Gregorio bevilacqua (10 Ergebnisse)
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Hardcover. Zustand: new. Hardcover. This volume presents new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuanc…e of "ars antiqua" ideas well into the fourteenth-century era of the "ars nova", and the role that information technologies may play in future "ars antiqua" scholarship. The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the "ars antiqua". Polyphonic, monophonic, liturgical, paraliturgical, secular, Latin, and vernacular genres were cultivated and disseminated throughout Europe on a scale not seen since the imposition of the liturgical plainchant repertory centuries earlier. This volume presents eleven new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of "ars antiqua" ideas well into the fourteenth-century era of the "ars nova", and the role that information technologies may play in future "ars antiqua" scholarship. With its examination of musical and cultural contributions from all across Europe through a wide variety of different perspectives by a range of scholars from all over the globe, this book both contributes to and substantiates the healthy state of inquiry into one of the most significant artistic achievements of pre-modern Europe. This volume presents new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of "ars antiqua" ideas well into the fo Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Zustand: new. Hardcover. This volume presents new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuanc…e of "ars antiqua" ideas well into the fourteenth-century era of the "ars nova", and the role that information technologies may play in future "ars antiqua" scholarship. The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the "ars antiqua". Polyphonic, monophonic, liturgical, paraliturgical, secular, Latin, and vernacular genres were cultivated and disseminated throughout Europe on a scale not seen since the imposition of the liturgical plainchant repertory centuries earlier. This volume presents eleven new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of "ars antiqua" ideas well into the fourteenth-century era of the "ars nova", and the role that information technologies may play in future "ars antiqua" scholarship. With its examination of musical and cultural contributions from all across Europe through a wide variety of different perspectives by a range of scholars from all over the globe, this book both contributes to and substantiates the healthy state of inquiry into one of the most significant artistic achievements of pre-modern Europe. This volume presents new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of "ars antiqua" ideas well into the fo Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Zustand: gut. Ars Antiqua, Music and Culture in Europe c. 1150-1330 In deutscher Sprache. pages.
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Verlag: , Brepols, 2021, 2021
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In den WarenkorbHardback, xviii + 318 pages, Size:210 x 270 mm, Language: English. ISBN 9782503590998. Summary The long thirteenth-century saw the emergence and proliferation of a diverse and unprecedented outpouring of musical activity known as the «ars antiqua». Polyphonic, monophonic, liturgical, paraliturgical, secular, Latin, and vernacula…r genres were cultivated and disseminated throughout Europe on a scale not seen since the imposition of the liturgical plainchant repertory centuries earlier. This volume presents eleven new contributions that address the principal polyphonic genres of the time (organum, motet, conductus) as well as vernacular and monophonic songs, issues of musical and poetic aesthetics, manuscript tradition and production, authorship, liturgical practices, the continuance of «ars antiqua» ideas well into the fourteenth-century era of the «ars nova», and the role that information technologies may play in future «ars antiqua» scholarship. With its examination of musical and cultural contributions from all across Europe through a wide variety of different perspectives by a range of scholars from all over the globe, this book both contributes to and substantiates the healthy state of inquiry into one of the most significant artistic achievements of pre-modern Europe. TABLE OF CONTENTS Gregorio Bevilacqua - Thomas B. Payne Introduction List of Cited Manuscripts Gregorio Bevilacqua The Production of Polyphonic Conductus.Collections in Ars Antiqua Manuscripts Mary Channen Caldwell Texting Vocality: Musical and Material Poetics of the Voice in Medieval Latin Song Anne Ibos-Augé Poetic and Melodic Recurrences in the Thirteenth-Century Refrain Repertoire Kaho Inoue Franco of Cologne, Ars cantus mensurabilis: Ligature, Notation and Mode Matteo Macinanti L'auditio del pulchrum musicale in Tommaso d'Aquino e Bonaventura da Bagnoregio Nausica Morandi The corpus of Sequences for Saint Anthony of Padua: A Study of the Musical Sources Grace Newcombe Britain's Cleric Composers: Poetic Stress and Ornamentation in Worldes blis Thomas B. Payne Vetus abit littera: From the Old to the New Law in the Parisian Conductus Anne-Zoé Rillon-Marne Conductus sine musica: Some Thoughts on the Poetic Sources of Latin Songs Jennifer Louise Roth-Burnette Mapping Melodic Composition: A Metadata Approach to Understanding the Creation of Parisian Organum Duplum Amy Williamson Polyphonic Music in the British Isles c. 1300: Networks of Practice Abstracts Biographies Index of Names 0 g.
