eike d schmidt (46 Ergebnisse)

Hardcover. Zustand: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

cloth with dust jacket. Zustand: Gut. 1st ed. 55 S.; Ill. Good condition. Sprache: Englisch Gewicht in Gramm: 425.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minneapolis Institute of Art, 2014; published in conjunction with an exhibition of bronzes by Giovanni Casini and Pietro Cipriani of the same name; 208pp. Bronzes primarily photographed by Dan Dennehy, with images of many related works throughout, all in full color. With a foreword by then-director of the MIA, Kaywin Feldman, and critical essays by Eike D. Schmidt, Rita Balleri, and David Eskerdijan. Pulled directly out of publishers' shrinkwrap (because the shrinkwrap was torn), as such, book is in excellent condition. Binding is tight, sturdy, and square; boards also very good; titling remains bright and bold. Exterior wear is very minor. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota; due to size/weight of this book additional shipping charges may apply.

Hardcover. Chocolate brown cloth, gilt letters on spine & front cover; black & illus. dust jackt, 208 pp., 112 color plates. Issued in conjunction with a 2014-2015 exhibition of a cycle of six highly important bronze reliefs created by Giovanni Casini (1676-1729) and Pietro Cipriani (ca. 1679-1745). "Made in Florence at the beginning of the eighteenth century, these bronzes epitomize pre-modern notions about time, which are visualized through an elaborate array of mythological and allegorical components. In describing and deciphering the meanings and traditions of the scenes represented in these bronzes, the authors unveil a multifaceted concept of time that is based upont he human perception of the Hours, while also pointing toward their otherworldly, magical dimension." (dj) With illustrated essays by Eike D. Schmidt, David Ekserdijian, and Rita Balleri. VG (corners may be slightly bumped, otherwise clean.).

Hardcover with dustjacket, 208 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Zustand: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. Brand New, Softcover edition. This item may ship from the US or our Overseas warehouse depending on your location and stock availability.

Zustand: New. Brand New, Softcover edition. This item may ship from the US or our Overseas warehouse depending on your location and stock availability.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Zustand: fine/fine. First edition. Quarto. 208pp. 112 color plates, bibliography, index. A very nice copy in an equally nice dust jacket. in a brodart protective wrapper.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. The overall condition of the book is excellent. Binding is solid. Pages are bright and unmarked. The cover is clean and in good condition with minor shelving wear. The dust jacket in good condition with minor shelving wear. Please support an independent bookstore.; 10.33 X 1.36 X 12.6 inches; 288 pages.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. 11 3/4'' x 10''. 223pp.

Hardcover. Zustand: New. ISBN:9780989371858,Territorial restriction maybe printed on the book. This is an Int'l edition, ISBN and cover may differ from US edition, Contents same as US edition.

Hardcover. Zustand: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

Leinen. Zustand: Gut. 28,5 x 24 cm 512 S. : Ill. ; Gewebeeinband (Schwarzer Leinen) mit Schutzumschlag. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat keine Gebrauchsspuren; Schutzumschlag ist an einer Stelle min. aufgeplatzt; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Zustand: NEW.

