Feddersen joe (6 Ergebnisse)

Paperback. Zustand: Very Good. First Paperback Edition. 4to - over 9¾" - 12" tall. In pictorial wraps, 4to, 126pp. Illustrated profusely. Color and b/w Illustrations (illustrator).

Softcover. Zustand: Very Good. No dust jacket. Seattle Arts Commission 2001, 2nd edition. Stapled trade paperback in VG condition; slight curl to top corner pages. 5.5 x 8.5 in., 72 pp. Articles on cultural history of West Seattle.

Paperback. Zustand: Very Good. 2nd Edition. Stapled binding. Tight and clean. 72pp. Size: 8vo - 8" - 9" Tall.

Soft cover. Zustand: As New. 1st Edition. A catalog from the Hallie Ford museum of Art at Williamette University. 128 pages including the Artist`s History, a selected Bibliography and a Glossary of Printmaking Terms. Signed by the artist, Joe Feddersen, to the title page in blue pen. Has a small rub to the title page along the side edge and small bit of rubbing to the top, back edge."Vital signs, the pulses and patterns of the body, are indicators of essential life functions." Paypal always welcome. We pack and ship all our books with care in cardboard boxes. Additional photos emailed upon request. Signed by Author(s).…

Portfolio. Zustand: Near Fine. 43 pages: color illustrations. 11"w x 8 1/2"h. Staple-bound booklet in paper portfolio. Some sticker residue on rear of portfolio cover. Portfolio of prints created by fifteen First People contemporary artists of the Americas. "The contemporary print portfolio is an educational opportunity which may assist in gaining a broader unerstanding on the impact of Lewis and Clark and their Voyage of Discovery and the subsequent rapid colonialization that followed had on the First Peoples." Keywords: Missoula Art Museum, Portfolio of prints, Native People, Lewis and Clark, Colonialization, Corp of Discovery, Expedition, Salish, Kootenai, Tribes, Sacajewa.…

Paperback. Zustand: New. Vital signs, the pulses and patterns of the body, are indicators of essential life functions. The powerful work of Joe Feddersen reveals, like "vital signs" themselves, the state of the human condition from the vantage point of a contemporary artist who has inherited an ancient aesthetic tradition. Arising from Plateau Indian iconographic interpretations of the human-environment relationship, Feddersen's prints, weavings, and glass sculptures explore the interrelationships between contemporary urban place markers and indigenous design. Following in the footsteps of his Plateau Indian ancestors who "spoke to the land in the patterns of the baskets," Feddersen interprets the urbanscapes and the landscapes surrounding him and transforms those rhythms into art forms that are both coolly modern and warmly expressionistic. Joe Feddersen was born in 1953, in Omak, Washington, just off the Colville Indian Reservation. His mother was Okanogan and Lakes from Penticton, Canada; his father was the son of German immigrants. He has been a member of the art faculty at Evergreen State College in Olympia, Washington, since 1989.…