Gonzales elyse (10 Ergebnisse)

Zustand: Very Good. Used - Very Good.

Zustand: New. 2019. Paperback. . . . . .

Stiff Wrappers. Zustand: Fine Condition. 70 pages with 40 illustrations in color. Stiff Illustrated wraps. Published on the occasion of the exhibition from the Institute of Contemporary Art, University of Pennsylvania, Philadelphia PA January 24-April 4, 2004. Exhibition History. Bibliography.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Fine. 1st. 144 pages, illustrations; 23 cm. Catalogue of the exhibition organized by Elyse A. Gonzales, curator of exhibitions, and held October 13, 2012 to January 20, 2013 at the Art, Design & Architecture Museum, University of California, Santa Barbara. Firm binding, clean inside copy. *** Participating artists: Lara Almarcegui - Carlos Bunga - Nigel Cooke - Adam Cvijanovic - Carlos Garaicoa - Simryn Gill - Valerie Hegarty - Kristen Morgin - Melanie Smith - Rob Voerman. Size: 8vo. Collectible.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket As Issued. A nice, bright copy. ; Ruins in Contemporary Art; 8vo; 144 pages.

Hardcover. Zustand: Fine. No dustjacket as issued. First edition. First edition. Hardcover. 9'' x 6 1/2''. 144pp. Exhibition catalogue. Attractive catalogue, in sewn-board binding with exposed spine and printed raw boards. Nicely illustrated in color. INSCRIBED by Elyse Gonzales.

Hardcover. Zustand: New. No Jacket. 1st Edition. The Stumbling Present. Ruins in Contemporary Art. Catalog of the Exhibition Organized by Elyse A. Gonzales, Curator of Exhibitions, and Held October 13, 2012 to January 20, 2013 at the Art, Design & Architecture Museum, University of California, Santa Barbara. Elyse A. Gonzales, Brian Dillon. Art, Design & Architecture Museum, University of California, 2013. 144p. saddle stitched hardcover no dust jacket, brand new, still in plastic wraps--9780942006766--75.00.…

Taschenbuch. Zustand: Neu. Neuware - What is--what should be--the place of art in society Is it merely decorative Is it only to affirm a given set of cultural preferences Or should it examine, challenge, even upend these norms to bring open new perspectives for those who experience what artists create Social practice artists offer a clear and unflinching answer to this question, setting before us works intended not merely to ask questions but to propose pathways toward large societal change. In this volume, the work of two social practice artists of different generations and different social locations--Suzanne Lacy and Pablo Helguera--are brought into creative tension by two visionary curators: Elyse A. Gonzalez of the Art, Design & Architecture Museum of the University of California, Santa Barbara, and Sara Reisman of the Shelley and Donald Rubin Foundation of New York. Working together, Gonzales and Reisman bring the work of these two engaged and activist artists into dialogue, showing how art can be not merely the mirror of society but the means of making it more just, more inclusive, and more humane.…

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