Gandal keith (131 Ergebnisse)

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* / Moderate amount of underlining and notes; otherwise VG.

paperback. Zustand: Very Good.

hardcover. Zustand: Acceptable. No dust jacket. Very Good or better condition.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Zustand: Fine. First Edition. A very crisp and clean signed first edition, almost new and unread condition, gift quality! Inscribed and dated by the author on the title page! Colored pictorial wraps. 305 very clean, unmarked and uncreased historical pages! "Sam and his foster sister, Mary Jane, are Jewish kids growing up in Cleveland during the late'60s. The fire becomes a defining moment in both of their lives when Mary Jane disappears and Sam is struck by a severe disability. Fast-forward twenty years. When an earthquake destroys Sam's home, he is mysteriously cured. He sets off to find his sister and the chase is on at a breakneck pace. Haunted along the way by a murder and a series of fires, he meets a bizarre cast of characters, including former Clevelanders who have formed a 'self-help' group called Cleveland Anonymous.". Inscribed By the Author.…

Soft cover. Zustand: Fine. No Jacket. First Edition. A fine copy of the first edition, warmly inscribed and signed by the author on the title page. The text is unmarked, pristine, and the cover bright and fresh in appearance. A lovely copy. Signed by Author(s).

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780195110630. …

Softcover. First Edition. Frog, c 2002, paperback, first printing (complete number line), Fine, as new, 305 pages, FICTION; F3123.

hardcover. Zustand: near fine. near fine. Illustrated sparsely in black and white. viii, 206 pages. Tall 8vo, brown boards with silver lettering, d.w. New York: Oxford University Press, 1997. Near fine in a near fine dust wrapper.

Zustand: As New. Unread book in perfect condition.

Softcover. Zustand: Good with no dust jacket. Square, tight binding. Clean, slightly age-darkened pages. Wraps have edge rubbing, fading at spine, previous owner's name at top front, shelf wear. Contents: Corradi, D'Amico and Piccone, "Introduction." Schuldt, "France: An Acronym Poem." Karnoouh, "The Lost Paradise of Regionalism: The Crisis of Post-Modernity in France." Mason, "Nuclear Politics in France." Pignon, "The Strategic Defense Initiative and Europe." Hassner, "Does the French Right Have a Foreign Policy?" Smith, "La Nouvelle Cage aux Folles." Wolin, "Foucault's Aesthetic Decisionism." Daraki, "Foucault's Journey to Greece." Comay, Excavating the Repressive Hypothesis." Gandal, "Foucault: Intellectual Work and Politics." D'Amico, "Going Relativist." Raulet, "Marxism and the Post-Modern Condition." Dosse, "History in Pieces: From the Militant to the Triumphant Annales." van Rossum, "The Triumph of the Void." Kauffmann, "Post-Criticism, or the Limits of Avant-Garde Theory." Lyotard, "On Terror and the Sublime." Reviews. 8.75" tall; 160 pages. …

Zustand: new.

Paperback. 8vo. Stiff glazed pictorial wrappers. 305pp. Very good. Would rate higher, as it's tight and superb, but for coffee-type speckling on the outer page edges. First edition of this writer's first novel, set amongst a group of Jewish kids in Cleveland in the late 1960s, signed hurriedly by Gandal in black ballpoint on the title page.…

Zustand: New.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. Book is a clean tight unmarked copy.

Paperback. Zustand: Brand New. 264 pages. 9.00x6.00x9.00 inches. In Stock.

Zustand: New.

Zustand: New. 2024. paperback. . . . . .

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: New. In English.

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: new.

Hardcover. 8vo. pp xi, [iii], 274. White dust jacket with black and red lettering at front and spine. Original publisher's white boards with red foiled lettering at spine. ISBN: 9781421425108 Fine in fine dust jacket.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardcover. Zustand: new. Hardcover. A vigorous reappraisal of American literature inspired by the First World War.American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US armys unprecedented attempt during World War I to assign menexcept, notoriously, African Americansto positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame.Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper contextas a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressedoften in coded waysthe noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writersKatherine Anne Porter, Willa Cather, and Ellen La Mottewho saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isnt the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race. Ultimately, War Isn't the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. A vigorous reappraisal of American literature inspired by the First World War.American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army's unprecedented attempt during World War I to assign men-except, notoriously, African Americans-to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame.Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context-as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed-often in coded ways-the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers-Katherine Anne Porter, Willa Cather, and Ellen La Motte-who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn't the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.…