Dwight edward h (42 Ergebnisse)

Paperback. Zustand: As New. 2012 Soft Cover Edition. Light handling wear to cover edges. Pages unmarked.

Softcover. Zustand: Very Good.

First edition (as stated upon copyright page). xiv, 368 pages. Hardcover: H 24cm x L 16cm. Dust jacket rubbed and lightly soiled; several small chips, nicks, tears, and creasing at edges; front flap is not price-clipped. Black cloth spine with gilt stamped lettering; light toning to gray boards; rear board soiled at lower left; spine ends bumped with small dings near center of each board's bottom edge. Deckle fore-edge; slight soiling to top edge; purple speckling to bottom edge likely indicative of publisher's remainder marking. Interior pages are clean. Binding is firm. A very good- copy in a very good- dust jacket. ISBN 0385144938. …

Pictorial Wrappers. Zustand: Good-. First Edition. Inside front cover has small former ownership printed label and manuscript inscription by the late printing and graphic-arts historian Philip Hofer, "For my new friend, Isidore, with best regards, Philip Hofer, 15 May 1966." Binding and outer edges have soil; binding has wear as well; spine paper is darkened (sunned?); tight, text clean. 57 p., 93 p. of black-and-white plates. Interesting provenance. [O1:6].…

Paperback. Zustand: Good. First Edition. 72 pp., bw ill., small 4to. Firm binding, no ownership markings, bumped top fore-edge corner, tanned wraps with chipping along edges.; Well packaged, ships with tracking.

Softcover. Zustand: Very Good. No Dust Jacket. Covers have a slight crease to one corner and slight smudging.

paperback. Zustand: Good. Light marking and gallery stamp on front cover Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Zustand: Very Good. 1st Edition. White card stock covers with a colored front cover pictorial of a peach tree. Previous owner's sticker on verso of front cover and same owner's name on title page. Rear cover lightly soiled and with a faint crease to upper corner. Introduction by Edward H. Dwight, Director. Published on the occasion of the exhibition Munson-Williams-Proctor Institute, Utica NY October 12- November 16, 1969. 44 black and white illustrations. Contents clean and tight. PayPal accepted.…

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Good. 24 cm. xvii, [1], 445, [1] pages. Illustrations. Notes. Sources. Index. Book Club mark at rear board, no price on DJ. DJ has some wear, soiling, edge tears and chips. Pencil erasure residue on fep. Robert Hugh Ferrell (May 8, 1921 - August 8, 2018) was an American historian and a prolific author or editor of more than 60 books on a wide range of topics, including the U.S. presidency, World War I, and U.S. foreign policy and diplomacy. One of the country's leading historians, Ferrell was widely considered the preeminent authority on the administration of Harry S. Truman, and also wrote books about half a dozen other 20th-century presidents. He was thought by many in the field to be the "dean of American diplomatic historians," a title he himself eschewed. Ferrell was an intelligence analyst in the U.S. Air Force in Washington, D.C., during the Korean War. Robert Ferrell the editor of this book does an excellent job in presenting the diaries, and providing background and context. Ike was not it seems a dedicated diarist but one who on occasion wrote down his thoughts about a particular subject. The diaries of the late Dwight D. Eisenhower are unique documents, in that they alone reveal the innermost thoughts of the soldier-statesman. In his books the memoir of the Second World War, the two large volumes on the presidency, the incomplete autobiography written near the end of his life Eisenhower related the course of events over the years, with descriptive detail, but he usually stayed away from analysis. In his many private letters to friends and acquaintances, some of which have been published, he was more frank, but he still held back. The public record of his military career and of his presidency does not reflect many open, frank statements, proofs that the soldier-president thought long and deeply about issues, personal or public. Book Club Edition. [Verso does state First Edition/First Printing.]. Edward P. Diehl (Jacket Design) (illustrator). …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. First edition. 212 pages. Profusely illustrated. Small, 1/2" tear top of spine, else very good+ condition in good dust jacket that has chipping, edgewear, scrape back and some soiling. (ART9).

