Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Zustand: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.
Anbieter: Jackson Street Booksellers, Omaha, NE, USA
Erstausgabe
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. As New in As New Jacket. 1st Printing.
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 19,68
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Rutgers University Press, New Brunswick, NJ, 2020
ISBN 10: 1978808828 ISBN 13: 9781978808829
Erstausgabe
Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. First Edition. First edition, hardcover, has a slight lean to the binding, light bumps to the spine ends and upper front cover corner, and a touch of smudging to the edges of the text block. Overall, this is a solid, Very Good+ copy in a Very Good, unclipped dust jacket, which has light bumps to the corners and spine ends with a short tear to the tail of the spine, and rubbing to the covers with mild smudging to the back.
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. 2024. Paperback. . . . . .
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 24,13
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 270 pages. 8.00x5.19x0.71 inches. In Stock.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 29,80
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Anbieter: The Book House, Inc. - St. Louis, St. Louis, MO, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Fine Hardcover with Fine dustjacket.
Zustand: New. 2024. Paperback. . . . . . Books ship from the US and Ireland.
Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.
Zustand: New. New in Paperback edition NO-PA16APR2015-KAP.
Sprache: Englisch
Verlag: Rutgers University Press, US, 2020
ISBN 10: 1978808828 ISBN 13: 9781978808829
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 44,63
Anzahl: 2 verfügbar
In den WarenkorbHardback. Zustand: New. Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema '62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O'Toole, and Omar Sharif. Above all, 1962-the year of To Kill a Mockingbird and The Manchurian Candidate-gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year's Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema '62 makes a strong case that the movies peaked in the Kennedy era.
Verlag: Rutgers University Press 2020, 2020
Anbieter: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Neuseeland
Verbandsmitglied: IOBA
Super octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 48,74
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Zustand: New.
EUR 41,37
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Rutgers University Press, US, 2020
ISBN 10: 1978808828 ISBN 13: 9781978808829
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 41,27
Anzahl: 2 verfügbar
In den WarenkorbHardback. Zustand: New. Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more. Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema '62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since. Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O'Toole, and Omar Sharif. Above all, 1962-the year of To Kill a Mockingbird and The Manchurian Candidate-gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year's Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema '62 makes a strong case that the movies peaked in the Kennedy era.