garvey wick (32 Ergebnisse)

Softcover. Zustand: Fine. First Edition. Fine condition copy in First Edition state, illustrated in black-and-white and full-color photography of artworks with accompanying descriptive captions, comprising a catalogue that culminated from the 1967 exhibition of the same name at the Dallas Public Library and the Sterling Memorial Library, Yale University, in 1967. The Introduction states that "This is a selective exhibition of 'great books,' 'beaux livres,' illustrated books by modern old masters and modern new masters, displaying the creative vitality of the arts of the French book in our century as centered in the School of Paris. 'Beaux livres' are a far cry from our text books and trade books which, though often handsomely designed, are commercially and mechanically mass-produced to serve an essentially functional and didactic purpose." Bound in printed stiff card stock wraps, only faintly sunned at edges, very lightly furled. Illustrated endpapers by Dubuffet, cover in relief by Hadju. 120 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Soft Cover. Zustand: Very Good. Wraps have only light wear, spine unbent. Pages are clean, text is unmarked. Size: 8vo - over 7¾" - 9¾" tall.

Original Wraps. Zustand: Very Good. No Jacket. 1967, 120pp, illus., light soiling & shelfwear to cover, contents clean.

Paperback. Zustand: Very Good. No Jacket. A catalogue of an exhibition at the Dallas Public Library from March 28 - May 6, 1967. Book is in Very Good condition with light shelfwear, minor rubbing to corners, and some slight scuffing to front cover; overall a clean, bright copy. Cream-colored cloth-backed boards with embossed design on front cover and black text on spine. B&w and color illustrations. 119pp. Tall 8vo. - over 7¾ in. - 9¾ in.

Paperback. Zustand: Very Good+. White cardstock softcover, sharp cornered, edged; heavy age toning to edges. Book is firm in binding, b&w illustrations and plates, some in color; previous owner's gift inscription on title page, clean interior, illustrated endpapers. A tight crisp copy. 119 pp. Including index. Free of any markings, not ex-library. ; 4to 11" - 13" tall.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. Special Edition. Lovely EXHIBITION CATALOGS. Text is in both French and English. Color plates. 8 1/4 x 10". 116 pages. To access more of our many art books, search Abebooks.com using one of our unique keywords ARTBX, or visit our shop in beautiful downtown Fort Worth. Language: eng.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:

Hardcover. Zustand: Very Good. Half morocco gilt with brown cloth-covered sides, small 4to., 119, (1) pages, illustrated including 14 color plates. Nicely bound copy with marbled endpapers. Slightly bowed, cloth discolored in spots, else a very good copy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First edition, hardcover, has slight lean to binding, faint hint of bow to boards, very slight bumps to spine ends and board corners, and a touch of shelfwear and sunning to board edges, otherwise a solid, clean VG copy in like dust jacket which has slight bumps to spine ends and corners, faint shelfwear with a tiny closed tear to top edge of front panel, and some areas of rubbing.

OKart., 24 x 20 cm. Zustand: Gut. 119 (1) Seiten, Begleitband zu einer Ausstellung (Dallas Public Library). - Mit zahlreichen Abbildungen. - Etwas berieben. Sonst sauberes und wohlerhaltenes Exemplar. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 600.

softcover. Zustand: Fine copy. Well-illustrated (illustrator). 1st. Square 4to, 124 pp.

Illustr, 10 x 8.25, cloth backed embossed boards, 119 pp with index, minor wear else a very nice copy in dust jacket and scarce red wrap-around.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Title-page in red and black.76 illustrations within the text, plus decorative endpapers. Quarter cloth, titled in silver, embossed paper sides, pictorial dust-jacket a little rubbed at extremities. A very good copy.

tall8vo, 24x 20cm, 119,(1)pp., with 76 illustrations (including 10 full-page in colour) with descriptions, artist index & bibliography, indexes of authors, publishers, printers & binders, illustrated endpaper, blind-stamped decorated pebbled stiff wraps, titles stamped in black, slightly sunned along spine, very good to fine (bk_ds). ~ A well-illustrated exhibition catalogue of book illustration of the School of Paris held at Dallas Public Library and Sterling Memorial Library, Yale University. Over 40 artists are represented including Chagall, Dali, Corbusier, Manet, Matisse, Picasso, Toulouse-Lautrec.

