echaurren matta (32 Ergebnisse)

Zustand: Good. Good condition. Good dust jacket. Hardcover edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Zustand: Good. Good condition. German. (sculptures, art, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: New. No Jacket. 1st Edition. First edition 1997. Published in conjunction with the exhibition by Boca Raton Museum of Art. Large softcover without DJ as issued. Condition as new, square, tight and clean book, no edgewear, corners not bumped, spine not creased, no names, no underlinings, no highlights, no bent page corners, not a reminder. Oblong folio, 40 pages, illustrated throughout.

. . . 1 Vol. . aprox. 20 pp. Cuarto Mayor. Rústica. . Manchas en cubierta. Biografía de artista. .

Tapa Blanda. Zustand: New. Roberto Sebastian Matta (1911- ), nacido en Chile, es una de las figuras claves del surrealismo. Esta publicacion, con textos del propio Matta, permite conocer su obra y sus ideas sobre el arte y sobre su propia creacion artistica. Incluye ademas breves comentarios de Andre Breton, Marcel Duchamp, Octavio Paz y otros artistas y criticos de arte. 111 Páginas. 140 gr. Libro.

Copertina morbida. Zustand: Ottimo. Prima edizione. [24] p. : ill. ; 29 x 22 cm. Albi Frigidaire. Suppl. al n. 59 di «Frigidaire». Brossura editoriale, coperta illustrata a colori in cartoncino flessibile, plastificato. Pagine interne illustrate a colori, esemplare da collezione.

Soft Cover. Zustand: Very Good. First Edition; First Printing. 21 full page color plates plus text Illustrations. Introduction in English by Alain Sayag. Published on the occasion of the exhibition at Jeffrey H. Loria & Co and at Maxwell Davidson Gallery, March 25- April 26, 1997. ; Tight, clean and crisp. A hint of light shelf wear to wraps, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; Oblong 4to; 48 pages.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Roberto Matta Echaurren (illustrator). First Edition. book supported the 2002 shows in chicago, los angeles, and miami. a beautiful copy of the book.

Zustand: Good. 8vo. Single, tri-folded glossy print. Very Good, very minor marking and creasing. Color plates. Provenance: from the Estate of Judy Stone (1924 -2017), The San Francisco Chronicle's movie critic who for two decades was a passionate and articulate advocate for the world of cinema outside Hollywood. Judy Stone started at the San Francisco Chronicle in 1961, putting in 10 years as editor of the Datebook section. She began reviewing films for the paper in 1971, favoring arthouse films. She was the youngest of four politically minded children whose eldest brother was the great reporter and gadfly I. F. Stone.She won the Novikoff Award given for "enhancing the public's appreciation of world cinema." Among her publications are "The Mystery of B. Traven" and "Eye on the World," a collection of her interviews with filmmakers from the 1960s to the 1990s.

Illustrated Wrappers. Zustand: Fine. First Edition. np (48pp), 23 color and 2 b&w illustrations + color cover. With an exhibition checklist, collections listing, biography and bibliography. This is the beautifully illustrated catalogue published in conjunction with two concurrent 1977 New York gallery exhibitions of twenty-one works on canvas executed between 1994 and 1996 by the Chilean-born Surrealist artist Roberto Sebastian Antonio Matta Echaurren. A brand new, most handsome example of this uncommon item. Artist Monograph.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Near Fine. 1st Edition. 1 volume (multiple pagination): illustrations in black and white and colour ; 32 cm. Issued in a slip case. Contains facsimile editions of issues 9 to 13 of the magazine Minotaure.

Encuadernación de tapa blanda. Zustand: Muy bien. 1ª Edición. 193 p. ; 26x23 cms., ilustraciones en color. Incluye notas bibliográficas ( Pinto hijo de Roberto Matta ). Pintura italiana (BN-6).

Zustand: COME NUOVO. Firenze, Edizioni della Bezuga Cm.32,5x32,5, pp.96, Illustrazioni in nero e 36 tavole a colori brossura su cartoncino pesante, copertina figurata. Scatola contenitore originale. Collana Le Tartarughe,5. Edizione limitata e numerata in 500 esemplari. Esemplare con acquaforte originale firmata dall'artista. Esemplare n.22/100.

First Edition. Square octavo. Exhibition catalogue from Matta's 1956 show at Chicago's Allan Frumkin Gallery, introduced by poetic text from Matta on the body and games. Contents: [12] pages, reproducing 9 of Matta's drawings (b&w) and concluding with descriptive catalog of 27 exhibited works. Red wrappers crisp and clean, with small stain to final page; a near fine copy of an uncommon catalogue.

