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Brossura. Zustand: fine. A cura di Tempesta G.Firenze, 2010; br., pp. 136, cm 24x16,5.(Architetture di Città). Questo libro riassume il percorso didattico svolto con un ristretto numero di studenti del Laboratorio di Orientamento del Prof. Alberto Breschi per il recupero e la trasformazione dell'ex inceneritore di San Donnino in museo della trasformazione energetica. Un'esperienza didattica innovativa nella messa a fuoco dell'idea progettuale che si è conclusa con la discussione di cinque tesi di laurea. Come conseguenza diretta del lavoro didattico svolto, questo volume esplicita tutti i passaggi dell'iter progettuale e soprattutto individua nella restituzione e nella chiarezza del concept il momento più alto e problematico della progettazione. Libro.
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brossura. Zustand: nuovo. Nuovo. Brossura con alette., Ill. bn: --, Ill. colori: Fully Illustrated in colour, Peso: 255 gr.
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Sprache: Italienisch
Verlag: ca. 1780., 1780
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Bild-Maße: ca. 15,5 x 9 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original engraving. -- slightly stained on the outer margin, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10.
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Sprache: Englisch
Verlag: Creative Media Partners, LLC, 2025
ISBN 10: 1025234294 ISBN 13: 9781025234298
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Verlag: Creative Media Partners, LLC, 2025
ISBN 10: 1025231341 ISBN 13: 9781025231341
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Hardcover. Zustand: Very Good. Vol. II. Folio, 44 cm. Bound in 3/4 leather over marbled boards. Hardcover. Good binding and cover. Insignificant scrape on front cover. Scattered foxing (mostly to title frontis). Originally privately published in 1783, the work describes the celebrated collection of gems assembled by the fourth Duke of Marlborough. Latin and French on facing pages, with associated engraved leaf inserted between them. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
Verlag: In Venezia,: MDCCLX, Con Privilegio Dell' Eccellentissimo Senato.]
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Oblong folio. 38.4 x 30cm. [33pp.], Some pages with creases and foxing.Engraved frontispiece and title page; 22 of a maximum of 48 plates present. New half goatskin and marbled boards by the artisan binder Sasha Mosalov.The Venetian painter Piazzetta (1682-1754) executed commissions for various Venetian and foreign nobles, many of whom are named in the list of subscribers. He produced drawings for more than sixty books, the most famous of which is Albrizzi's 1745 Gerusalemme Liberata. The plates here were produced after Piazzetta's death by his pupils Marco Pitteri and Francesco Bartolozzi, who provided a copy of each of his drawings in their own distinctive style.OCLC Number / Unique Identifier:1184193209:Physical Description:14 unnumbered pages, 11 leaves, 48 plates : frontispiece ; 30 x 44 cm ; folio.Notes:24 of the plates engraved by F. BartolozziIncludes "Alcuni avvertimenti per lo incamminamento di un giovane alla pittura" by G.P. Cavazzoni Zannotti (12ff.) and a life of Piazzetta by AlbrizziFirst plate has imprint "Appresso Leonardo Bassaglia".Roya Academy, London: ReferencesS. Boorsch, Venetian Prints And Books In The Age Of Tiepolo [exhibition catalogue] (1997), p.20-1, 42; The Glory of Venice, ed. J. Martineau [Royal Academy exhibition catalogue] (1994-5), no.89; Da Carlevarijs ai Tiepolo: incisori veneti e friulani del settecento, ed. D. Succi [exhibition catalogue] (1983); Il libro illustrato nel settecento a Venezia, ed. T. Gasparrini Leporace [exhibition catalogue] (1955); A. Ravà, Marco Pitteri incisore veneziano [1922].Summary NoteThe text consists of fifteen chapters on the art of painting: Delle qualità convenienti ad un Giovanetto voglioso di apprendere la Pittura; Della elezione del Maestro; Come lo Scolare s'abbia a contenere col Maestro; Della utilità del Copiare de opere de' gran Maestri; Del Colorito; Di quanto sia necessario il valersi del vero; Della Teorica, e della Pratica; Della Simmetria; Della Notomia; Della Prospettiva; Della Invenzione; Della Disposizione; Degli Affetti; Del Costume; Della Grazia.The first forty-eight plates form pairs, each pair showing one composition in two manners of representation. In Pitteri Piazzetta had one of the most able etchers of his chalk drawings. Pitteri adopts Faldoni's method of etching long parallel lines and by selectively exaggerating their raggedness imbues them with great subtlety.The book is a tribute from Albrizzi to Piazzetta, who had provided illustrations for more than sixty of Albrizzi's publications, most famously the Gerusalemme Liberata of 1745.
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