. 350.

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Zustand: New. pp. 350.

Zustand: New. 2018. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Zustand: new. Paperback. This book focuses on the role of popular music in the rise of populism in Europe, centring on the music-related processes of sociocultural normalisation and the increasing prevalence of populist discourses in contemporary society. In its innovative combination of approaches drawing from (ethno)musicology, sociology, and political science, as well as media and cultural studies, this book develops a culture-oriented approach to populism. Based on shared research questions, an original theoretical framework and a combination of innovative methodologies that pay attention to the specific socio-historical contexts, taking into account musical material as well as processes of reception, the five chapters in this volume offer detailed analyses of the nexus of popular music and populism in Hungary, Italy, Austria, Sweden and Germany. All of these countries have seen a marked increase in populist parties and discourses over the last years, as well as significant interactions between populism and popular music. This book will be essential reading for those investigating popular music as a crucial aspect in the study of populism as a cultural phenomenon in Europe.The Open Access version of this book, available at , has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. This book focuses on the role of popular music in the rise of populism in Europe, centering on the music-related processes of sociocultural normalization and the increasing prevalence of populist discourses in contemporary society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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