Zustand: MOLTO BUONO. Firenze, La Bezuga cm.33x33, pp.65, numerose figure bn.e tavole a colori nel testo brossura con sopraccoperta. Contenuto nella sua scatola editoriale originale. Presente un ampia tavola litografica POP UP oltre al ricchissimo apparato Iconografico. Collana Le Tartarughe. Ediz.in limitata e numerata in 1000 copie, nostro esemplare n.821, e 304, Introduzione di J.P. Faye, testi di Matta e Francois Rabelais, tradotti in lingua italiana da Augusto Frassineti.

Couverture rigide. Zustand: Très bon. Edition originale. Folio. This volume only, facsimile reprint containing Minotaure Nos. 9-13, with 451 illustrations, 20 in color. Text in French.

Paperback. Zustand: Very Good. Riva Yares Gallery January 1991 Binding: Trade Paperback.

Zustand: Near Fine. Victor Brauner, Oscar Dominguez, Max Ernst, Espinoza, Rene Magritte, André Masson, Matta Echaurren, Joan Miro, Wolfgang Paalen, Man Ray, Kurt Seligman, Yves Tanguy. (illustrator). First Edition thus. Limited Edition. Reverential publication of Lautreamont, whose real name was Lucien Ducasse, a French poet born in Uruguay, who published only two works in his short life, but those works influenced and inspired Surrealism, and thus this book has contributions from many of the big names in that movement, both artists but also writers -- besides Breton, there are apercus from Aragon, Paul Eluard, and others. No. 561 of 1121 copies in limitation. 12mo. 19.5 by 14.5 cm. xiv, [1], 415, [6] pp. Binding has some edgewear, rubbing along joints, and a few light scratches and minor abrasions. Interior is tight and clean. Three Quarters Morocco. Marbled paper pastedown on boards.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. 2ème Édition. Genève 1981. 1 Volume/1. -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 2320 gr ). ------- Réédition reliée des N° 5, 6, 7, 8 ( 69 , 76, 77 et 55 pages ).

Couverture rigide. Zustand: Très bon. Edition originale. Genève 1981. 1 Volume/1. -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 2345 gr ). ------- Réédition reliée des N° 1 , 2 et 3-4 ( 75 , 87 et 115 pages ).******************** ref.

Couverture rigide. Zustand: Comme neuf. Edition originale. Genève 1981. 1 Volume/1. -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 2470 gr ). ------- Réédition reliée des N°9, 10, 11, 12-13 .

Softcover with plastic ring binding, 20 pages, good condition, the plastic binding extends beyond the top and bottom of the spine with about a 1-inch tear and a 1/2-inch of loss to to bottom of the spine; scattered light scuffs and stains to the covers; no internal marks. An edition of 250. Foreign shipping may be extra.

4to. (11 13/16 x 9 3/8 inches). [8], 11 etchings, with title, introduction, and colophon. 100 total copies: 60 numbered (1-60), 25 hors commerce for collaborators (I-XXV), and 15 artist proofs marked "E. A." This is number 39 of 60 copies. Black cloth with red and white dye-stamped lettering on front and spine, in black cardboard slipcase. Book holds 11 black and white engravings on handmade wove papier pur chiffon des Papeteries de Rives, each housed in a separate gray mount with a protective mylar window, information for each etching printed on verso of the mounts, signed in ink or pencil by artists and numbered 39/60 A complete spectacular set of 11 signed and numbered first edition prints from Surrealist luminaries such as Duchamp, Magritte, and Bellmer, in a beautiful book with slipcase. The story of a work of art's production is too often reduced to the individual, the artist of genius who arose sui generis to change culture. But it's only from within the interchange of ideas, the history of artistic conventions, and an artist's social context that artwork can be made, so it is edifying for the viewer to compare works from similarly disposed artists in the direct light of one another. Much more is learned here, via editor Arturo Schwarz's (1924-2021) Surrealism between Two Wars, about Surrealism and its unifying themes than could be ascertained from the study of any one of its individual artists. This book, the second of fourteen in the International Anthology of Contemporary Engraving series, is a museum unto itself. It contains original etchings by eleven major Surrealist artists, including household names like Man Ray and Hans Arp; it is a valuable addition to any collection of twentieth-century modern art. Jacob 3; Schwarz 360; Cramer 74; Anselmino 72. Not in Arntz.

Couverture rigide. Zustand: Comme neuf. Edition originale. Genève 1981. 3 Volumes/3. -- Série complète -- Comme Neuf -- Reliure éditeur cartonnée pleine toile & jaquette illustrée. Sous étui toilé -- -- Format in-4°( 32,3 x 25,5 cm )( 7115 gr l'ensemble ). ************** ref 527B.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. 2ème Édition. Genève 1981. 3 Volumes/3.-- Très bon état -- Série complète des 13 Numéros Réédité en fac-similé sous reliure éditeur cartonnée pleine toile et jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( ( + le catalogue broché " Regards sur le Minotaure - La Revue à tête de bête " ). ------ 8860 gr l'ensemble ). ************ ref 527B.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. 2ème Édition. Genève 1981. 3 Volumes/3. -- Série complète -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 7115 gr l'ensemble ). ************** ref 527B.

