Eckstein nicholas a (20 Ergebnisse)

Hardcover. Zustand: Used-Very Good. dj. Cloth, dj. Some shelf-wear. Originally published at $65.00.

hardcover. Zustand: Good. Ex-library copy with usual markings, otherwise good condition.

Zustand: acceptable. Book shows heavy wear from use and may contain signifcant amounts of marking writing. May not include dust jacket and bear library markings. LISTING USES STOCK PHOTOS AND COVER MAY VARY. Ships via USPS and typically arrives within 10-12 business days.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; ix, 282 pages : illustrations (chiefly color) ; 29 cm. Summary; "In 1440, on the feast of Saints Peter and Paul, Florence unexpectedly defeated Milanese forces near the town of Anghiari in eastern Tuscany. Nicholas A. Eckstein reveals the impact of this celebrated victory on Florentine public life and how it could have triggered the custodians of the Brancacci Chapel, the Carmelite friars, to seek the completion of frescoes by Masolino (1383-1447) and Masaccio (1401-1428). Today, tens of thousands of people visit the Brancacci Chapel annually to gaze at the brilliant frescoes of Saint Peter's life. Universally recognized as a canonical masterpiece of the Florentine Renaissance, these glowing murals span the interior in long panels. The first serious examination to position the frescoes at the heart of Tuscan society and culture, Painted Glories teems with fascinating characters and intrigue. In swiftly paced prose, Eckstein explores the chapel's history, medieval culture, and art patronage, progressively peeling back the story's layers amid the tumultuous politics of the 15th-century Florentine state" Subjects; Cappella Brancacci (Santa Maria del Carmine (Church : Florence, Italy)) Carmelites Italy Florence Art patronage. Mural painting and decoration, Italian Italy Florence. 2 Kg.…

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new, still in the publisher's original shrink wrap. Physical description; ix, 282 pages : illustrations (chiefly color) ; 29 cm. Summary; "In 1440, on the feast of Saints Peter and Paul, Florence unexpectedly defeated Milanese forces near the town of Anghiari in eastern Tuscany. Nicholas A. Eckstein reveals the impact of this celebrated victory on Florentine public life and how it could have triggered the custodians of the Brancacci Chapel, the Carmelite friars, to seek the completion of frescoes by Masolino (1383-1447) and Masaccio (1401-1428). Today, tens of thousands of people visit the Brancacci Chapel annually to gaze at the brilliant frescoes of Saint Peter's life. Universally recognized as a canonical masterpiece of the Florentine Renaissance, these glowing murals span the interior in long panels. The first serious examination to position the frescoes at the heart of Tuscan society and culture, Painted Glories teems with fascinating characters and intrigue. In swiftly paced prose, Eckstein explores the chapel's history, medieval culture, and art patronage, progressively peeling back the story's layers amid the tumultuous politics of the 15th-century Florentine state" Subjects; Cappella Brancacci (Santa Maria del Carmine (Church : Florence, Italy)) Carmelites Italy Florence Art patronage. Mural painting and decoration, Italian Italy Florence. 2 Kg.…

Hardcover. First edition. Size: 9x11.25 inches, 284pp., illus. As new, still in publisher's shrinkwrap.

Zustand: NUOVO. Firenze, Olschki Ed. cm.17x24, pp.VIII,240, 48 tavv.di cui 8 a col.ft. legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Villa I Tatti. The Harvard University Center for Italian Renaissance Studies,22. The essays in this cross-disciplinary volume mark a major advance in study of the famous early-Renaissance frescoes in Florence's Brancacci chapel. Exploiting the challenge posed by a virtual absence of contemporary documentation, authors from several disciplines here mark out new parameters for analysis of chapel and frescoes, of their creators - Masolino, Masaccio and Filippino Lippi - and the relationship of the iconography to 15th-century Florentine history, piety, devotion, liturgy, theatrical performance, and contemporary workshop culture. I saggi di questo volume interdisciplinare segnano un importante avanzamento nello studio dei famosi affreschi del primo Rinascimento nella Cappella Brancacci di Firenze. Cogliendo la sfida della mancanza di documentazione coeva, autori di diverse discipline tracciano nuovi parametri di analisi della cappella e degli affreschi, dei loro creatori Masolino, Masaccio e Filippino Lippi e del rapporto fra iconografia e storia, religiosità, devozione, liturgia, rappresentazioni teatrali e cultura delle botteghe del tempo nella Firenze quattrocentesca. Firenze, Villa I Tatti, 6 giugno 2003. A cura di Nicholas A. Eckstein.…