Hardcover. Zustand: As New in shrinkwrap. Black cloth with color glossy dustjacket. 512 pp., profusely illustrated in color and BW. "In this book twenty scholars examine the history of the collecting of sculpture from the late Middle Ages to the nineteenth century, as represented in the collections of royal families, aristocratic amateurs, and artists. The essays explore the nature of collecting, whether as a form of opulent interior decoration, as a means of outdoor display in architecture and landscape architecture, or as an accumulation of studio models. Case studies are drawn from Italian, French, German, Dutch, Flemish, and English examples."--Jacket. Contents as follows: Collecting ancient sculpture : the beginnings /; Salvatore Settis --; Instauratio and Pietas : the della Valle collections of ancient sculpture /; Kathleen Wren Christian --; Fifteenth-century reliefs of ancient emperors and empresses in Florence : production and collecting /; Francesco Caglioti --; Silver shrine of Saint Simeon in Zadar : collecting ancient coins and casts after the antique of fifteenth-century Dalmatia /; Stanko Kokole --; Collectors of Renaissance reliefs : Erasmus of Rotterdam (1466-1536) and Baron Boissel de Monville (1763-1832) /; Douglas Lewis --; "Pied destal ou soubsbassement" : displaying sculpture in Renaissance France /; Ian Wardropper --; Cardinal Ferdinando, Maria Maddalena of Austria, and the early history of ivory sculptures at the Medici court /; Eike D. Schmidt --; Carving out lives : the role of sculptors in the early history of the Accademia di San Luca /; Peter M. Lukehart --; Exhibition of sculpture on the Villa Borghese Facades in the time of Cardinal Scipione Borghese /; Kristina Herrmann Fiore --; Sculpture in Spanish collections from Philip II to Philip IV /; Kelley Helmstutler Di Dio --; Artists as collectors of sculpture in baroque Rome /; Jennifer Montagu --; Larson workshop : reproducing sculpture in seventeenth-century Holland /; Frits Scholten --; Two French royal sculpture gardens : the Orangerie of Versailles and the Jardin Haut of Marly /; Betsy Rosasco --; Marble hunting party : the Companions of Diana for Marly /; Alison Luchs --; Pope Clement XI's Museo di Modelli in the Vatican Palace /; Olga Raggio --; Visions of sculpture : some French eighteenth-century sculptures seen by draftsmen and painters /; Guilhem Scherf --; "For Pembroke statues, dirty gods and coins" : the collecting, display, and uses of sculpture at Wilton House /; Malcolm Baker --; Sir Francis Dashwood of West Wycombe Park, Buckinghamshire, as a collector of ancient and modern sculpture /; Tim Knox --; Bronzes in two eighteenth-century Viennese collections /; Manfred Leithe-Jasper --; Evolution of the plinth, pedestal, and socle /; Nicholas Penny.

Zustand: NUOVO. Firenze, Edifir cm.21x28, pp.256, ill.a colori. brossura con copertina figurata a colori. Collana Problemi di Conservazione e Restauro. «Nella storia artistica di Firenze la produzione di magnifiche opere d'arte e la loro conservazione sono sempre state strettamente collegate. Per amore dell'arte i Medici crearono una propria manifattura nel 1588 e quasi contemporaneamente iniziò la raccolta di capolavori per quella strepitosa raccolta che oggi costituisce la ricchezza dei musei statali fiorentini ed in particolare per le Gallerie degli Uffizi. La necessità di mantenere e trasmettere al futuro questo patrimonio artistico portò anche a creare una figura di pittore-restauratore che si prendesse cura dei preziosi dipinti. L'Opificio delle Pietre Dure è oggi l'erede di questa doppia tradizione artistica: la produzione della manifattura, riconvertita verso il restauro già a fine Ottocento, e i restauratori di Galleria organizzati da Ugo Procacci negli anni Trenta del Novecento come un moderno laboratorio di restauro. Queste due anime dell'esposizione e della conservazione hanno quindi sempre collaborato nella storia e si sono sostenute e stimolate l'una con l'altra e nei tempi moderni, dopo la nascita dell'attuale Opificio nel 1975, questa collaborazione è sempre proseguita. Con la recente riforma che ha interessato le Gallerie degli Uffizi il contatto si è intensificato quasi ritornando all'originario stretto rapporto con una ottimale sinergia ed una ottimizzazione nell'impiego delle forze umane e delle risorse dei due Istituti. Le Gallerie degli Uffizi e l'Opificio delle Pietre Dure oggi credono che la conservazione e la trasmissione alle future generazioni dello straordinario patrimonio d'arte di cui siamo eredi non possa più essere attuato solo con sporadici, sia pur necessari, interventi di restauro. Tale scopo può essere conseguito solo con una azione costante nel tempo che accompagni la vita delle opere d'arte. La collaborazione esistente, infatti, opera quotidianamente sui tre livelli: la conservazione preventiva, con verifiche e controlli, la manutenzione e, quando necessario, con il restauro. Per rendere possibile tutto ciò si è quindi stabilito un accordo tra i due istituti che sta conseguendo ottimi risultati a tutti questi livelli. Quello che oggi qui presentiamo rappresenta un ottimo esempio di questa felice e storica collaborazione tra le Gallerie degli Uffizi e l'Opificio delle Pietre Dure, con un nuovo importante risultato: il restauro del Ritratto di papa Leone X con i due cugini cardinali Giulio de' Medici e Luigi de' Rossi di Raffaello, completato subito prima del lockdown, ha arricchito la straordinaria mostra presso le Scuderie del Quirinale dedicata dalla Repubblica Italiana al grande pittore urbinate in occasione dei cinquecento anni dalla sua morte. Adesso, dopo la sua conclusione, il dipinto è tornato a Firenze e abbiamo insieme voluto sottolineare con questa iniziativa il risultato ottenuto dal restauro. Profondo è stato il rapporto dell'O.P.D. con le opere di Raffaello delle Gallerie degli Uffizi, per rimanere solo ai tempi più recenti, in occasione delle iniziative di conservazione promosse per i due centenari: quello della nascita, con la grande e bellissima mostra del 1984 Raffaello a Firenze. Dipinti e disegni delle collezioni fiorentine, e quello della morte Raffaello 1520 - 1483. Ancora più significativo è stato il contributo, ai fini della conservazione e dell'incremento delle nostre conoscenze sul pittore, che I'O.P.D. ha fornito attraverso le sue ricerche ed i suoi interventi di restauro, condotti su sedici dipinti, tutti appartenenti alle Gallerie fiorentine: un'ulteriore prova dell'importanza di una collaborazione tra i due Istituti dello stesso Ministero.» (Dall'Introduzione).

