Gregory nagy (620 Ergebnisse)

paperback. Zustand: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Zustand: Used Good. Text is in English. Part of the Harvard Studies in Comparative Literature book series. Size - H: 9.25', W: 6', D: 1' This item is Used and is listed as being in Good condition. A few pages in the preface and introduction have sentences and passages underlined in green marker. Cover is worn, with creases, edge wear, bumped corners. Spine is wrinkled. Writing on page cover in pen. Large crease on lower left corner of back cover. Please refer to photo regarding condition for this item. A good reader's copy. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Soft cover. Zustand: Very Good. 307 pages, notes, index. Minor edge wear, upper rear corner lightly curling.

paperback. Zustand: Very Good. clean sturdy and unmarked with mild wear to cover and spine EP.

Zustand: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 180pp. Extremities lightly rubbed. Footnotes; biblio.; index.

Soft cover. Zustand: Very Good. Name stamped on first page, otherwise unmarked. Glosssy covers moderately worn. Binding square & firm. Book.

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Zustand: Good.

Paperback. Zustand: Very Good. Former owner's name stamped onto top right corner of first page. Otherwise, clean and solid. ; 8vo; 307 pages.

Paperback. Zustand: Good+. No Edition Stated; Eighth Printing. 307 pages; No reprint date stated. Looks like 1980s. Light rubbing on front cover. Minor, faint spill stain on the bottom corner of the first 5 or so pages. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence. …

Softcover. Zustand: Very Good. Foxing to textblock.; 392 pages.

hardcover. Zustand: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Zustand: Softcover. Softcover. Minor shelf-wear. For any additional information or pictures, please inquire.

Trade Paperback. Zustand: Used Good.

Softcover. Zustand: Very Good+. Underlining in pencil to a few pages.; The festival of the Panathenaia, held in Athens every summer to celebrate the birthday of the city's goddess, Athena, was the setting for performances of the Homeric Iliad and Odyssey by professional reciters or "rhapsodes." The works of Plato are our main surviving source of information about these performances. Through his references, a crucial phase in the history of the Homeric tradition can be reconstructed. Through Plato's eyes, the "staging" of Homer in classical Athens can once again become a virtual reality. This book examines the overall testimony of Plato as an expert about the cultural legacy of these Homeric performances. Plato's fine ear for language--in this case the technical language of high-class artisans like rhapsodes--picks up on a variety of authentic expressions that echo the talk of rhapsodes as they once practiced their art. Highlighted among the works of Plato are the Ion, the Timaeus, and the Critias. Some experts who study the Timaeus have suggested that Plato must have intended this masterpiece, described by his characters as a humnos, to be a tribute to Athena. The metaphor of weaving, implicit in humnos and explicit in the peplos or robe that was offered to the goddess at the Panathenaia, applies also to Homeric poetry: it too was pictured as a humnos, destined for eternal re-weaving on the festive occasion of Athena's eternally self-renewing birthday.; Hellenic Studies 1; 136 pages.…

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Fine. 1st Edition. Text is clean and unmarked, binding tight, no indications of previous ownership.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. Despite widespread interest in the Greek hero as a cult figure, little was written about the relationship between the cult practices and the portrayals of the hero in poetry. The first edition of The Best of the Achaeans bridged that gap, raising new questions about what could be known or conjectured about Greek heroes. In this revised edition, which features a new preface by the author, Gregory Nagy reconsiders his conclusions in the light of the subsequent debate and resumes his discussion of the special status of heroes in ancient Greek life and poetry. His book remains an engaging introduction both to the concept of the hero in Hellenic civilization and to the poetic forms through which the hero is defined: the Iliad and Odyssey in particular and archaic Greek poetry in general.…

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by University of Texas Press, 2004. Octavo. Paperback. Book is like new.

Soft cover. Zustand: Near Fine. The spine is tight and intact. The pages are clean and crisp. There is some shelf wear on the bottom of the book pages when the book is closed. The front right bottom of the front cover curls slightly outward. The top right of the back cover curls slightly outward. Placitas Community Library is a small, rural library located in an unincorporated area. All proceeds help pay for the operating expenses of the library. …

Zustand: New.

Paperback. Zustand: new. Paperback. The festival of the Panathenaia, held in Athens every summer to celebrate the birthday of the city's goddess, Athena, was the setting for performances of the Homeric Iliad and Odyssey by professional reciters or "rhapsodes." The works of Plato are our main surviving source of information about these performances. Through his references, a crucial phase in the history of the Homeric tradition can be reconstructed. Through Plato's eyes, the "staging" of Homer in classical Athens can once again become a virtual reality.This book examines the overall testimony of Plato as an expert about the cultural legacy of these Homeric performances. Plato's fine ear for language--in this case the technical language of high-class artisans like rhapsodes--picks up on a variety of authentic expressions that echo the talk of rhapsodes as they once practiced their art.Highlighted among the works of Plato are the Ion, the Timaeus, and the Critias. Some experts who study the Timaeus have suggested that Plato must have intended this masterpiece, described by his characters as a humnos, to be a tribute to Athena. The metaphor of weaving, implicit in humnos and explicit in the peplos or robe that was offered to the goddess at the Panathenaia, applies also to Homeric poetry: it too was pictured as a humnos, destined for eternal re-weaving on the festive occasion of Athena's eternally self-renewing birthday. This book examines the overall testimony of Plato as an expert about the cultural legacy of these Homeric performances. Plato's fine ear for language--in this case the technical language of high-class artisans like rhapsodes--picks up on a variety of authentic expressions that echo the talk of rhapsodes as they once practiced their art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. The festival of the Panathenaia, held in Athens every summer to celebrate the birthday of the city's goddess, Athena, was the setting for performances of the Homeric Iliad and Odyssey by professional reciters or "rhapsodes." The works of Plato are our main surviving source of information about these performances. Through his references, a crucial phase in the history of the Homeric tradition can be reconstructed. Through Plato's eyes, the "staging" of Homer in classical Athens can once again become a virtual reality. This book examines the overall testimony of Plato as an expert about the cultural legacy of these Homeric performances. Plato's fine ear for language-in this case the technical language of high-class artisans like rhapsodes-picks up on a variety of authentic expressions that echo the talk of rhapsodes as they once practiced their art. Highlighted among the works of Plato are the Ion, the Timaeus, and the Critias. Some experts who study the Timaeus have suggested that Plato must have intended this masterpiece, described by his characters as a humnos, to be a tribute to Athena. The metaphor of weaving, implicit in humnos and explicit in the peplos or robe that was offered to the goddess at the Panathenaia, applies also to Homeric poetry: it too was pictured as a humnos, destined for eternal re-weaving on the festive occasion of Athena's eternally self-renewing birthday.…