edited by robert l herbert (19 Ergebnisse)

Softcover. Zustand: Good. 149 pages, moderate wear. Essays on Cubism, Futurism, primitive art, etc. by the greats of 20th century art & sculpture, including Paul Klee, Piet Mondrian, Le Corbusier, Kandinsky, and others.

Soft cover. Zustand: Fine. Midway Reprint. lvii, 241 pp.

Paperback. Zustand: Very Good. New York: Prentice Hall, 1986. 150 pages. Essays by Gleizes & Metzinger ,1912; Kandinsky ,1913; Boccioni, 1913; Le Corbusier & Ozenfant, 1920; Klee, 1924; Malevich, !927; Gabo, 1937; Mondrian, 1937; Beckman, 1938; Moore, 1934, '37, '41. Printed Wrapper (softcover). Very Good. 8vo. Language: ENG.

Softcover. A Norton Critical Edition. xiv, 401 pp. Softcover. LCC: 7728074 Good condition; on covers: touches of wear, and previous owner's signature on front; some pen underlining.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Fair. UK hardcover edition in blue boards with gold gilt titles in very good condition, DJ with price in good outer appearance with upper inside flap cut out, no markings, 306 pages with map and photo illustrations in center.

Wrappers. Zustand: Near Fine. 149 pp. Slight bit of dirt to the white covers, otherwise tight and clean copy. Book.

Softcover. Zustand: Good. Reprint. Trade paperback. 149pp. Good only with toning, a tidemark on the spine, and underlining and marginalia throughout.

Paperback. Zustand: Very Good. Cover art by Herbert Morton Stoops (illustrator). First Edition. Dayton / New York: McCall Corporation. Dayton / New York: 1938. First edition Pulp magazine in Pictorial wrappers [about 6.5" x 10"] 144 pages, illustrated.Edited by Blue Book Magazine with stories by William Chester, William MacLeod Raine, Fulton Grant, Gordon Keyne, Leland Jamieson, H. Bedford-Jones, Captain L. B. Wiliams, Robert Mill, Reg Dinsmore, James Francis Dwyer, Stefan Zeig and others. Contents page in Photos. Cover art by Herbert Morton Stoops. A very good copy with light edge wear and creases to the covers, text lightly toned. See Photos bx 812E.

Soft cover. Zustand: Good. N/A (illustrator). First Edition. PB first edition. 18.1 x 10.5cm. 430 pages + 4 further pages of Anchor listings. Book divided into four main parts: Theory and Practice. Architecture. Sculpture and Ornament. Painting. Condition: Small tear base of spine left seam. Bottom of cover adrift slightly. Cover age discoloured. Pencil annotation on back at top. Some pencil + biro underlining of a few paras with minute annotation. Ditto on index. Back cover annotation in pencil and biro. Otherwise firm binding good condition.

Softcover. Zustand: Near Fine. 12mo., Dell 1157. Anthology. Very Near Fine with discreet owner stamp on inside front cover and some age toning. Crisp, tight, clean and square.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Dust jacket on all three volumes have light wear on head of spine and bottom spine. Unclipped. Mylar covers. Clean, unmarked copies in excellent condition.

Softcover. Zustand: Very Good. Single issue. Quarto wrappers. 769-1,069pp. Faint water wrinkle on page edges, corners rubbed, very good. Wallace Stevens Centennial Issue. Contributions by Donald E. Stanford, Roy Harvey Pearce, Grosvenor E. Powell, Milton J. Bates, Herbert J. Stern, William H. Pritchard, George S. Lensing, Samuel French Morse, Price Caldwell, Buchsbaum, Lynette Carpenter, Ann Hayes, Robert Penn Warren, Daniel Hoffman, Elizabeth Daryush, Timothy Steele, R.L. Barth, Suzanne Doyle, Alison A. Trimpi, Helen Pinkerton, Paul West, Alvin H. Rosenfeld, James Ballowe, and Sydney Lea.

Softcover. Zustand: Near Fine. Single issue. Quarto wrappers. 769-1,069pp. Bottom page edges bumped, thin crease on front wrapper foredge, near fine with tear on edge of wrapper. Wallace Stevens Centennial Issue. Contributions by Donald E. Stanford, Roy Harvey Pearce, Grosvenor E. Powell, Milton J. Bates, Herbert J. Stern, William H. Pritchard, George S. Lensing, Samuel French Morse, Price Caldwell, Buchsbaum, Lynette Carpenter, Ann Hayes, Robert Penn Warren, Daniel Hoffman, Elizabeth Daryush, Timothy Steele, R.L. Barth, Suzanne Doyle, Alison A. Trimpi, Helen Pinkerton, Paul West, Alvin H. Rosenfeld, James Ballowe, and Sydney Lea.

Soft cover. Zustand: Good. 8th Printing. Paperback. Modern Artists on Art. Ten Unabridged Essays. Foxing to edge. Browning to spine. Slight foxing to cover. Contents: Cubism (1912). Reminiscences (1913). Futurist Sculpture (1913). Purism (1920). On Modern Art (1924). Suprematism (1927). The Constructive Ideas in Art (1937). Plastic Art and Pure Plastic Art (1937). On My Painting (1938). On Sculpture and Primitive Art (1934, 1937, 1941). 149 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. Academic and Scholarly books and Modern First Editions ,and all types of Educational Reference Literature.).