Paris : José Corti, 1980 - un volume 16,4x25cm broché sous couverture illustrée en deux tons (Yves Tanguy), 76 pages sur papier couché abondamment illustrées en noir dans et hors texte - fac-similé de la brochure éditée en 1938 à l'occasion de la quatrième exposition internationale du surréalisme. Près de 400 entrées au dictionnaire et 115 reproductions d'oeuvres - couverture insolée sinon bon état - Livres.

Couverture souple. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. prima edizione. Matta. Roberto Sebastian Matta, Gordon Matta-Clark, Pablo Echaurren. Ediz. italiana e inglese a cura di Danilo Eccher Editore: Italy: Silvana Editoriale (2013) ISBN 10: 8836626556 ISBN 13: 9788836626557 Nuovi Brossura Quantità: 1 Prezzo: EUR 84,00 Descrizione libro: Italy: Silvana Editoriale, 2013. Brossura. Condizione libro: nuovo. Il volume, edito in occasione della 55° Biennale di Venezia, è dedicato all'opera dei Matta, una famiglia di artisti che, con Roberto Sebastian Matta e suoi figli Gordon Matta-Clark e Pablo Echaurren Matta, ha segnato mezzo secolo di storia dell'arte, tra Francia, gli Stati Uniti e l'Italia. Roberto Sebastian Matta (Santiago del Cile, 1911 - Civitavecchia, 2002) è stato una figura storica del Novecento: con le sue tele e le sue sculture ha preso parte al Surrealismo e influenzato gli artisti americani dell'Espressionismo Astratto. I suoi due figli si sono affermati nel panorama artistico contemporaneo attraverso linguaggi espressivi profondamente diversi: di Gordon Matta- Clark (New York, 1943-1978) si ricordano i - gli edifici tagliati -, mentre le tele di Pablo Echaurren Matta (Roma, 1951) nell'utilizzare formule che rimandano alla cultura di massa, inducono a riflettere criticamente sulla società dei consumi. Il saggio di Danilo Eccher propone una lettura critica dell'opera dei tre artisti, condotta attraverso le generazioni, il tempo e la geografia. Autore/i a cura di / edited by Danilo Eccher Editore Silvana Editoriale Luogo Milano Anno 2013 Pagine 192 Misura 23x28 (cm) Illustrazioni 105 ill. a colori - 105 color ills Legatura brossura olandese - paperback Conservazione nuovo - new Lingua italiano/inglese - Italian/English Peso 1400 (gr) ISBN 8836626556 EAN-13 9788836626557. - Lnaguage : English and Italian text Size: 230 x 280 Mm.

Miró, Joan (illustrator). xiv, 415 p. comte de Lautréamont. ill. ; 20 cm. Half title: uvres complètes d'Isidore Ducasse comte de Lautréamont. Trade edition.Crack iun cover paper but a very good copy."Contenant Les chants de Maldoror, les poésies, les lettres, une introduction par André Breton, des illustrations par Victor Brauner, Oscar Dominguez, Max Ernst, Espinoza, René Magritte, André Masson, Matta Echaurren, Joan Miro, Paalen, Man Ray, Seligmann, Tanguy , une table analytique, des documents, répercussions." Box 150.

senza rilegatura. Zustand: ottimo. Litografia a 5 colori misure: cm 89x66 Pittore e architetto cileno. Di famiglia benestante si laurea nel 1931 in architettura presso l'università di Santiago del Cile. Nel '34 si trasferisce a Parigi dove collabora con Le Corbusier (La Chaux-de-Fonds 1887 - Roccabruna 1965). Con Andrè Breton e Salvator Dalì si unisce al gruppo del Surrealismo sviluppando un suo modus operandi nel quale forme spesso astratte creano composizioni cariche di immaginazione. I suoi primi lavori hanno titoli quali: Morfologie Psicologiche o Inscape. Successivamente parte per Londra per lavorare con Walter Gropius (Berlino 1883 - Boston 1969) e qui entra in contatto con Henry Moore (Castleford 1898 - Much Hadham 1986) e René Magritte (Lessines 1898 - Bruxelles 1967). Durante la Seconda Guerra Mondiale è a New York. Nel 1949 è a Roma, viaggia spesso tra la Francia e l'Italia, a Tarquinia dove trasforma un convento nell'Autoapocalipse, una casa realizzata riciclando scarti di vecchie automobili. Tiratura a 99 esemplari. Firma a matita in basso a destra, esemplare n 13/99. Ottima impressione stampata su foglio con filigrana Arches France. Ampi margini. Al verso tracce di vecchio montaggio altrimenti perfetto stato di conservazione. Bibliografia: Roland Sabatier, Matta catalogue raisonné de l'oeuvre grave (1943-1974), Ed Sonet, 1975; Germana Ferrari, Matta index dell'opera grafica 1969-1980, Roma, Staderini, 1980.