Cloth-backed boards with cover decoration in blind, square 4to, 119, [1] pp, plates, ills. Contents include: Introduction; 1800-1900: Nineteenth-Century Forerunners; 1900-1920: Great Publishers-Vollard and Kahnweiler; 1920-1940: Supremacy of the School of Paris; 1940-1965: Color Explosion and New Graphic Techniques; General Bibliography; Artist Index and Bibliography; Author Index. Publisher Index. Printer Index. Binder Index. From the introduction: "This is a selective exhibition of "great books," beaux livres, illustrated books by modern old masters and modern new masters, displaying the creative vitality of the arts of the French book in our century as centered in the School of Paris. Beaux livres are a far cry from our text books and trade books which, though often handsomely designed, are commercially and mechanically mass-produced to serve an essentially functional and didactic purpose. Neither are these the art of the professional book illustrator, many of whom, like Doré and Grandville in the nineteenth century, skillfully enlivened the text pages of the classics with illustrations of compelling strength, wit and imagination, but whose more limited aim was to translate into wood-engraving or etching the pictorial image of a pen drawing or painting. Rather are we concerned here with the broader dynamic of the artist's contribution to the book, what the French call the livre de peintre, the book of the painter. In the modern art of the book France has led the way, and the great flowering of this art in the twentieth century has been under her leadership. Her unique contribution has been the livre de peintre, the book in which the artist creates something that is not merely decorative illustration, but an important graphic statement in its own right. The illustration is not reproduced from an artist's drawing, but executed by his own hand, and printed by him directly or under his close supervision in an original print medium - woodcut, engraving, etching or lithography - and in a limited edition." Very Good in Very Good dustwrapper.

wick , Peter (illustrator). small 4to. cloth-backed boards, dust jacket, paper wrap-around title. 120 pages. Well documented exhibition catalogue with many illustrations. Jacket rubbed with small tears. cloth-backed boards, dust jacket, paper wrap-around title.

Printed wrappers, 4to, 238 x 228 mm, 124 pp, plates, 75 ills. 142 items. With a bibliography and indexes of artists, authors, publishers and vignettes. Good.

Hardcover. Zustand: Very Good. In excellent condition. Includes many full-color images of beautifully bound books.

Hardcover. Zustand: Very Good. In excellent condition. Includes many full-color images of beautifully bound books.

Zustand: Fine. - Quarto, cloth backed cream boards, in dw. Edges of the boards are slightly darkened. The dw is lightly rubbed. 119 pp. plus colophon. Illustrated in B&W & color. Near fine in a very good dw. First edition.Published for the Friends of the Dallas Public Library.

Square 8vo. pp. [4],124, [4]; text illustrations, 142 items, bibliography, index; olive printed paper wrappers; fine.

Gilt decorated hard cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar). 120 pps.

Hardcover. Zustand: Near fine. First Edition. Red cloth hardcover, a feast of finely bound livres d'Artistes. Near fine. Nice copy.

