Fuhring peter (108 Ergebnisse)

Softcover. Zustand: Very Good.

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. Small quarto in stiff paper wraps. B&W illustrations. Near fine condition.

Soft cover. Zustand: Near Fine. No Jacket. Accompanies exhibitions at the Armand Hammer Museum; New York City's Metropolitan Museum of Art; and Bibliotheque Nationale de France in Paris during Nov 1994 - July 1995. Small 1/2" indentation on back wrap (see image), otherwise book is fine and appears unread. 493 pages, 9" x 12". Heavy book, extra postage needed for expedited or international shipping.…

Soft cover. Zustand: Very Good +. 1st. Dust Jacket: N/A. External Condition: Slight wear at edges, otherwise clean & bright. Internal Condition: Clean and bright. Author/Editor: Hobhouse, Niall; Fuhring, Peter. ISBN: 0951249355. Publisher: Hazlitt, Gooden & Fox. Year: 1989. Edition: 1st. Binding: Softcover. Illustrated: Yes, B&W. Language: English. Page Count: 138. Keywords: Architecture, Costume, Decorative Arts, Design. The book for sale is the one in the photo. …

Zustand: Good.

Zustand: Good.

Zustand: Good. Paperback, illustrations in colour and b/w, 4to.

Zustand: Good. Paperback, illustrations in colour and b/w, 4to.

58 p. Paperback (In goede staat.).

Softcover. Zustand: Good. Veel illustraties in kleur en z/w, 4to.

Zustand: Very Good.

Zustand: As New. Unread copy in mint condition.

Zustand: New. Brand New.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Large near fine hardcover in dj, 4to, NF/NF, illustrated, no names or markings.

Orig wrappers, 24 x 24 cm., 100pp. Black/white ills. Dutch text. VG.

Hardcover. Zustand: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Zustand: New.

Hardback or Cased Book. Zustand: New. The French Silverware in the Calouste Gulbenkian Collection. Book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, xi, 332 pages, illustrations; 29 cm. Near fine. Firm binding, clean inside copy. Spine slightly rolled at the crown. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "Once considered the golden age of French printmaking, Louis XIV's reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothe`que nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries." - Publisher. *** CONTENTS: The arts in the service of the king's glory, by Thomas W. Gaehtgens; Printmaking under Louis XIV, by Maxime Preaud; What is a print? The fabrication of images, by Vanessa Selbach; What is a printmaker?, by Remi Mathis; Publishers, sellers, and the market, by Peter Fuhring; Collectors and collecting prints, by Veronique Meyer; On the critical fortune of Girard Audran and Gerard Edelinck, by Louis Marchesano; Catalog. Size: 4to. Collectible.…

Zustand: As New. Unread book in perfect condition.

Den Haag, Ulysses, 1981. 100 blz. Ills. Paperback. Goed. [153344].

Original publisher's sewn paperback, pictorial overlapping covers, 4to: frontispiece, 124pp. 108 illustrations, 5 essays, list details of colour-plates, catalogue works exhibited, concordence, bibliography. Contributions: Krista de Jonge - Chris de Maegd - Peter Fuhring - Ursula Härting. - as new. Still shrink-wrapped. Exhibition Antwerpen - Rubenshuis. …

Zustand: New.

Hardcover. Zustand: new. Hardcover. The collection of 18th- and early-19th-century French silverware brought together by Calouste Sarkis Gulbenkian is the most important of its time and one of the most significant sections of the Gulbenkian Museum's collection. Amassed between 1900 and 1950, these pieces constitute a unique group due to their diversity and quality. The collection comprises over 150 works, including several world-class masterpieces that represent the collector's taste. The catalogue is dedicated to a selection of silver works of different typologies, such as centrepieces, tureens, salt cellars, candelabras and candlesticks, made by renowned silversmiths such as Francois-Thomas Germain, Antoine-Sebastien Durant, Robert-Joseph Auguste and Martin-Guillaume Biennais. Despite this diversity, these works all share the characteristics that make this collection unique: quality and authenticity combined with original designs, technical expertise and distinguished provenances, with former owners including members of European aristocracy and the Russian imperial family. These works were mostly purchased in Paris, but there is also an important group of works from the Hermitage collection, acquired through negotiations made between Calouste Gulbenkian and the Soviet government between 1928 and 1930. After an initial text about Calouste Gulbenkian's passion for 18th-century French silverware, the most prominent pieces of the collection are presented in chronological order of acquisition and are accompanied by comprehensive descriptions and analyses, as well as detailed information on hallmarks, inscriptions, provenances and historical and bibliographical sources. An excellent photographic survey, carried out specifically for the purpose, illustrates the 43 catalogue entries. At the end of the publication, the reader can find a list of secondary silverware, an index of names and the group of archive documents and bibliography consulted. AUTHOR: Peter Fuhring studied biology and art history at Leiden University and obtained his doctorate in 1994 with a study of the life and works of Juste-Aurele Meissonnier (16951750), published in 1999. His thesis was awarded the Praemium Erasmianum and the J. W. Frederiks prize. A specialist in the history of ornament and design, he has published many articles and other works on drawings, ornament prints and the decorative arts and has organised several exhibitions on these subjects. He was the first to hold the Ottema Kingma chair in the History of Decorative Arts at Radboud University in Nijmegen (20059). He was the lead author of the catalogue of the Jourdan Barry silver collection (2005) and also organised the exhibition Designing the Decor: French Drawings of the Eighteenth Century (20056) at the Gulbenkian Museum. From 2005 to 2022, Peter Fuhring has worked for the Fondation Custodia in Paris, on the Marques de collections de dessins & d'estampes by Frits Lugt, for which an online database was created in 2010. SELLING POINTS: . The collection of 18th- and early-19th-century French silverware brought together by Calouste Sarkis Gulbenkian is the most important of its time . An excellent photographic survey, carried out specifically for the purpose, illustrates the 43 catalogue entries . Awarded with the APOM award for the best Museum publication in 2023 . Awarded by the French Academy of Fine Arts with the Prize Bernier in 2023 370 colour, 20 b/w illustrations The collection of 18th- and early-19th-century French silverware brought together by Calouste Sarkis Gulbenkian is the most important of its time and one of the most significant sections of the Gulbenkian Museums collection. These pieces constitute a unique both in diversity and quality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

softcover, originele uitgeversomslag met flappen in kleur, 24x18 cm., 44 pp., geillustreerd in kleur en in z/w. ISBN 9051303475. Een unieke getuigenis van de rijke Antwerpse barokkunst. Fuhring plaatst de lampetkan en schaal terug in hun historische en kunsthistorische context. 450 g.

Soft Cover. Zustand: Fine. First Edition. soft cover, as issued., no flaws or wear, no markings. no bumps, tears. clean. tight binding.; english text.; 232pp., illustrated throughout in color. three essays and detailed catalogue entries. explores the prints made after bosch works, as well as seldom seen painted versions of his compositions. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Paperback. Zustand: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Broche, sous jaquette originale d'editeur en couleurs, 24x18 cm., 44 pp., illustrations en couleurs et en n/b. ISBN 2872123334. Un temoin incomparable de la richesse artistique du baroque anversois. Fuhring situe la place de l'aiguiere et de son bassin dans l'histoire et l'histoire de l'art. 450 g.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.