Foreword raphael soyer (4 Ergebnisse)

Soft cover. Zustand: Near Fine. Paperback. 143 glossy, heavy pp, intro, foreword, acknowledgments; color, b/w photos with biography verso. Includes Ansel Adams, Sir Rudolf Bing, Kay Boyle, Al Hirschfeld, John Houseman, Sippie Wallace, Rudy Vallee, many more. Color photo cover, 4to, contents fine; cover near fine. Book. …

Paperback. SIGNED. First edition. Near Fine. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 143 pages; 62 color and b&w full-page photographic plates; 8.5 x 10.5 inches. SIGNED BY SCHIFF and inscribed. Out of Print. Portraits of well-known people in their 80s including Ansel Adams, Barbara Morgan, Jacques-Henri Lartigue, Al Hirschfeld, etc. …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 257 pages. Biographical notes. List of printers. Index of Prints. Frontispiece is an original lithograph created especially for this volume. "The only catalogue of Soyer's prints. Contains 126 separate prints - from his first etched self-portrait to his most recent experiments in advanced lithographic technique. Each print is fully described, and each is illustrated - full size wherever possible - on a separate page." - from dust jacket. Errata slip laid-in. Binding tight. Clean, bright and unmarked with very light wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. A high-quality copy. Soyer, Raphael (illustrator). …

Paperback. Zustand: Near fine. First edition. Original printed wrappers, [16] pp., color and b/w illustrations. Photocopied list of works exhibited laid in. Inscribed on title page by Raphael Soyer (1899-1987): "For Sandra and Kitaj in friendship and admiration, Raphael." Additionally the list of paintings is inscribed "We hope to see you both again soon, R. S." American artists R. B. Kitaj (1932-2007) and his second wife Sandra Fisher were friends of Raphael Soyer and also the subject of at least 1 double portrait painted by Soyer. In 2 places in the catalogue Soyer has penned a critique of the color reproduction of his work.…