Softcover. Zustand: Near Fine. Magazine. Small octavo. Paper wrappers. Sunned along the spine, near fine. A literary anthology with contributions from Harold Witt, Charles Edward Eaton, Daniel Hoffman, David Ignatow, William Matthew, Robert Mezey, Philip Booth, David Wagoner, Dugan Gilman, James Schevill, Ted Kooser, Larry Levis, Stuart Friebert, Dave Etter, Sonya Dorman, Mark McCloskey, Paul Zimmer, David Steingass, Joseph Bruchac, Lyn Lifshin, John Unterecker, Stuart Peterfreund, William Hathaway, Herbert Scott, Terry Stokes, Robert L. Jones, DeWayne Rail, C.G. Hanzlicek, H.L. Van Brunt, James Tipton, David Hilton, Tom McKeown, Wesley McNair, William Witherup, Hale Chatfield, Elton Glaser, James Craig, Alan Soldofsky, Danny L. Rendleman, Rochelle Ratner, Gena Ford, Ian Young, Felix Pollak, Phillip Hey, Robert Hershon, and Carolyn Stoloff.

Three volume set. Octavo, green cloth (hardcover), gilt lettering, black spine labels, 867 pp., 1011 pp, 931 pp. Fine, in Very Good, mylar protected dust jacket with edgewear. From dust jacket: This. three-volume collection, numbering some two thousand separate letters, notes, and enclosures, which provides at once a portrait of an age and a richly detailed account of an important Victorian writer's mind and career. Nearly every month of John Addington Symonds' life (1840-93) from his adolescence in Clifton, England, to his death near Rome is amply represented. Among his correspondents were Robert Louis Stevenson, Walt Whitman, Edmund Gosse, Mrs. Arthur Hugh Clough, Henry Graham Dakyns, Oscar Wilde, Algernon Charles Swinburne, Havelock Ellis, Arthur Symons, Vernon Lee, and T. s. Perry. Gladstone, Benjamin Jowett, John Conington, Josephine Butler, the Leslie Stephens family, and Jenny Lind are among the Victorian personalities who figure in these letters. The letters bear out R. L. Stevenson's report that Symonds was a conversationalist of depth and charm. Yet the reader will often be struck by the presence of a profound melancholy, of a personal Angst almost Dostoyevskian in its scope. Symonds was burdened with advanced consumption, poor eyesight, and a traumatic homosexual drive intensified by an exaggerated moral idealism. Even when he struck Leopardian poses and confused his torments with St. Augustine's, he revealed himself in a way he perhaps only vaguely understood. The veils of his soul were not always neatly drawn. This vast array of letters is important not only as a biographical record, but also for the views it provides of upper middle class Victorian life, views stereoscopic and set rather than kaleidoscopic and fleeting. Symonds' father, one of the leading doctors of the age, provides glimpses into the practical Victorian world of medicine, politics, and ethics. The letters written nearly every week by Symonds to his sister Charlotte from Harrow School and from Balliol and Magdalen Colleges, Oxford, are a remarkable firsthand account of Victorian public school and university life. We see Symonds' struggle as an upper middle class man to settle down in life, trying first the law and finally letters. We see the inner works of his marriage and of the difficult adjustments he was forced to make because of his psychological bent and his poor health. We see, finally, the step by step progress of his literary career, one sufficiently successful to warrant his ranking as one of the leading writers of his day. Symonds was one of the most complex and fascinating of Victorian writers: this scholarly compilation exposes both the man and his times with a thoroughness rare in such collections. Literature, Biography bxsli.

Hardcover. Three volumes, 867p., 1101p. and 931p., preface, chronology, footnotes, editorial comments, illustrations, previous ownership name and info else very good first editions in green cloth and gilt.

Softcover. Zustand: Near Fine. Single issue. 32pp. Wrappers lightly rubbed, very good to near fine being contributor Daniel Hoffman's copy with index card stapled to the front wrapper and penned check marks on contents page. Cover title: "Short Story Contest: Three Brief Pieces. Verse From Old and New Contributors. Reviews: Krutch and Keyes' Verse." Contributions by Daniel G. Hoffman, Allen Ginsberg, Jean-Michel Montias, John Hollander, Herbert Gold, Elmer R. Adkins, John Crosset, George L. Kline, Robert Gutman, Norman H. Podhoretz, Ted Melnechuk, and Paul Schachter. In this issue the poem "Jeremiah" faces Allen Ginsberg's poem "A Paradox of Verbal Death." Interestingly, "Jeremiah" was submitted by Norman H. Podhoretz for publication and Allen Ginsberg being one of the editors of this magazine took it upon himself to "improve" it before being published, technically making this poem by both Podhoretz and Ginsberg.

Softcover. Zustand: Near Fine. Single issue. Stapled wrappers. 32pp. Wrappers lightly rubbed, near fine. Cover title: "Short Story Contest: Three Brief Pieces. Verse from Old and New Contributors. Reviews: Krutch and Keyes' Verse." Contributions by Jean-Michel Montias, John Hollander, Herbert Gold, Elmer R. Adkins, John Crosset, George L. Kline, Dan G. Hoffman, Robert Gutman, Norman H. Podhoretz, Allen Ginsberg, and Ted Melnechuk. In this issue the poem "Jeremiah" faces Allen Ginsberg's poem "A Paradox of Verbal Death." Interestingly, "Jeremiah" was submitted by Norman H. Podhoretz for publication and Ginsberg being one of the editors of this magazine took it upon himself to "improve" it before being published, technically making this poem by both Podhoretz and Ginsberg.