Franke tom (38 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Nein. Readers Auswahlbücher, Die Kurzfassungen in diesem Buch erscheinen mit Genehmigung der Autoren und Verleger, ISBN: 3 87070 330 X, goldgepr. Braunes Lederimitat, goldgepr. Rückentitel, gebunden, Lesebändchen, 19x13,5 cm, 512 S., guter Zustand. (Intern: Varia).

510 Seiten, gebunden (Ledereinband), Seiten leicht angegilbt, guter Zustand.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: New.

Zustand: Gut. 510 Seiten, Illustrationen von Dennis Lyall, mit zahlreichen Fotos aus dem Besitz.Jan Hedberg/Chuck Hamrick, Goldpräge-Rücken und -Einband, Kurzbiographie am Ende jeses Buches, Schnitt und Seitenränder altersbedingt leicht nachgedunkelt Readers Digest Reihe: "Auswahlbücher" Kurzfassungen (allerdings genial gekürzt) der Romane. Für die Briten ist er der Held des Tages, fiir die irische Terrororganisation ULA ein Widersacher, den es aus dem Weg zu räumen gilt. Der Grund: John Ryan hat ein Attentat auf die königliche Familie verhindert. /"Ein Schwein bei der Polizei? Ausgeschlossen, daß so was genehmigt wird", prophezeien die Kollegen. Hauptkommissar Franke verliert aber selbst angesichts der Engstirnigkeit mancher Vorgesetzter nicht den Mut, das junge Wildschwein Luise für den Rauschgiftspürdienst auszubilden. /Benjamins glückliche Kindheit auf einer Straußenfarm in der Steppe Südafrikas endet jäh, als eine Holzfälleifamilie Anspruch auf ihn erhebt. Die Waldleute glauben in ihm ihren vor Jahren verschwundenen Sohn zu erkennen. Und das Recht scheint auf ihrer Seite. Denn Benjamin ist weiß, die Frau, die er bisher Mutter nannte, dagegen schwarz! /New York, 1920. Alle Dinge haben ihren festen Platz im Leben der Millertons, bis eines Tages Jack Egerton, ein junger Mann mit undurchsichtiger Vergangenheit, auftaucht und gleich darauf wieder verschwindet. Da fällt ein Schatten auf das Glück der angesehenen Familie, und bald scheint nichts mehr so, wie es einmal gewesen war. Sprache: Deutsch Gewicht in Gramm: 460. …

HC. Zustand: Gut. Okledr., 510s., in gutem Zustand, [OSA21,2a] Deu 700g.

Paperback. Zustand: Brand New. German language. 7.44x4.96x1.14 inches. In Stock.

Zustand: Bon. Ancien livre de bibliothèque avec équipements. Tome 6. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Volume 6. Ammareal gives back up to 15% of this item's net price to charity organizations.…

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Zustand: New. In English.

Hardback. Zustand: New. Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art's social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality-not only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an "Ethnology of the White Man" together with the excavation of the deep time of humanity-into the "Neolithic Childhood" mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein's own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindrich Styrský, Raoul Ubac, Paule Vézelay and others.…

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Hardcover. Zustand: new. Hardcover. Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous arts social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionalitynot only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an Ethnology of the White Man together with the excavation of the deep time of humanityinto the Neolithic Childhood mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einsteins own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Luetticken, Ulrike Mueller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schuettpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassai, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Hoech, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, Andre Masson, Alexandra Povorina, Gaston-Louis Roux, Kalifala Sidibe, Louis Soutter, Yves Tanguy, Toyen, Jindrich Styrsky, Raoul Ubac, Paule Vezelay and others. Art in a False Present ca 1930. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Zustand: Brand New. 400 pages. 10.75x7.00x1.50 inches. In Stock.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New.

Gebunden. Zustand: New. Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art s social a.

Hardcover. Zustand: Gut. 512 S. B584-205 9783870703301 Sprache: Deutsch Gewicht in Gramm: 460.

Hardback. Zustand: New. Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art's social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality-not only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an "Ethnology of the White Man" together with the excavation of the deep time of humanity-into the "Neolithic Childhood" mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein's own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindrich Styrský, Raoul Ubac, Paule Vézelay and others.…

Hardcover. Zustand: new. Hardcover. Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous arts social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionalitynot only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an Ethnology of the White Man together with the excavation of the deep time of humanityinto the Neolithic Childhood mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einsteins own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Luetticken, Ulrike Mueller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schuettpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassai, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Hoech, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, Andre Masson, Alexandra Povorina, Gaston-Louis Roux, Kalifala Sidibe, Louis Soutter, Yves Tanguy, Toyen, Jindrich Styrsky, Raoul Ubac, Paule Vezelay and others. Art in a False Present ca 1930. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Zustand: Sehr gut. 512 Seiten Eine Sammlung von spannenden Erzählungen und Kurzfassungen populärer Romane, die von international bekannten Autoren stammen. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-136-2/8-00521731 Sprache: Deutsch Gewicht in Gramm: 448. …

Hardcover. Zustand: Sehr gut. 123 Seiten Diese Auswahlbände von Reader\'s Digest bieten Kurzfassungen mehrerer bekannter Romane in einem Band. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-627-1/8-00717479 Sprache: Deutsch Gewicht in Gramm: 450. …