Gerda breuer (280 Ergebnisse)

Zustand: Gut. 515 S. Mit s/w- und farbigen Abbildungen. Schutzumschlag gering angerändert. Schnitt gering nachgedunkelt. Gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 2500 4°(=30-35cm), Hardcover/Pappeinband mit Orig.-Schutzumschlag.

Hardcover. Zustand: NEW. Zustand des Schutzumschlags: NEW. Illustrated.

Gebundene Ausgabe. Zustand: Neu. 264 Seiten Neu; Versandfertig am nächsten Tag; Rechnung mit MwSt. liegt bei! Sprache: Englisch Gewicht in Gramm: 1486.

Kl.-4°. 92 S. mit zahlr. Illustr. kart. (Schriften des Rheinischen Industriemuseums; 2). (Stempel "Ausgesondert ." a. Vortitel). >>>> Zur Zeit erfolgt KEIN VERSAND NACH ÖSTERREICH aufgrund der dort geltenden Verpackungsverordnung. <<<<.

Paperback. Zustand: Brand New. 196 pages. 10.55x9.53x0.79 inches. In Stock.

hardcover. Zustand: Good.

Hardback. Zustand: New.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine Dust Jacket. 392 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Fine dust jacket. NOTE: Book still in original publisher shrink wrap.

Sammelband mit unzähligen fotokopierten Presseartikeln zur Ludwig-Meidner-Retrospektive in Darmstadt 1991. OPbd. 112 Seiten mit zahlr. Fotos und Werkabbildungen. - 29 x 20,5. * Gut erhalten .

Hardcover. Zustand: Brand New. German language. 5.91x3.94x0.59 inches. In Stock.

Broschur. Zustand: gut. 219 S. ; 21 cm, Bibliotheksexemplar, Aufkleber, Rücken mit Klebestreifen verstärkt, Dreieckstasche. Sprache: deu.

210 S. mit zahlr., teils farbigen Abb. Pappband gebunden (hinterer Deckel mit kleinen Druckspuren, leicht berieben), sauber.

Sprache: Deutsch 1. Auflage. Mit zahlreichen Abbildungen. 251 Seiten. OriginalKarton. Bleistiftanstreichungen. Altersentsprechend guter gebrauchter Zustand.

Zustand: New.

Zustand: New.

Hardback. Zustand: New. Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) By and large, women have been left out of the history of graphic design. Yet if we look beyond the surface of this familiar account, what becomes clear is the influence women graphic designers have had on the discipline right from the start. The book shows how these women developed their own traditions, fostered dialogue and built connections between their designs, acted as role models, created networks, and proved their capacity for self-empowerment. Illuminating this struggle for professional recognition, Gerda Breuer highlights the collective formats women designers have used to enhance their own visibility, champion women's issues, and make a mark on the world. Both little-known collectives and renowned graphic designers such as Lyubov Popova, Änne Koken, Ethel Reed, and Sarah Wyman Whitman contributed to the history of graphic design. Breuer's approach demonstrates the ways that women's important contributions been devalued, ignored, or relegated to the background-in short, made to disappear-in the narrative that is usually presented. In the context of contemporary challenges to the traditional canon of graphic design, integrating these contributions into design history is long overdue. Design by Katja Lis, DBF Designbüro Frankfurt.…

Hardcover. Zustand: New.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Oversized Hardcover. Zustand: Very Good.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 1st edition. German language. 8.23x5.87x0.47 inches. In Stock.

Zustand: Gebraucht / Used. Hardcover with dustjacket. Good. In slipcase.

gebundene Ausgabe. Zustand: Sehr gut. 263 Seiten. Originalverschweißt, daher sehr gut erhalten. 9783775722971 Sprache: Englisch Gewicht in Gramm: 4000.

Zustand: Neu.

Hardback. Zustand: New. Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) By and large, women have been left out of the history of graphic design. Yet if we look beyond the surface of this familiar account, what becomes clear is the influence women graphic designers have had on the discipline right from the start. The book shows how these women developed their own traditions, fostered dialogue and built connections between their designs, acted as role models, created networks, and proved their capacity for self-empowerment. Illuminating this struggle for professional recognition, Gerda Breuer highlights the collective formats women designers have used to enhance their own visibility, champion women's issues, and make a mark on the world. Both little-known collectives and renowned graphic designers such as Lyubov Popova, Änne Koken, Ethel Reed, and Sarah Wyman Whitman contributed to the history of graphic design. Breuer's approach demonstrates the ways that women's important contributions been devalued, ignored, or relegated to the background-in short, made to disappear-in the narrative that is usually presented. In the context of contemporary challenges to the traditional canon of graphic design, integrating these contributions into design history is long overdue. Design by Katja Lis, DBF Designbüro Frankfurt.…

Hardcover. Zustand: new. Hardcover. Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) By and large, women have been left out of the history of graphic design. Yet if we look beyond the surface of this familiar account, what becomes clear is the influence women graphic designers have had on the discipline right from the start. The book shows how these women developed their own traditions, fostered dialogue and built connections between their designs, acted as role models, created networks, and proved their capacity for self-empowerment. Illuminating this struggle for professional recognition, Gerda Breuer highlights the collective formats women designers have used to enhance their own visibility, champion womens issues, and make a mark on the world. Both little-known collectives and renowned graphic designers such as Lyubov Popova, AEnne Koken, Ethel Reed, and Sarah Wyman Whitman contributed to the history of graphic design. Breuers approach demonstrates the ways that womens important contributions been devalued, ignored, or relegated to the backgroundin short, made to disappearin the narrative that is usually presented. In the context of contemporary challenges to the traditional canon of graphic design, integrating these contributions into design history is long overdue. Design by Katja Lis, DBF Designbuero Frankfurt Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New.

Zustand: new.