Rilegato in Tela. Zustand: new. English Text. Firenze, 2007; clothbound, pp. 240, b/w ill., cm 17x24. The essays in this cross-disciplinary volume mark a major advance in study of the famous early-Renaissance frescoes in Florence?s Brancacci chapel. Exploiting the challenge posed by a virtual absence of contemporary documentation, authors from several disciplines here mark out new parameters for analysis of chapel and frescoes, of their creators - Masolino, Masaccio and Filippino Lippi - and the relationship of the iconography to 15th-century Florentine history, piety, devotion, liturgy, theatrical performance, and contemporary workshop culture. Libro.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. A clean crisp well preserved 2015 Yale University Press hardcover in a fine tight binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. In 1440, on the feast of Saints Peter and Paul, Florence unexpectedly defeated Milanese forces near the town of Anghiari in eastern Tuscany. Nicholas A. Eckstein reveals the impact of this celebrated victory on Florentine public life and how it could have triggered the custodians of the Brancacci Chapel, the Carmelite friars, to seek the completion of frescoes by Masolino (c.1383-c.1436) and Masaccio (1401-c.1428). Today, tens of thousands of people visit the Brancacci Chapel annually to gaze at the brilliant frescoes of Saint Peter's life. Universally recognized as a canonical masterpiece of the Florentine Renaissance, these glowing murals span the interior in long panels. The first serious examination to position the frescoes at the heart of Tuscan society and culture, Painted Glories teems with fascinating characters and intrigue. In swiftly paced prose, Eckstein explores the chapel's history, medieval culture, and art patronage, progressively peeling back the story's layers amid the tumultuous politics of the 15th-century Florentine state.…

hardcover. Zustand: New.

Zustand: NUOVO. Firenze, Olschki Ed. cm.17x24, pp.XXVI,276 pp. con 7 tavv. ft., brossura Collana Istituto nazionale di studi sul Rinascimento - Quaderni di «Rinascimento», 22.

Brossura. Zustand: libro nuovo. Testo inglese. Cm.24x17. Pg.VIII,240. Legatura in tela editoriale. Con 48 tavole fuori testo di cui otto a colori. Collezione "Villa i Tatti - The Harvard University Center for Italian Renaissance Studies", n°22. I saggi di questo volume interdisciplinare segnano un importante avanzamento nello studio dei famosi affreschi del primo Rinascimento nella Cappella Brancacci di Firenze. Cogliendo la sfida della mancanza di documentazione coeva, autori di diverse discipline tracciano nuovi parametri di analisi della cappella e degli affreschi, dei loro creatori Masolino, Masaccio e Filippino Lippi e del rapporto fra iconografia e storia, religiosità, devozione, liturgia, rappresentazioni teatrali e cultura delle botteghe del tempo nella Firenze quattrocentesca. 500 gr.…

Brossura. Zustand: new. English Text. Firenze, 1995; paperback, pp. 276, ill., 7 numbered b/w plates, cm 17x24. (Istituto Nazionale di Studi sul Rinascimento. Quaderni di "Rinascimento". 22). Libro.

Brossura editoriale. Zustand: Near Fine. Un volume.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. xxvi, 276 pp; 7 plates. Original wrappers. Very Good+. Quaderni di Rinascimento, XXII.

Soft cover. Zustand: Fine.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Brossura. Zustand: libro nuovo. Testo inglese. A cura dell'Istituto nazionale di studi sul Rinascimento. 8°,pg.26,276. Con 7 tavole fuori testo. Brossura editoriale. Collezione "Quaderni di «Rinascimento»", n°22. 600 gr.

Hardcover. Zustand: New.

Cloth. Zustand: As New. Zustand des Schutzumschlags: As New. -------------------------------------------------------------------------------- Autore: Titolo: Brancacci (The) Chapel: Form, Function and Setting. Acts of an International Conference (Florence, Villa I Tatti, 6 June 2003). Edited by N. A. Eckstein. Caratteristiche: cm. 17 × 24, viii-240 pp. con 48 tavv. f.t. di cui 8 a colori. Rilegato (Hardcover). Anno: 2007 Prezzo ¿: 38,00 ISBN: 978 88 222 5650 8 Collana: Villa i Tatti - The Harvard University Center for Italian Renaissance Studies, vol. 22 Sottocoll.: Testo: I saggi di questo volume interdisciplinare segnano un importante avanzamento nello studio dei famosi affreschi del primo Rinascimento nella Cappella Brancacci di Firenze. Cogliendo la sfida della mancanza di documentazione coeva, autori di diverse discipline tracciano nuovi parametri di analisi della cappella e degli affreschi, dei loro creatori Masolino, Masaccio e Filippino Lippi e del rapporto fra iconografia e storia, religiosità, devozione, liturgia, rappresentazioni teatrali e cultura delle botteghe del tempo nella Firenze quattrocentesca. Note: Size: 17 x 24 Cm. …