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good condition. This is a tall trade size softcover book. Some staining on back cover. Top front corner and bottom back corner are lightly bumped. 57 pages of text plus 94 black and white plates. This book is on hold.

Paperback. Zustand: Near Fine. Softcover in stapled wraps. 8vo. Crisp and clean, with slight sunning on rear toward spine. Exhibition catalogue from 1965 showcasing works by Jose Luis Cuevas, Paul Horiuchi, Conrad Marca-Relli, and Jack Zajac. All plates in black-and-white. Retired from the J. Paul Getty Library, with its bookplate on verso of rear wrap. Unpaginated (12 pp. ) .…

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 72 pages. Accompanies the exhibition that traveled to the Munson-Williams-Proctor Institute, Utica, New York, October 12 - November 16, 1969; Albany Institute of History and Art, Albany, New York, December 2 - January 18, 1970 and the Cincinnati Art Museum, Cincinnati, Ohio, February 6 - March 8, 1970. Softcover in excellent condition with some age and shelf wear to cover. Inside clean and binding tight. …

Softcover. Cream & color illus. wraps. 72 pp. 44 bw repros. Contains a lengthy introduction by Edward H. Dwight and an artist chronology. The illustrated catalog presents 44 works. One of 3000 copies. Catalog of an exhibition held at the Munson-Williams-Proctor Institute, Utica, New York, October 12 through November 16, 1969; Albany Institute of History and Art, Albany, New York, December 2 through January 18, 1970 and the Cincinnati Art Museum, Cincinnati, Ohio, February 6 through March 8, 1970. Good+. (spines tanned. covers scuffed & scratched; may have light red scuffing & soiling to back cover w/ light foxing. interiors bright & clean. may have stamp on title page from previous owner).…

Printed Wrapper. Zustand: Very Good. No Jacket. First Edition. Printed Wrapper. Very Good/No Jacket. First Edition. Private Press. 4to - over 9¾" - 12" tall. Catalog of Milwaukee Art Institute inaugral exhibit , September 12 - October 20, 1957. Small stains on lightly sunned wrpper and spine with one 1/4" closed tear else fine item with no writing, marking or remainder mark.…

Soft Cover. Zustand: Very Good. 1963. 212 pp. Solidly bound copy with minimal external wear, crisp pages and clean text.

Soft cover. Zustand: Good. No Jacket. 1st Edition. 8vo, printed wrappers, detached, a few edge chipped, (9)-126pp. See BAL 8352. A good+ copy.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st ed., 2nd printing ; ix, 310 pages ; 24 cm ISBN 9780760739549, 0760739544 OCLC 54409153 ; brown abd maroon cloth in color illustrated dustjacket ; Visions of Ghost Armies introduces you to a side of war you might never have imagined possible. In more than one hundred true stories--reported by eyewitnesses and sometimes verified by the media--you will read eerie and haunting accounts of spirit soldiers and armies of the night who still fight battles decades to centuries after their wars have ended. ; "From the files of FATE magazine." ; FINE/FINE. Book.…

Softcover. yellow, stapled wrapper w/ black printing & illustration. approx 24 unpaginated pgs w/ introduction & bw illustrations. A very nice, amusing catalogue of the Scottish engraver and caricaturist's work. Limited to 2,000 copies. VG+ light shelf-wear to covers. pgs clean & unmarked.

Mass Market PaperBack. Zustand: Very Good. Darkening & foxing to spine & margins. Dust stained textblock edges. Clean, unmarked interior pages. (308 pages & four page list of available Anchor titles.).

Soft cover. Zustand: Near Fine. First Edition. Near fine in original wrappers with light edgewear.

