Fritz eichenberg wood engravings (25 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Second Printing. 4to - over 9¾" - 12" tall. In pictorial jacket, 4to, 80pp. Illustrated with Wood Engravings By Fritz Eichenberg. (slight wrinkling to rear jacket panel). Wood Engravings By Fritz Eichenberg (illustrator).

Hardcover. Zustand: Good. No Jacket. Wood Engravings By Fritz Eichenberg (illustrator).

Soft cover. Zustand: Very Good. gift inscription on half title page. Eichenberg, Fritz (wood engravings) (illustrator).

Hardcover. Zustand: Very Good+. No Dust Jacket. No Edition Stated. Book has slight fading to color on spine and top red page ends at spine; slipcase has some rubbing to bottom edge; Heritage Club Sandglass Number IX: 25 laid in; 234 pages.

Soft cover. Zustand: Very Good. Original printing 1988 Clean tight strong unmarked copy. Eichenberg's great wood engravings. 258 pages. Christian Literature. Fritz Eichenberg Wood Engravings (illustrator).

Soft cover. Zustand: Fine. Eichenberg, Fritz: Works of Mercy Orbis Books 2004 softcover ISBN 1570755523 FINE, bright, clean and unmarked. Spine is not creased, binding is tight, corners are sharp and square, appears unread. No chips, no tears, no bumps, no soiling, slightest bit of rubbing to wrappers. 109 pp. Fritz Eichenberg (1901 through 1991) was one of the world's master wood engravers, renowned for his illustrations of works by Tolstoy, Dostoevsky, and other literary classics. A German immigrant and Quaker convert, he served as chair of the graphic art department at the Pratt Institute in New York City and authored The Art of the Print, which became a standard text. He achieved a different fame from his 40 years of contributions to the Catholic Worker newspaper, represented in this stunning volume. wood engravings by Fritz Eichenberg (illustrator).…

Hard Cover. Zustand: Very Good. No Jacket. Lower corner tips frayed on heel of spine corners, other corners lightly rubbed, tape sticker shadow on top front cover corner, former owner's bookplate on front endpaper. Translated from the Russian by Constance Garnett. With a Foreword by Sinclair Lewis. Reddish cloth with gold lettering on spine and front cover. 235 pages. Illustrated with Wood Engravings By Fritz Eichenberg (illustrator). …

Hardcover. Zustand: Very Good. No Dust Jacket. First Thus. 8vo - over 7¾" - 9¾" In grey cloth with balck and silver titling, pictorial upper cover rendering, 8vo, 167pp. Illustrated with Wood Engravings By Fritz Eichenberg. #2137 of 3000 copies printed for this edition. Illustrated with Wood Engravings By Fritz Eichenberg (illustrator).…

Hardcover. Zustand: Very Good+. No Dust Jacket. Limited Edition. Copy No. 664 of three thousand copies printed; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with eight wood engravings by Fritz Eichenberg; lacks slipcase. Wood Engravings by Fritz Eichenberg (illustrator). Book.…

Captures the mood of the original Russian edition. Publishers letter laid-in. Nice bright clean crisp copy 6-1/2 x 9-1/2, 235 pp, full-pg b/w illus. Fine unmarked, in Fine slipcase. Hardcover in orange cloth boards w decorative gilt, in plain reddish slipcase.

Hardcover. First edition thus. Near Fine cloth bound hardback with a label stuck to the ffep with the previous owner's name crossed out in a Very Good publisher's slipcase with only some light wear and soiling. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 258 pages; b&w illustrations; 6.5 x 9.5 inches. Sandglass, Number IX: 25, laid-in.…

Pamphlet. Zustand: Used - Very Good. Printed in June, 1954 for Friends of the Curtis Paper Company, Newark, Delaware at The Spiral Press, New York. (20) pages. 9 x 6", printed wrapper. VG.

Soft Cover. Zustand: Very Good. Probable First Printing Thus. Soft Cover. Very Good. Probable First Printing Thus. 8vo - over 7¾" - 9¾" tall. Top inch and side 1/5" of front cover browned, former owner's name written in ink on by top edge of front cover, price (?) marked out on top front corner. With an introduction by William Hubben. 47 pages. Wood Engravings By Fritz Eichenberg (illustrator). …

Hardcover. Zustand: Very Good+. No Dust Jacket. Collector's Edition, full leather binding with elaborate gilt decoration on covers and spine. All edge gilt, ribbon in place, silk end papers, light sunning to edges. Nicely printed with clean, bright interior. Shadow, color fading on silk of inside cover where bookplate was removed. A lovely edition not to be confused with the faux leather or cloth editions. ; Collector's Edition; 8vo 8" - 9" tall; 234 pages. Illustrated by Fritz Eichenberg Wood Engravings (illustrator).…

Hardcover. Zustand: Very Good. No Dj. Quarto, hardcover, VG in edgeworn slipcase. Turquoise cloth with red and gilt design, pages edged in red on all sides; Cliff notes laid in (softcover, yellow and black with explanations and summaries of book) An account of the Four Voyages into several remote nations o f the world; just as written down by Swift. In this edition the story has been especially edited for the younger reader. But the charming Old English is left intact. Wood Engravings By Fritz Eichenberg (illustrator). Book.…

Slipcased Cloth Over Boards. Zustand: Very Good. No Jacket. This book is in very good condition with tight binding and clean text. There is minor wear on the slipcase. Size: 4to - over 9¾" - 12" tall. Eichenberg, Fritz (wood engravings) (illustrator).

