Gateward frances (120 Ergebnisse)

Paperback. Zustand: Good. Zhang Yimou: Interviews edited by Frances Gateward With a concrete image we can dissolve boundaries and allow one to see, think, and feel. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. As he discusses the Academy's impact on him and his peers, he often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. Frances Gateward is an assistant professor in the Program of Film and Video Studies and in the Center for African and Afro-American Studies at the University of Michigan. …

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Good condition ex-library book with usual library markings and stickers.

Hardcover. Zustand: Very Good. Good condition hardback edition. No interior markings.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Winner of the 2016 Will Eisner Comic Industry Award for Best Academic/Scholarly Work Winner of the 2016 Ray and Pat Browne Award for Best Edited Collection in Popular Culture and American Culture by the Popular Culture Association/American Culture Association Winner of the 2016 PEN Oakland-Josephine Miles Award for Excellence in Literature When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into ?panels? in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner.  Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.…

Zustand: good. Paperback Book.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780791472262. …

Broschiert. Zustand: Gut. 387 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 650. …

Paper Back. Zustand: Very Good. No Jacket. 1st. 314pp.incl.index; SC lt.brwn.w/blk.; some rub&curl w/corner-fold; spine sunned&stained; clean,tight pgs. A history of South Korean motion pictures. illus.

First trade paperback printing. ix + 343 pp w/index. Fine in illustrated wrappers.

Zustand: As New. Unread book in perfect condition.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: new.

Hardcover. Zustand: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Paperback. Zustand: New. Ranging from 1988 to 1999, this book includes interviews with the acclaimed Chinese director of such films as Red Sorghum (1987), Shanghai Triad (1995), and Not One Less (1999) and the trilogy Ju Dou (1990), Raise the Red Lantern (1992), and The Story of Qiu Ju (1992). Several of these interviews appear in English for the first time. Some come from Chinese-language periodicals, and a few have never been published until now. In these conversations with such notable critics as Michel Ciment, Robert Sklar, and Tam Kwok-Kan, Zhang Yimou discusses all his films and speaks candidly about his work both as a cinematographer and an actor. Certain topics-the symbolism in his use of color, the use of women protagonists in most of his films, his working relationships with the Taiwanese filmmakers Hou Hsiao-Hsien and Edward Yang-emerge many times in the interviews. He shows strong interests in literature and film adaptations of texts. Zhang speaks too of his work with the actress Gong Li and of her roles in six of his films, most of which depict the role of a woman living in feudal patriarchal society. Zhang was one of the 1982 Beijing Film Academy graduates-the so-called Fifth Generation of filmmakers, who were the first generation of Chinese directors trained after the Cultural Revolution. He discusses the Academy's impact on him and his peers. He often mentions that many of his fellow graduates now work in television because the state did not deem their films successful. ""If a film does not recoup its costs in China,"" he told the New York Times in 2000, ""you're not going to make another one. And you're not going to make a film without attracting investors."" Using his art as a means of exploring oppression and its devastation of human relationships, Zhang talks openly about the effects of mainland China's codes of censorship on his work. He often bemoans his lack of access to films, especially international films, during his youth. As he discusses his filmmaking style and compares it to the current state of Chinese filmmaking, he is revealed as open and modest, yet deeply passionate about his art. Readers meeting him through these interviews will see him to be complex, serious, and as quietly unassuming as his movies. …

Zustand: New.

Paperback. Zustand: New. Winner of the 2016 Will Eisner Comic Industry Award for Best Academic/Scholarly Work Winner of the 2016 Ray and Pat Browne Award for Best Edited Collection in Popular Culture and American Culture by the Popular Culture Association/American Culture Association Winner of the 2016 PEN Oakland-Josephine Miles Award for Excellence in Literature When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into "panels" in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner.  Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 204 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Paperback. Zustand: New. From ""The Wizard of Oz"" to ""Lolita"", from ""Heathers"" to ""Spice Girls - The Movie"", images of girlhood have been projected on the silver screen in myriad ways. Films have depicted society's problematic expectations of girls together with the dreams, anxieties and tensions experienced by girls themselves. In examining the construction of girlhood from many angles, this collection of essays attempts to capture the richness of meaning behind ""girl films"", but also explores the recent resurgence of youth-orientated cinema and the relationship of young female viewers to that medium. The 20 essays approach the construction of girlhood from a variety of perspectives, including reception, production, star images and textual analyses, while exploring such topics as star power, the Riot Grrrl movement, coming of age and loss of innocence. Among the characters given special attention are those in ""Gidget"", ""Crooklyn"", ""Titanic"", ""Freeway"" and ""Girls Town"". Written for general and academic readers, this work offers a livley discussion of gender in youth-orientated films.…