Mass Market PaperBack. Zustand: Very Good. First Edition. 16mo. (Four & 1/8th-inches x Seven & 1/8th-inches); Darkening of spine & margins.Dark stain back cover panel and small surface tear bottom edge of same panel. Rubbing and another small stain front cover panel. Includes 'A long excerpt from: Lolita.' and 'On a book entitle Lolita -- Vladimir Nabokov'; also preface to Lolita by F.W. Dupree. Darkened/dust stained top textblock edge.(308 pages & four page list of Anchor titles.). …

Catalogo mostra Utica, New York, Museum of Art Munson-Williams-Proctor Institute, 13 gennaio - 2 marzo 1980, testo inglese, brossura, formato 22x28, pagine 168, illustrato con 102 tavole in nero e colori fuori testo, ottime condizioni - 44716 ISBN non applicabile 1.

Zustand: Good. 4to. 212 pp. Very Good. Soft Cover. Illustrated paper wraps. Minor toning on covers. Spine sunned. Minor signs of foxing on first few pages, else fine. Color and B&W plates throughout. Signed on endpaper by Peter Selz.From the Collection of the Art Historian Peter Selz.

Cloth. Zustand: Fine. Language: English. Advancement of learning and Novum Organum, Revised Edition by Francis Bacon with special introduction by James Edward Creighton The World's Great Classics, University Collection, limited to One Thousand Sets of which this is number 230 Editorial light green cloth, hard cover, upperside bookblock gilded, two other sides untrimmed, 24 x 16 cm, XII and 476 pages, 3 page wide illustrations, some wear on the covers, very clean inside in excellent condition 0.…

Cloth. Zustand: Fine. Language: English. Classic Memoirs, Revised Edition, Volume II by Earl of Clarendon, John Evelyn, Samuel Pepys, Grammont-Hamilton, Benjamin Franklin, Horace Walpole, Aaron Burr, Margaret Fuller Ossoli, John Heneage Jess with special introduction by Andrew Lang, Edward Everett, The World's Great Classics, University Collection, limited to One Thousand Sets of which this is number 230. Editorial light green cloth, hard cover, upperside bookblock gilded, two other sides untrimmed, 24 x 16 cm, XII and 437 pages, 2 page wide illustrations, some wear on the covers, very clean inside in excellent condition. 0. …

Staplebound. Zustand: Fair. Somewhat manhandled, rubbed spine and edges, one full length vertical crease (folded in half?), throughout the works have been numbered by hand which refer to handwritten notes on the inside back cover (in effect, manually adding endnotes) with information on provenance. Normally writing is distracting, in this case it adds value. BW art exhibit catalog for October 25 to November 24, 1974 at the Crocker Art Museum. [28] pages, 74 items, 21,5 X 28 cm. 1k print run. Artworks of James Alden, Will Barnet, William H. Bartlett, William Brice, Charles E. Burchfield, Kenneth Callahan, Harold Camp, John Singleton Copley and many others. Book. …

Hardcover. Zustand: As New. T-Bacadno; Bacon, Francis; Dwight, Timothy; Stoddard, Richard H.; Marsh, A. R.; Van Dyke, Paul; Bergh, A. E.; Cook, Clarence (Art Editor); Creighton, James Edward (introduction); Lord Verulam; et al Advancement of Learning and Novum Organum - Revised Edition (The World's Great Classics).…

Zustand: Good. Limited Edition prints of watercolors. Set of nine prints on 11x14" matte paper, in a gray folder published by Munson-Williams-Proctor Institute, Museum of Art. Gray folder shows minor signs of wear, including some tearing on the spine. Color plates.Nine prints. text by Edward H. Dwight. Henry Pearlman was the owner of the original collection. The mission of the Henry and Rose Pearlman Foundation, created in 1955 to serve as custodian of the collection, is to broaden the public reach of art and deepen their personal experience of it, while conserving the original works for future audiences, says Foundation President Daniel Edelman. The Pearlmans were always generous in lending to museums, especially those where diverse audiences who might not get to see such art would have the opportunity. "They felt a moral obligation to better peoples' lives through the collection," says Betsy Rosasco, Research Curator of European Painting and Sculpture.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright. …