Ester partegas (8 Ergebnisse)

Wrappers. Zustand: Fine Condition. 24 pages. Slim, small format paperback exhibition brochure/catalogue. Very minimal shelfwear to the edges. Else, the binding is tight, the interior clean and free of markings. Staple-bound with stiff illustrated paper covers and published on the occasion of the commissioned installation presented from September 20-October 27, 2002. Illustrated. Texts in English, including an interview with the artist. Book.…

Exhibition Announcement Cards. This is not a book. The original invitation to the opening of three exhibitions held at the Aldrich Museum of Contemporary Art, Ridgefield, CT, on January 21, 2001. The three were: Janine Antoni, "The Girl Made of Butter," and January 21 - May 20, 2001; Janet Cohen and John F. Simon Jr., "Systematic Drawing," January 21 - April 22, 2001; and a group show titled "Paper," with Saul Chernick, Elizabeth Duffy, Karin Giusti, Lisa Hoke, Jae Ko, Karen Margolis, Kathleen McShane, Jennifer Monick, Jyung Mee Park, Ester Partegas, Steven Siegel, and Allyson Strafella, January 21 - May 20, 2001. Stiff card, machine-folded 8 pages (spiral-fold); 6 color and b&w illustrations; 7 x 5 inches, unfolds to 28 inches. Condition: A mailed copy with postal markings, address label, and mailing seal to the front and back; interior is clean. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Paperback. Zustand: Brand New. Paperback.Width: 21 cm. Height: 21cm. 116 pages. English text.

Encuadernación de tapa blanda. Zustand: Bien. B192406. Instituto de la Juventud - 53pp (H) Rústica sin solapas. In.

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien.

113 pp.; 29.8 x 21.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; October 2012 issue of the Chinati Foundation Newsletter. Contents include: "The Whole Judd," by Marianne Stockebrand; "Judd, Bagpipes, Tartans, and Times," by Sterry Butcher; photographs by Luisa Lambri; "Artists on (and in Honor of) John Chamberlain," by Amy Sillman, Mark Flood, James Rosenquist, Oscar Tuazon and Chamberlain on Chamberlain; "Looking at Arp (Reading Judd)," by Arie Hartog; "Hans Arp & Donald Judd," by Arie Hartog; "Jean Arp," by Donald Judd; "Five-Element Stupa in Optical Glass," by Hiroshi Sugimoto; "Conservation Report: Claes Oldenburg and Coosje van Bruggen's 'Monument to the Last Horse,'" by Bettina Landgrebe and a feature on artists in residence 2011 - 2012, including Justin Almquist, David Fenster, Rob Fischer, Karl Haendel, Frank Benson and Ester Partegas. Also includes information on a benefit print by Charline von Heyl, the membership program, community garden, internship program, visitor information and staff news. Text in English and Spanish. Very Good / Fine. Light bumping of top right corner of publication and spine corners, otherwise Fine. …

Paperback. Zustand: Very Good. First Edition. Wraps. 4to. Colour illustrated wraps/paperback. pp 69. Copiously illustrated in colour throughout. Monograph of Slave magazine on Ester Partegas. ISBN: 0646459635 Very good indeed.

Couverture rigide. Zustand: Comme neuf. Edition originale. Bruxelles & Mexico 2024. Softbound 23 x 25 cm. --------- 304 pages . 582 illustrations. ******************* "" First monograph of German artist Esther Kläs, covering over 15 years of practice. Born 1981 in Mainz (Germany), Esther Kläs lives and works in Barcelona. Esther Kläs' sculptures and paperworks follow an autonomously defined logic that sets her work in relation to episodes of art history, such as minimalism and abstraction, while at the same time authentically positioning it in the here and now of present-day contemporary art. Esther Kläs' works give rise to an ongoing dialogue between body and environment, which already starts with her process-oriented engagement with plastic materials such as concrete, clay, plaster or artificial resin. Although they are static, Esther Kläs' sculptures and drawings appear to be in constant motion between object, figure and space. Despite their abstraction, or perhaps precisely because of it, her sculptures and paperworks refer to their own presence that enters into a performative relationship with the body of the beholder. In doing so, Esther Kläs' works avoid any kind of metaphor or narration in favor of direct experience. "" ******************** ref fab-02-06.…