Fleming julius (79 Ergebnisse)

Paperback. Zustand: Good. Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University) 2024 College Language Association Book Award Winner 2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR) Finalist, ATHE Outstanding Book Award A bold rethinking of the Civil Rights Movement through the lens of Black theater "Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait?in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards?for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.…

Paperback. Zustand: Good. Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University) 2024 College Language Association Book Award Winner 2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR) Finalist, ATHE Outstanding Book Award A bold rethinking of the Civil Rights Movement through the lens of Black theater "Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait?in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards?for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.…

Paperback. Demy octavo, [17.5cm/7inches], full fushia-embossed succulent-coloured cloth w/ mylar-protected dust jacket, pp. 166. On July 22, 1865, in Charleston, South Carolina, a man by the pen-name of Juhl wrote an editorial in the Charleston Courier describing many elements of city life in the post-Civil War period. The writer's real name was Reverend Julius J. Fleming, a prominent and outspoken citizen of Charleston widely respected for his roles as a preparatory school principal, a Methodist preacher, and earlier in his life, as the editor of the Sumter Watchman, a Charleston area newspaper. More importantly, however, the editorial Fleming penned shows a distinct knowledge of the fundamental problem that plagued Reconstruction South Carolina. Please feel free to inquire as to particulars and/or additional snapshots. In exceptionally good condition.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Publisher's original gray cloth with attractive crimson spine lettering, square 16mo (i.e., 6 1/2 x 6 1/2 inches), pp. vii, 391. Condition is Very Good. Good-only dust jacket has a tear at bottom edge of front panel and top edge of rear panel.…

Square octavo, hardcover (gray cloth), vii, 391 pp. Near Fine in a Very Good, mylar protected dust jacket with light foxing and edgewear. From Introduction: Julius J. Fleming was a shadowy figure who, except for a few brief years, left no distinct imprint on South Carolina's past. As school teacher, college president, Methodist minister, Baptist preacher, coroner, magistrate, editor, lawyer, would-be politician, and newspaper correspondent he was a multifaceted individual with a variety of roles and occupations. The years Julius Fleming chose to illuminate are important ones. Beginning in July, 1865, over a six-year period, he contributed some two hundred letters to the Charleston Courier. Most of these were written from Sumter, then a county seat of about two thousand, a hundred miles north of Charleston. In his columns Fleming, using the pen name of "Juhl," discussed the weather, crops, race relations, economic conditions, the Ku Klux Klan, politics, and many seemingly inconsequential but frequently revealing details concerning day-to-day life in the wake of military defeat. In addition to life in Sumter, Juhl tells s about visits to Columbia, Walhalla, Darlington, and other points in South Carolina, trips to New England, New York, and Florida, and an extensive tour with the Georgia Press Association in August, 1869. Since this is the same trek which catapulted a young man named Henry Woodfin Grady into the limelight, Juhl's letters as the official correspondent of the Charleston Courier take on special significance. Southern Americana, American South, Charleston, South Carolina, Americana, U.S.-iana, American History, U. S. History. yslic. …

Paperback. Zustand: New.

Zustand: New.

Paperback. Zustand: New. Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University) 2024 College Language Association Book Award Winner 2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR) Finalist, ATHE Outstanding Book Award A bold rethinking of the Civil Rights Movement through the lens of Black theater "Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait-in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards-for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University) 2024 College Language Association Book Award Winner 2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR) Finalist, ATHE Outstanding Book Award A bold rethinking of the Civil Rights Movement through the lens of Black theater "Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait-in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards-for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.…

hardcover. Zustand: Good. ***Please Read*** NAME INSIDE COVER WITH NOTE - SOME WEAR ON THE COVER - marks on text - My shelf location 37-E-39*.

Paperback or Softback. Zustand: New. Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation. Book.

Paperback. Zustand: new. Paperback. Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University) 2024 College Language Association Book Award Winner 2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR) Finalist, ATHE Outstanding Book Award A bold rethinking of the Civil Rights Movement through the lens of Black theater "Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people waitin the holds of slave ships and on auction blocks, in segregated bus stops and schoolyardsfor their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. "This book argues that, since transatlantic slavery, patience has been used as a tool of anti-Black violence and political exclusion, but shows how during the Civil Rights Movement Black artists and activists used theatre to demand "freedom now," staging a radical challenge to this deferral of Black freedom and citizenship"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Zustand: New. 2022. Paperback. . . . . .

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v.good-fine in dj.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Reprint (first published in 1939). Hardback copy in green cloth boards with gold gilt lettering to spine. Price clipped dustjacket in new removable protective clear sleeve. 632pp. Untrimmed fore-edge text block. Not library copy, no inscriptions, wear to dustjacket edges, missing section to head of spine. (74/6).…

Zustand: New.

Zustand: New.

Zustand: New.

Paperback. Zustand: Brand New. 320 pages. 0.35x0.24x0.90 inches. In Stock.

Magazine. Zustand: Good. First Edition. Spine has a little chipping and surface loss at the top and bottom. Light crease to bottom right hand corner of front panel and light edge wear. Pages browned. Contains 'No Pockets in a Shroud' by Deming, 'Trouble on Circuit 13' by McCaig, 'Legitimately Dead' by Fleming-Roberts, 'Ear-Witness' by Beam, 'Somebody for the Wolves' by MacLean and 'Can You Take the Witness?' by Long. Postage charge will be reduced by £1.50 when the order is processed. …

Paperback. Zustand: New. Honorable Mention, 2024 Callaway Prize for the Best Book on Drama, Theatre, and Performance Studies (New York University) 2024 College Language Association Book Award Winner 2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change) Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society) Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association. Finalist, Barnard Hewitt Award for Outstanding Research in Theatre History (ASTR) Finalist, ATHE Outstanding Book Award A bold rethinking of the Civil Rights Movement through the lens of Black theater "Freedom, Now!" This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait-in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards-for their long-deferred liberation. In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as "Black patience." Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.…

Soft cover. Zustand: Very Good. 158pp. Index. Title on front cover and spine. Very Good+++.

Zustand: New. &Uumlber den AutorJulius B. Fleming Jr. is Assistant Professor of English at the University of Maryland, College Park, where he specializes in African American literary and cultural production and performance studies.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.