Verlag: Verlag Freier Autoren 0, Fulda
ISBN 10: 3886111180 ISBN 13: 9783886111183
Anbieter: Hylaila - Online-Antiquariat, Wiesbaden, Deutschland
Signiert
Zustand: Sehr gut/gut. Zustand des Schutzumschlags: Kein Schutzumschlag. Dieter Mokroß (illustrator). 0 1. Aufl., ohne Jahreangabe, etwa von 1985 ?, 115 S. Signiert von einer der Autorinnen, Ellen Seib-Schaefer, kaum benutzt, F-1. Vom Autor signiert.
Verlag: Allen Lane
Anbieter: THE BOOKSNIFFER, Lewes, East Sussex, Vereinigtes Königreich
Erstausgabe
EUR 36,24
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. One of 1500 copies printed for Sir Allen Lane for his Christmas 1955 presentation volume. All the charming illustrations are beautifully reproduced along with the ballads and there is an introduction by Hesketh Pearson and a note on Gilbert as illustrator by Philip James. Printed on an off white 'blush' paper. A thoroughly worthwhile collectable. Cover boards are a bit scruffy, and the spine is a little sunned, but the book is nice and tight. 0.0 0.0 0.0.
Verlag: Hart-Davis at the Ditchling Press, 1956
Anbieter: THE BOOKSNIFFER, Lewes, East Sussex, Vereinigtes Königreich
Erstausgabe
EUR 96,63
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Near Fine grading takes the age into account. This is a clean and tight World True First Edition; yes, the English hardback preceded the American. This has the relevant Poetry Book Society Bulletin loose laid in. Beautiful sensitive poetry, Green With Beasts represents a marked advance over Merwin's first two books. This book was printed at the Ditchling Press in Sussex, England. The protected jacket is printed in two colours on a greenish stock. The cover typeface is by Eric Gill, who established the Ditchling Guild.
Verlag: Henry G. Bohn, London, 1857
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes Königreich
EUR 114,74
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Volume I and II complete. Hardcovers with embossed boards, no dust jackets, in good condition. Boards are scuffed, marked and sunned. Corners and spine ends are bumped and rubbed, with small tears and fraying at the spine ends. Page blocks are tanned, blemished and foxed. Tear to the fore-edge of page 73 (volume I). Previous owner's inscription penned to FEP, small tears to the edges of a few of the pages as well as spots of foxing on pages in both volumes. Pages are otherwise clear and bindings are sound. LW. Used.
Verlag: Macmillan and Co, London, 1912
Anbieter: The First Edition Rare Books, LLC, Cincinnati, OH, USA
Full leather. Zustand: Near fine. Finely bound sixth edition of The Bab Ballads by W.S. Gilbert, published in 1912. (illustrator). Sixth Edition. Octavo, xii, 564pp. Full navy morocco. Five raised bands, title in gilt on spine. Decorative gilt turn-ins, with blue endpapers. Stated "Sixth Edition" on the title page, reprinted four times. Solid text block, sunned spine, a near fine example.
Verlag: Macmillan and Co., Limited, London, 1927
Anbieter: The First Edition Rare Books, LLC, Cincinnati, OH, USA
Erstausgabe
Hardcover. Zustand: Near fine. First edition, third printing of The Savoy Operas by W.S. Gilbert in a fine binding. (illustrator). First Edition, Third Printing. Octavo, 698pp. Red morocco, gilt trimmed covers. Five raised bands, title in gilt on spine with detailed embellishments. All edges gilt. Gilt turn-ins and marbled endpapers. Stated "Reprinted March 1926, 1927" on copyright page. Solid text block, faint toning to spine, lightly bumped corners, a touch of wear to joints. Previous ownership bookplate on front endpaper. A vibrant, near fine example. The Savoy Operas feature some of Gilbert's most popular works, frequently in collaboration with composer Arthur Sullivan. A primary highlight from this copy is The Mikado, which is one of the most frequently performed theatre pieces of all time. Within the first year it opened (1885), it was estimated that at least 150 companies were producing the opera throughout Europe and America.