Gulseli inal (22 Ergebnisse)

Soft cover. Zustand: Very Good. INAL, GULSELI (Texts by) Ilk bulusma. 10 Mayis - 27 Haziran 2008. [Group exhibition]. Istanbul: Casa Dell'arte, 2008. 4to., 39, [1] p., color ills. In Turkish and English. Paperback. Very good ISBN: CATALOG: Painting & Sculpture KEYWORDS: Turkish painting Art Exhibition Sculpture.…

Soft cover. Zustand: Very Good. INAL, GULSELI (Curator) Ongoruler sergisi. Yaratici sanat arsivi - I. 14 Kasim - 30 Aralik 2007. Texts by Gulseli Inal. [Group exhibition]. Istanbul: Besiktas Belediyesi, 2007. 4to., 135 p., color ills. Paperback. Very good ISBN: CATALOG: Painting & Sculpture KEYWORDS: Turkish painting Art Exhibition.…

Hardcover. Zustand: New. INAL, GULSELI (Edited by) Turquoise 2000. Regard sur l'Art Contemporain Turc = Turkuvaz 2000. Cagdas Turk Plastik Sanatlari'ndan bir kesit. Istanbul: Bilim Sanat Galerisi Yayinlari, 2000. 4to., 245 p., color ills. In Turkish and French. Original binding. Dust wrapper. New Oversize and very heavy volume. Please contact for postage cost. ISBN: 9758126261 CATALOG: Painting & Sculpture KEYWORDS: Painting Art Turkish art Contemprary Art.…

Soft cover. Zustand: Very Good. INAL, GULSELI (Poems by) - BURHAN UYGUR (Illustrated by) Sulara gomulu cagri. Istanbul: Aka Ofset, 1985. First edition, large 8vo., 117, [1] p., color and b/w illustrated by Burhan Uygur. Printed to 1100 copies (310/1100). Signed and dedicated by Gulseli Inal. Paperback. Very good ISBN: CATALOG: Literature KEYWORDS: Turkish literature Poem Turkish painting. …

Soft cover. Zustand: New. INAL, GULSELI Contemporaries. Academy of Fine Arts 1951 Graduates = Cagdaslar. Guzel Sanatlar Akademisi 1951 Mezunlari. [Exhibiton catalogue]. 17 Mart - 26 Nisan 2006, Kibele Sanat Galerisi. Curated by Gulseli Inal, Esra Bener. Istanbul: T. Is Bankasi Kultur Yayinlari, 2006. 4to., 240 p., color and b/w ills. In Turkish and English. Paperback. New ISBN: 9754586969 CATALOG: Painting & Sculpture KEYWORDS: Turkish painting History of art. …

Soft cover. Zustand: Fine. 1000 copies printed. Signed by Peyami Gurel "Sevgili Cuneyt Bey'e Guzel bir Ani olmasi umudu ile". In Turkish and English. 32 pp., color ills., 27x23 cm. Signed by Author(s).

Soft cover. Zustand: Fine. 190 pp., color ills., 33x24 cm.

Soft cover. Zustand: New. Ahmet Günestekin. Antik modern = Antique Moderne., text by: Gülseli Inal; translator: Ayperi Okur, Ist., 2007. Paperback. Pbo. 4to. (29 x 23 cm). 212 p. Color ills. In Turkish and English. 1250 copies were printed. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming.". …

Soft cover. Zustand: Good. The first page is absent. 71 pp. Color ills. Turkish and English. 29x23 cm.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 2000 copies printed. Color and w/b ills. 231 pp., In Turkish and English.In French.32x24 cm.

Dust jacket. Zustand: Fine. Zustand des Schutzumschlags: Fine. Limited Edition. Original binding with original dust wrapper. 215 p. Color ills. 2000 copies were printed. In Turkish and English. Güngör Taner. [Catalogue of the artist]. Foreword: Yahsi Baraz.

Zustand: Fine. Zustand des Schutzumschlags: Fine. Signed by Ertugrul Ates "Sevgili dostum Mehmet Gel'e sevgilerimle Nisan 2000 IST". In Turkish and English. 195 pp., color ills., 31x24 cm. Signed by Author(s).

Softcover. Zustand: Fine. First Edition. 288pp., 20x16cm., in Turkish. Inscribed by Author. Inscribed by Author.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Color ills. 217 pp., In Turkish and English.31x24 cm.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 215 pp. Color ills. 32x25 cm. In Turkish and English, bilingual edition.

Text in Turkish & English, with colour illustrations. A tidy copy in tight binding; dust jacket protected in removable clear film. This is a heavy book (1.8kg); additional postage may be required for shipment outside UK & USA Used - Very Good. VG hardback in VG dust jacket Used - Very Good. VG hardback in VG dust jacket.…

Zustand: New. Editors: Translator: 208 pages.

Istanbul, Gallery Artist Publication 2005. 32,4 : 24 cm. 190,(2) S. mit zahlr. meist ganzseit. farb. Abb. Contemporary Turkish Art. - Text in english. Sprache: en.

Zustand: New. Editors: Translator: 231 pages.

Zustand: New. Editors: Translator: 210 pages.

Zustand: New. Editors: Translator: 217 pages.

Zustand: New. Editors: Translator: 433 pages.