Ethan roy (56 Ergebnisse)

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Paperback or Softback. Zustand: New. Lou Reed 1972-1986: Every Album, Every Song. Book.

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Paperback. Zustand: New. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both tether and libe…rate its key participant. Between the years of 1972 and 1986, Lou Reed would seek, achieve, reject, lament, and once again pine for professional success while the excesses and extremities of a life lived in public wielded their own unruly impact. While this book seeks to maintain its focus on the music first and foremost, with an artist like Lou Reed, it seems impossible for the personal to stay divorced from the product. We will see a tentative, crestfallen Lou begin to emerge from his parental Long Island, NY cocoon to test the waters for a solo career. There is worldwide stardom and success, then banishment, followed by the embracement and rejection of various commercial enterprises, to midlife revision and rejuvenation. Multiple partners of influence, both professional and personal, would be accumulated and jettisoned, all leaving lasting traces. Lou did a lot in fourteen years, and it's only half of the story.

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Paperback. Zustand: New. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both tether and libe…rate its key participant. Between the years of 1972 and 1986, Lou Reed would seek, achieve, reject, lament, and once again pine for professional success while the excesses and extremities of a life lived in public wielded their own unruly impact. While this book seeks to maintain its focus on the music first and foremost, with an artist like Lou Reed, it seems impossible for the personal to stay divorced from the product. We will see a tentative, crestfallen Lou begin to emerge from his parental Long Island, NY cocoon to test the waters for a solo career. There is worldwide stardom and success, then banishment, followed by the embracement and rejection of various commercial enterprises, to midlife revision and rejuvenation. Multiple partners of influence, both professional and personal, would be accumulated and jettisoned, all leaving lasting traces. Lou did a lot in fourteen years, and it's only half of the story.

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Paperback. Zustand: New. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both tether and libe…rate its key participant. Between the years of 1972 and 1986, Lou Reed would seek, achieve, reject, lament, and once again pine for professional success while the excesses and extremities of a life lived in public wielded their own unruly impact. While this book seeks to maintain its focus on the music first and foremost, with an artist like Lou Reed, it seems impossible for the personal to stay divorced from the product. We will see a tentative, crestfallen Lou begin to emerge from his parental Long Island, NY cocoon to test the waters for a solo career. There is worldwide stardom and success, then banishment, followed by the embracement and rejection of various commercial enterprises, to midlife revision and rejuvenation. Multiple partners of influence, both professional and personal, would be accumulated and jettisoned, all leaving lasting traces. Lou did a lot in fourteen years, and it's only half of the story.

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Paperback. Zustand: new. Paperback. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both teth…er and liberate its key participant. Between the years of 1972 and 1986, Lou Reed would seek, achieve, reject, lament, and once again pine for professional success while the excesses and extremities of a life lived in public wielded their own unruly impact. While this book seeks to maintain its focus on the music first and foremost, with an artist like Lou Reed, it seems impossible for the personal to stay divorced from the product. We will see a tentative, crestfallen Lou begin to emerge from his parental Long Island, NY cocoon to test the waters for a solo career. There is worldwide stardom and success, then banishment, followed by the embracement and rejection of various commercial enterprises, to midlife revision and rejuvenation. Multiple partners of influence, both professional and personal, would be accumulated and jettisoned, all leaving lasting traces. Lou did a lot in fourteen years, and it's only half of the story. AUTHOR: Ethan Roy is a professor of English Composition at Hudson Valley Community College in Troy, NY. A deep-dish music geek since pre-natal status, at sixteen years of age, he dropped out of high school in order to secure full-time employment at what was the best record store in his community, thus affording him a real education of true merit and value. He has played and recorded with various bands over the years, and occasionally makes instrumental electronic nonsense under the name Moon Risk 7. His first tattoo was the image from the front cover of Lou Reed's The Blue Mask LP. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both tether and liberate its key participant. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Sprache: Englisch
Verlag: Independent Curators International New York, NY, 2004
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136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2…004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

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GLOBAL CYBERSPACE: U.S. OUTLOOK FOR A NETWORKED WORLD (INTERNET THEORY, TECHNOLOGY AND APPLICATIONS)
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Paperback. Zustand: new. Paperback. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both teth…er and liberate its key participant. Between the years of 1972 and 1986, Lou Reed would seek, achieve, reject, lament, and once again pine for professional success while the excesses and extremities of a life lived in public wielded their own unruly impact. While this book seeks to maintain its focus on the music first and foremost, with an artist like Lou Reed, it seems impossible for the personal to stay divorced from the product. We will see a tentative, crestfallen Lou begin to emerge from his parental Long Island, NY cocoon to test the waters for a solo career. There is worldwide stardom and success, then banishment, followed by the embracement and rejection of various commercial enterprises, to midlife revision and rejuvenation. Multiple partners of influence, both professional and personal, would be accumulated and jettisoned, all leaving lasting traces. Lou did a lot in fourteen years, and it's only half of the story. AUTHOR: Ethan Roy is a professor of English Composition at Hudson Valley Community College in Troy, NY. A deep-dish music geek since pre-natal status, at sixteen years of age, he dropped out of high school in order to secure full-time employment at what was the best record store in his community, thus affording him a real education of true merit and value. He has played and recorded with various bands over the years, and occasionally makes instrumental electronic nonsense under the name Moon Risk 7. His first tattoo was the image from the front cover of Lou Reed's The Blue Mask LP. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both tether and liberate its key participant. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Paperback. Zustand: New. This book examines the work of the first decade-and-a-half of Lou Reed as a solo artist. It would be easy to paint these years with a broad brush; with the ghost of The Velvet Underground in its aftermath slowly yet gradually gaining cultural influence, this slow-burning legacy would both tether and libe…rate its key participant. Between the years of 1972 and 1986, Lou Reed would seek, achieve, reject, lament, and once again pine for professional success while the excesses and extremities of a life lived in public wielded their own unruly impact. While this book seeks to maintain its focus on the music first and foremost, with an artist like Lou Reed, it seems impossible for the personal to stay divorced from the product. We will see a tentative, crestfallen Lou begin to emerge from his parental Long Island, NY cocoon to test the waters for a solo career. There is worldwide stardom and success, then banishment, followed by the embracement and rejection of various commercial enterprises, to midlife revision and rejuvenation. Multiple partners of influence, both professional and personal, would be accumulated and jettisoned, all leaving lasting traces. Lou did a lot in fourteen years, and it's only half of the story.

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