Florence gibson (29 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

NEW! Paper bound, 1st edition, few illustrations, 87pp. As new. 135 grams.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: Good.

Soft cover. Zustand: Very Good. No date, circa 1960? Looseleaf, bradbound in textured printed wraps, 337 pp., 28 cm tall (quarto). List of residents of Gloucester County, New Jersey compiled from census information. Includes maps.

Zustand: New.

Paperback. Zustand: New. /NEW/SAME AS PICTURED/.

Zustand: New.

Hardcover. Zustand: Very Good. No Dust Jacket. First Edition. Clean and tight, with no markings in the text. A couple of page corners have been turned down, and the top corner of page 19/20 has been wrinkled. The pages are toned but sound. Fast shipping, with tracking number provided. ; Columbia University. Faculty of Political Science. Studies in history, economics and public law; 480 pages B0007DT5A6.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Good+. No Dust Jacket. Paperback in good condition. Occassional highlighting in pages. Front cover has very small stain. ; 5.5 X 0.32 X 8.5 inches; 150 pages.

Soft cover. Zustand: Very Good. 1st Edition. Clean and tight. Spiral bound. 334 pages plus photographs.

Hardcover. Zustand: Good+. No Dust Jacket. Blue cloth, gold lettering, spine darkened. Poetry.

Zustand: New. Satisfaction Guaranteed or your money back.

Zustand: New. Satisfaction Guaranteed or your money back.

Hardcover. Zustand: Near Fine. A clean unmarked copy in publisher's cloth, review slip loosely inserted.

Diss. New York 1951. 480 pages. Softcover. Stamped.[#73029].

Hardcover. Zustand: Very Good. No Jacket. First Edition. RARE copy of this 64 page book of poems. Minor exterior wear. Book.

Zustand: New. Print on Demand.

Hardcover. Zustand: Good. Dust Jacket Included. French text; Hardcover (with dust jacket); 25.1 x 33 cm, 2.433 Kg; 344 pages with colour and black-and-white illustrations; Signs of wear on the dust jacket, namely on the bottom of the spine. The interior is in good condition; Catalogue for the exhibition of African receptacles held at the Dapper Museum in Paris from October 1997 to March 1998.;Emblematic of the richness and profoundness of the cultural and social life in black Africa, receptacles stand as secular evidence of exceptional creations, not only in terms of the creativity of their shapes, but also in terms of their strongly diversified use. Some of these receptacles preserve the nourishment of men, others have substances that conserved and enhanced beauty and health, while others conceal and exalt the power of kings, or gather offerings to the gods. Boxes, cups, vases, jars, spoons, snuff boxes, carved pipes, and statuettes evoke an infinity of daily or ritual actions: annointments of the body, offerings of boiled cereals, millet beer, palm oil or wine, smokey dreams that give access to another time, another place. This book also presents earlier vessels, that are both remarkable and unique, and that testify to Europe's attraction for the productions commissioned in Africa as early as the 16th century: boxes and salts made of ivory or ostrich eggs often engraved with motifs that follow the commissioner's taste. However, it is within the intimacy of the more personal artworks, created to satify the community's needs, with clean designs, materials and scarcely decorated, that the african artists enclose the flavours of the world.…

Soft cover. Zustand: Near Fine. First Printing. Near fine soft cover. Large or heavy book and may require extra postage. No AMAZON international order on this title. Size: 4to - over 9¾" - 12" tall.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 60. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 60.…

LeatherBound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 92. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 92.…

Soft cover. Zustand: Very Good. 51 pp., spiral bound, illustrated. In English and Ngúddja Ndjébbana languages. 0.0.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1860 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 12 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 12.…

The artist William Hatherell's collection of letters and documents relating to his work as an illustrator in the 1890s-1920s. Among c70 items is Hatherell's retained copy of a famous letter to him by Thomas Hardy praising his 1895 illustrations for Jude the Obscure, which the novelist wrote 'to express my sincere admiration for the illustrations of "Jude at the Milestone". The picture is a tragedy in itself & I do not remember ever before having an artist who grasped the situation so thoroughly Thomas Hardy' (see Hardy, Collected Letters Vol II). Much of Hatherell's considerable success in Britain and north America flowed from Hardy's high praise for his work and it is notable how much of this correspondence from editors in London and New York deals with Hatherell's refusal to lower his standards. PHYSICAL DESCRIPTION: Folio Album (38x29cm) bound in original green roan and pebbled cloth; structurally sound but lightly worn with cracking to the leather outer hinges at head and tail of spine. Bookseller's ticket of 'W Straker' London to front pastedown. 54 leaves in total; 46 used, mostly rectos for a collection of letters and ephemera, c70 items in all. NARRATIVE: The album begins with a letter from Dean Cornwell - 'The Dean of Illustrators' - President of the Society of Illustrators in the USA, announcing Hatherell's election as a member and stating that 'There is no living man whom we men in American feel a greater debt to, than yourself, for all you have done to raise Illustration to a high plane.' Later America correspondents include Richard Harding Davis discussing a commission, Charles Dana Gibson (also on Society of Illustrators business) and Edward Russell (McClure's Magazine) who expresses disappointment 'because my suggestion for the picture was not taken into account at all'. In a later later letter Edward Russell writes on Players Club of NYC headed paper to apologise for a short deadline 'but the call of the Editorial Department must be obeyed and sometimes they have me on the hip' as well as making suggestions for Hatherell in a forthcoming story he is to illustrate. Other correspondents include Queen Mary (printed letter and ticket to the Palace of Arts British Empire Exhibition which included Hatherell's work), Florence A Kirkpatrick; E F Sharie from the Strand Magazine on his choice of media: 'I do not want to hamper you in any way, but pencil drawings are extremely difficult to reproduce.' Hugo Tyerman (The Children's Newspaper); William Babington Maxwell (Hatherell illustrated his stories in The Strand), Robert Percy Hodder Williams (publisher) Agnes Ethel Conway (Women's Work, Imperial War Museum, about Hatherell's Edith Cavell painting) A E Johnson (artist's agent on commissions) and three letters from Sydney Boot about illustrations for Sheila Kaye Smith. George Robey (3 letters) the music hall performer writes about an illustrated programme for a memorial concert - with the programme laid in and Rutherford Crockett re illustration of his story. Other publications represented by letters include The Graphic; The Associated Illustrators (Henry S Fleming, Broadway) and there is real emotion from some correspondents: 'I wept over your picture in last years Academy' from Florence T Nicholson. Alfred Scott-Gatty (composer) writes about the purchase of a picture. Hugh Stowell Scott - actually novelist Hugh Merriman - praises 'a sense of the dramatic' in Hatherell's work. Also letters from George Clausen, founder member of the New England Art Club; Stanhope Forbes (Newlyn Artist); novelist Mary Cholmondely with costume changes recommended by a friend who has viewed pictures in the company of 'The King and the Prince of Wales'. A letter from Clement Phillipson in Australia recalls meeting Hatherell in 1890 in the goldmines of Tetulpa when he was touring the country on a commission from Cassell to illustrate a book about the country. William Hatherell (1855-1928) studied at the Royal Academy and despite working in oils and other media achieved his most notable success as an illustrator. Please contact Christian White Rare Books Ltd for more information or images of this item.…

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextWorking from the original marriage registers, the Gibsons have compiled a list of more than 6,000 Monmouth County marriages arranged alphabetically by the surname of the groom. Each entry also furnishes the name of the bride, . …