Printed wrappers, square 4to, 119, [1] pp, plates, ills. Contents include: Introduction; 1800-1900: Nineteenth-Century Forerunners; 1900-1920: Great Publishers-Vollard and Kahnweiler; 1920-1940: Supremacy of the School of Paris; 1940-1965: Color Explosion and New Graphic Techniques; General Bibliography; Artist Index and Bibliography; Author Index. Publisher Index. Printer Index. Binder Index. From the introduction: "This is a selective exhibition of "great books," beaux livres, illustrated books by modern old masters and modern new masters, displaying the creative vitality of the arts of the French book in our century as centered in the School of Paris. Beaux livres are a far cry from our text books and trade books which, though often handsomely designed, are commercially and mechanically mass-produced to serve an essentially functional and didactic purpose. Neither are these the art of the professional book illustrator, many of whom, like Doré and Grandville in the nineteenth century, skillfully enlivened the text pages of the classics with illustrations of compelling strength, wit and imagination, but whose more limited aim was to translate into wood-engraving or etching the pictorial image of a pen drawing or painting. Rather are we concerned here with the broader dynamic of the artist's contribution to the book, what the French call the livre de peintre, the book of the painter. In the modern art of the book France has led the way, and the great flowering of this art in the twentieth century has been under her leadership. Her unique contribution has been the livre de peintre, the book in which the artist creates something that is not merely decorative illustration, but an important graphic statement in its own right. The illustration is not reproduced from an artist's drawing, but executed by his own hand, and printed by him directly or under his close supervision in an original print medium - woodcut, engraving, etching or lithography - and in a limited edition." Name on front free endpaper, wrappers somewhat browned, otherwise Very Good.

Zustand: Good. Signed Copy First edition copy. . Good dust jacket. With Good obi. Signed by Robinson on bookplate affixed to front free endpage. From the Art Reference Collection of wildlife artist and outdoorsman Alan James Robinson. This collection was used by Robinson to create his wonderful art and Cheloniidae Press books. (illustrated books, France, history, exhibition catalogs).

Zustand: Good. Signed Copy . Good dust jacket. Signed by Robinson on his bookplate on front endpage. From the Art Reference Collection of wildlife artist and outdoorsman Alan James Robinson. This collection was used by Robinson to create his wonderful art and Cheloniidae Press books. (art, illustrations, books, exhibitions).

First Edition. Illustrated books of the School of Paris. Pp. 120(last colophon), illustrated in colour and black & white, the title page printed in red & black, patterned endpapers, bibliographies, indices; small post 4to; black cloth backed cream papered boards, spine lettered in silver, upper board decorated in blind, edges of boards faintly browned and a trifle foxed; dust wrapper, edges slightly rubbed, small surface graze to front flap, a couple of small tap marks on reverse; printed red wrap-around band, slightly rubbed; edges of leaves a trifle foxed; published for the Friends of the Dallas Public Library by Southern Methodist University Press, Dallas, Texas, 1967. First edition. *Exhibition catalogue. 'The Introduction traces comprehensively the broad elements of modern bookmaking for the beaux livres, not merely the contributions of the great painters and sculptors of the School of Paris, but that of the publishers (like the pioneers, Vollard and Kahnweiler), the printers, typographers, designers and master binders' [wrapper blurb].

Hardcover. Zustand: Gut. HLwd., OU., 119 S., zahlr. Abb., 24,5 x 21 cm, Umschlag stockfleckig, Kopfschnitt stockfleckig, heller Einband lichtrandig und stockfleckig, Buchblock sehr guter Zustand, 1. Aufl. 630 gr.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: No Dust Jacket. Mark Sexton (Photographs) (illustrator). Original red cloth covers w/ gilt title on front cover. Binding very bright and clean. Corners slightly bumped. Light foxing to top edge of text block. Limited to 750 copies. Illust. w/ tipped-in color and b/w plates. Contents nice.

First Edition. Unpag. 4to. Volume I, from 1985 is bound in red cloth with gold embossed titling to cover and spine. Volume II is in wraps with an image from item #28, Henri Matisse's "Jazz" reproduced on the cover. Clean crisp copies with tipped in color plates illustrating the volumes offered for sale. Volume II has the original price list laid in at rear. The two volumes represent two complete collection of breathtaking design bindings offered by legendary booksellers John Fleming and Priscilla Juvelis with 219 items in the original catalog and 57 items in the second. Each volume signed by Priscilla Juvelis on title page.