Paperback. Zustand: New.

Brossura. Zustand: nuovo. OMAR GALLIANI - 2018 Testi di Danilo Eccher, Eike D. Schmidt e Marzia Faietti Formato 31,5 x 27,5 cm Pagine 95 Foto a colori 22 Foto in b/n 32.

Rilegato. Zustand: nuovo. OMAR GALLIANI - 2018 Testi di Danilo Eccher, Eike D. Schmidt e Marzia Faietti Formato 31,5 x 27,5 cm Pagine 95 Foto a colori 22 Foto in b/n 32.

Softcover. Black wraps with color illustration. 43 pp. Color illustrations. "The highly dramatic Saint Sebastian is a work of extraordinary artistic ambition and achievement. It epitomizes the Baroque artistic ideal to express the strongest, deepest and most sublime emotions via an extreme muscular tension and contortion of the human body. Spanning 64 centimeters (25.2 in.) from the right foot to the left index finger, it is amongst the largest ivory figures ever made. As the size alone indicates, the hitherto unpublished Saint Sebastian must have been a very important commission for Jacobus Agnesius, whose oeuvre is systematically reconstructed and analyzed in the following pages for the first time." VG (some minor wear to edges of wraps).

hardcover. Zustand: Ottimo (Fine). Opera con copertina rigida e sovraccoperta. ill. in b/n e a colori ft e nt. 254 p. ; 30 cm Catalogo della Mostra tenuta a Firenze nel 2017-2018 In testa al frontespizio: Le Gallerie degli Uffizi. FIL.7. Book.

Paperback. Zustand: Very good. Paperback Quarto. wraps, 186 pp Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

paperback. Zustand: near fine. First. Color illustrations throughout. 186 pages. 4to, glossy pictorial wrappers. Los Angeles: Getty Publications, (2008). First edition. Corners a touch bumped, still a near fine copy. Contains essays by Vinzenz Brinkman, Jan Stubbe Ostergaard, Marco Collareta and Alex Potts.

In-4°, legatura in brossura editoriale, pp. 367, con 144 illustrazioni a colori e altre illustrazioni nel capitolo di presentazione dell'opera. Mostra tenuta a Firenze, Palazzo Pitti nel 2013.

Hardcover. Zustand: Brand New. Italian language. 11.73x8.58x0.94 inches. In Stock.