Franceschini marcantonio (8 Ergebnisse)

28 x 22,5 cm. Zustand: Gut. First Published. XX, 296 Pages.; With Figures and Plates. Original Cloth-Binding with gilt back and Library label on cover. Lightly rubbed. Inside with Library stamps- and inscription, book end paper attached with adhesive strips, detached adhesive strip on the back cover, otherwise in very good condition. English Language. B04-01-06F Sprache: Englisch Gewicht in Gramm: 1376.…

First edition. xx+296 pages with index. Illustrated in black and white, some colour. Cloth. Small dent via dustjacket. Very good in as mentioned damaged dustjacket. An account of the project to decorate the five state rooms in the Garden Palace of the House of Leichtenstein with large paintings illustrating tales of the goddesses Venus and Diana, which is based primarily on the correspondence between Prince Andreas and the painter, Marcantonio Franceschini.…

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Zustand: gut. 1991. Marcantonio Franceschini and the Liechtensteins. Prince Johann Adam Andreas and the decoration of the Liechtenstein Garden Palace at Rossau-Vienna. In englischer Sprache. pages.

Paperback. Zustand: New.

Paperback. Zustand: As New.

Zustand: Good. 20 lines of text on 1 leaf watermarked laid paper (267 x 190 mm), addressed to an agent in the sale of two pictures. Slight tears where the paper has disintegrated under ink strokes result in negligible loss. Marcantonio Franceschini (1648-1729) is considered the quintessential representative of Bolognese classicism of the late 17th century. Schooled in a baroque tradition arching back to the Caracci, the artist gracefully anticipated elements of the subsequent neoclassical style. Among his most important projects was the decoration of a suite of rooms in the Liechtenstein Garden Palace at Rossau-Vienna, commissioned by Johann Adam Andreas, Prince of Liechtenstein (1656-1712). The letter offered here is an elegant register of market pressures and personal anxieties involved in Franceschini's commercial negotiations. It shows the artist eager to prevent his agent from underselling terms Franceschini had established with Prince Johann Adam. Franceschini writes to the agent about the commission of two pictures for an unnamed client in Vienna. The artist implores the agent to price the paintings at sixty ducats each instead of fifty. He reveals that he normally charged Prince Johann Adam a greater sum for simpler pictures, and he fears that the prince might be offended to find out that his paintings were available more cheaply elsewhere.…