Glaser jennifer (71 Ergebnisse)

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Paperback. Zustand: New. In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America.  In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits.  Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others.   Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.…

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Taschenbuch. Zustand: Neu. Borrowed Voices | Writing and Racial Ventriloquism in the Jewish American Imagination | Jennifer Glaser | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2016 | Rutgers University Press | EAN 9780813577395 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2012 im Fachbereich Jura - Zivilrecht / Arbeitsrecht, Note: 1,3, Hochschule für Technik und Wirtschaft Berlin, Veranstaltung: LL.M. - Internationales Arbeitsrecht, Sprache: Deutsch, Anmerkungen: Die Hausarbeit stellt dar wie ein Rückruf des entsendeten Arbeitnehmers rein formalrechtlich richtig zu erfolgen hat. So beinhaltet die Arbeit auch Musterklauseln und extra Tips für den Arbeitnehmer. , Abstract: Aufgrund der Globalisierung der Märkte vergrößert sich auch der Wirkungskreis deutscher Unternehmen; grenzüberschreitende Tätigkeiten gehören somit zum Tagesgeschäft und die Entsendung von Arbeitnehmern in das Ausland gewinnt immer mehr an Bedeutung. Durch diese Auslandsentsendungen kann beispielsweise ein Mangel an qualifizierten Fachkräften behoben werden insbesondere auf der Führungsebene . Ferner kann eine einheitliche Unternehmenspolitik vor Ort durchgesetzt werden, der internationale Erfahrungsaustausch gefördert und Aus-landserfahrung gesammelt werden. Auch kann der Zweck einer Entsendung darin liegen, spezielles Know-How weiterzugeben, eine ausländische Tochtergesellschaft aufzubauen oder ein Projekt zu betreuen. Gegenstand dieser Hausarbeit soll es sein, lediglich die Voraussetzungen und Rahmenbedingungen für einen Rückruf eines entsendeten Arbeitnehmers darzulegen. Hierzu ist zunächst kurz auszuführen, was eine Entsendung im arbeitsrechtlichen Sinne überhaupt ist und wie diese vertraglich geregelt wird. Ein kurzer Überblick über die verschiedenen Vertragsmodelle ist ebenso unumgänglich, da sich der mögliche Rückruf in einer so genannten Rückrufklausel in diesen Verträgen wieder findet. …

Paperback. Zustand: New. In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America.  In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits.  Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others.   Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.…