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Near Fine. Sandburg Poems selected by Lee Bennett Hopkins. Great frame worthy wood engravings by Fritz Eichenberg. ( 6x7 1/2 ) Fine as new unmarked copy with very light edge wear to bright clean jacket. Gift Worthy. Fritz Eichenberg Wood Engravings (illustrator).…

Hardcover. Zustand: New. Zustand des Schutzumschlags: Slipcase Very Good ++. Limited Edition. Limited Edition, this being #1329 of 3000 Copies. Illustrated by Fritz Eichenberg. Includes the two page Publisher's Sheet. [6], 167pp, [3], bound in illustrated gray cloth, with the binding and hinges tight, NO LABELS INSCRIPTIONS, NOR MARKINGS. The slipcase shows a slightly darkened spine. Wood Engravings by Fritz Eichenberg (illustrator).…

Hard Cover. No Jacket. HBNODJ Issued, Bound in Genuine Black Tooled Leather with Gold Gilt Decorations & Ribbon Bookmark, Minor Wear Interior Nice, tight Clean, F/F, NODJ, Pages edges Gold Gilt,235 pgs.

Hardcover. Zustand: Very Good. Hardback in overall good shape with light general wear. Binding firm and square. clean throughout.

Full-Leather. Zustand: Fine. Limited Edition. The Collector's Library of Famous Editions. Full dark blue leather with gilt titles and decorations; all edges gilt; silk moire endpapers; ribbon page marker. Notes from the Archives laid in. BB. Eichenberg, Fritz (wood-engravings) (illustrator).

Hardcover. Limited Edition, #1020/2000. Quarto, 319 pages. In Very Good condition with Very Good slipcase. Slipcase spine is burnt orange with gilt block lettering. Bound in publisher's off-white linen with copper lettering to spine and embossed titling to front cover. Slipcase shows light shelf wear with rubbing to corners and edges, and a few light scratches and marks to covers. Boards show very light overall shelf wear. Textblock is clean. Previous owner's bookplate to front paste down. Numbered and signed by author on rear limitations page. Illustrated with 18 wood engravings by Fritz Eichenberg. Shelved in Room A oversize. Fritz Eichenberg (1901-1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice and nonviolence. This is his Illustration for Johann Jacob Christoffel von Grimmelshausen's, "The Adventures of Simplicius Simplicissimus," written in 1669 against the background of the Thirty Years War. 1417643. Special Collections - Upstairs. Signed.…

Hardcover. Zustand: Very good +. Zustand des Schutzumschlags: None (Slipcase). Reprint. Very good + hardcovers with illustrated covers and wood engravings to text by Fritz Eichenberg show just a hint of wear including some mild foxing at page fore edges, in good + slipcase that shows mild bit of tape residue, scotch tape mend at base, light soil and rubbing at edges with bit of rub through to couple of spots at open edges. 555 pages including both volumes. Still an attractive edition of this set of classics from the legendary sisters. Eichenberg, Fritz (Wood Engravings) (illustrator).…

Hardcover. Zustand: Very Good. No Dust Jacket. Original cloth-backed pictorial boards. Miniature format. Spine gap mid volume, the occasional minor spot. Slight sunning/edgewear to boards, spine sunned. [40]pp. ; 24mo 5" - 6" tall.

Prints. Zustand: Near Fine. Folio [39 cm] Two suites of loose prints (the suites are issued in two states). 13 prints printed on white paper, 12 of which are signed; 13 prints printed on cream-colored paper, 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper, the only difference being the paper. The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. *Does not contain the introduction by Leonard Baskin or the descriptive letterpress text.*. With signed self-portraits by the following artists: -Fred Becker (1913-2004). Born in Oakland, California, and active in St. Louis, Missouri and New England. -Jack Coughlin (b. 1932). Born in Greenwich, Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings, etchings, and lithographs of literary figures and musicians. (Information obtained from Brier Hill Gallery, Boston, MA). -John DePol (1913-2004). A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg (1901-1990). A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. (Westmont Ridley-Tree Museum of Art) -Raymond Gloeckler (1928-2022). Born in Portage, Wisconsin. While still a student, he taught art, via a government program, in rural schools. Later, he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures, and bold, expressive, satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow (b. 1942). An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man, nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations, through which the viewer traverses, to the delicate and contained world of his houseplants, where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger (b. 1941). One of the two female artists represented here. Born in Chicago, Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute, and is linked to her equally long, frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time, printing industry technology had moved on, supplanting woodblock engravings with line drawings and photography. 'A dying art,' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago, hub of an enormous catalog business, there were still a few commercial wood-engraving establishments turning out the precise, detailed images more typical of the previous century. One of them, Sander Wood Engraving, on Dearborn Street, was where Professor Troy, a committed modernist, sent his students to buy the best material: rare, English-grown, boxwood blocks. "'He warned us,' Jaidinger recalls, 'If you go to Sander and buy your wood from them, don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin (1936-1994). Born in Elgin, Illinois, and a graduate of the Art Institute of Chicago. He was also active in Roosevelt, New Jersey. His work is held in private museums and collections throughout the world, including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy (1942-2016). American author, illustrator, and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts, at Concord Academy, and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press (1968-1985). (Information obtained from Brier Hill Gallery, Boston, MA). -Barry Moser (b. 1940). The owner and operator of The Pennyroyal Press, and the illustrator of over 250 books, including Moby Dick, The Divine Comedy, and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler (b. 1935). Born in Baltimore, Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters (1903-1996). Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia, the Art Institute of Chicago, and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham, and at the Holderness School in Plymouth, New Hampshire. (Information obtained from Brier Hill Gallery, Boston, MA). -**Lynd Ward (1905-1985). **The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. Originally issued in an edition of 250 boxed sets. Limited Edition "Out of Series" Print Set (not numbered, not in linen slipcase/box).…