Hamber anthony (44 Ergebnisse)

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: New.

Zustand: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Zustand: Very Good. Collecting the American West This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: New. Collecting the American West (Paperback or Softback).

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: Used - Very Good. VG hardback. 1st edition, 2019, in laminated boards. A tidy copy in firm binding Used - Very Good. VG hardback.

Zustand: New.

Zustand: New. The Origins of Photography in Salisbury 1839-1880 (Hardback or Cased Book).

Zustand: New.

Hardback. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. First Edition. Petches Bridge, UK: Ken & Jenny Jacobson, 1996. First Edition. Quarto. 192 pp. Photographs throughout. Photo-illustrated wraps. Publisher's promotional slip and price list laid in at rear. Slight curling to corners with mild edgewear. Binding is sound and pages unmarked. Very Good.…

Soft cover. Zustand: Very Good. 1st Edition. 192 pages : chiefly illustrations (some color) ; 30 cm. Contents: An Incidental Symbiosis : Photographic Studies for Artists in the 19th Century / Ken Jacobson Artists' Studies Photography of Works of Art / Anthony Hamber Works of Art Photographs of 19th Century Artists and their Circles Mixed Media Books and Ephemera. Fratelli Alinari (firm: 1852-still active) James Anderson (1813-1877) Ottomar Anschutz (1846-1907) Hippolyte Arnoux (active 1860's-1890's) Eugene Atget (1857-1927) Francois Aubert (1829-1906) Charles Hippolyte Aubry (1811-1877) R. Azukisawa (active 1890's) Edouard Denis Baldus (1815-1882) Hippolyte Bayard (1801-1887) and Francois-Auguste Renard (active 1850's-1860's) Felice Beato (active 1850's-1890's) Francis Bedford (1816-1894) E. Beguin (active 1850's-1860's) Auguste-Adolphe Bertsch (?-1871) and Camille d'Arnaud (active 1850's) Robert Jefferson Bingham (?-1870) Louis-Auguste Bisson (1814-1876) and Auguste-Rosalie Bisson (1826-1900) Adolphe Block (1829-after 1915) Kar-Henri (called Charles) Bodmer (1854-) Gambier Bolton (active 1880's-1900) Adolphe Braun (1812-1877) Alfred Saint Ange Briquet (active 1850's-1900?) A. Calavas (active 1870's-1930's) Leonida Caldesi and Montecchi (active 1850's) J. M. Canellas (active 1880's-1890's) Gustave Eugene (born Emilio) Chauffourier (1845-1919) Eugene Chauvigne (active 1870's-1890's) Jean Baptiste Camille Corot (1796-1875) Barthelemy Jules Courtes (1815-1858) and E. P. (?) Claveau (active 1850's) Cox & Sons (active 1850's-1880's) Leon Cremiere (1831-?) Eugene Cuvelier (1837-1900) G. Daveau and J. Vasse (active 1890's) Phillip Henry Delamotte (1821-1889) Jean Louis Delton (before 1820-after 1896) Andre-Adolphe-Eugene Disderi (1819-1889) Henry Dixon (1820-1893) and Thomas J. Dixon (1857-1943) Dornac (active 1890's-1900) William & Daniel Downey (?-1881) Louis-Emile Durandelle (1839-1917) John Whetton Ehninger (1827-1889) John Joseph Elliott & Clarence Edmund Fry (firm active 1863-1963) Erdmann & Schanz (active 1870's-20th century) Frederick Henry Evans (1853-1943) Constant Alexandre Famin (1827-1888) Roger Fenton (1819-1869) Lady Mary Georgiana Caroline Filmer (1840-1903) F. Fiorillo (active c. 1880's-1910) T.F. Geoghegan (active 1890's) Jean Amedee Gibert (active 1890's-1910) Ch. Gilbert (active 1860's-1880's) Auguste Giraudon (active 1870's) Frank Mason Good (1839-1928) Paul Augustin Gueuvin (1809-?) William Drooke Harrison (?-1893) John Moyer Heathcote (1800-1892) Dr. Hermann Heid (active 1860's-1880's) Frederick Hollyer (1838-1933) Louis Jean Baptiste Igout (1837-?) William Henry Jackson (1843-1942) Alphonse Jeanrenaud (1818-1895) William Edward Kilburn (active 1840's-1860's) August Kotzsch (1836-1910) J. Kuhn (active 1880's-1910) Juan Luarent (active 1850's-c. 1892) Gustave Le Gray (1820-1882) Robert Samuel Lock (1822-1881) and George Carpe Whitfield Paolo Lombardi (1827-1890) Charles Marville (1816-c. 1879) Maull & Polyblank (active 1850's-1860's) Etienne-Lucien Melingue (1844-1889) Felix Jacques-Antoine Moulin (1802-?) Ferdinand Mulnier (active 1850's-1890) Naudet (active 1890's) Carlo naya (1816-1882) William Notman & Sons (W. Notman 1826-1891) Louis-Camille d'Olivier (1827-after 1870) L. Ollivier (active 1890's-1910) Robert Tucker Pain (1840-after 1936) Benjamin Franklin Pease (1822-1888) Sidney Richard Percy (1821-1886) William Lake Price (1810-1891) Achille Leon Quinet (1831-1900) Henri Ranoux (active 1890's) Charles Reid (1837-1929) Oscar Gustave Rejlander (1813-1875) Ambroise Pierre Richebourg (1810-after 1872) Louis Remy Robert (1810-1882) Gustav Schauer (1826-1902) F. Albert Schwartz (active 1880's) William Sherlock (1813-?) W. Sherlock 2 (active 1860's-1870's) Giorgio Sommer (1834-1914) William James Stillman (1828-1901) Benjamin Stocks (active 1870's-1880's) Colonel Henry Stuart Wortley (1832-1890) Frank Meadow Sutcliffe (1853-1941) etc.…

Softcover. Zustand: VG, clean, bright, and tight. Red card wraps with sepia photograph and white lettering; French flaps. 192 pp. with 386 duotone and color photos. Price list (in US dollars) laid in. Includes artist's studies, works of art, portraits of artists, and mixed media. With essays by Ken Jacobson and Anthony Hamber and the catalogue entries by Ken Jacobson. The main essay is titled: An Incidental Symbiosis - Photographic Studies for Artists in the 19th Century. Includes a section of photographers' biographies. A beautiful catalogue.…

Zustand: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

cloth, dust jacket. 8.75 x 12 inches. cloth, dust jacket. xx, 396 pages, with folding floor plan of the Crystal Palace in pocket at rear. ".an impressive work of scholarship with beautiful visuals that will appeal to anyone interested in early photography. Hamber's splendid book may be regarded for generations as the authoritative account of photography at the 1851 Great Exhibition. Scholars of photographic history will want to add this title to their libraries, and anyone interested in the study of photography will delight in its compelling text and beautiful images." - Robert Desmarais, Papers of the Bibliographical Society of Canada "Any student of early photography -- or of the international exposition housed in the famous Crystal Palace in London -- will covet this magisterial work of careful scholarship and beautiful bookmaking." - Michael Dirda, "best books list," The Washington Post "Richly illustrated and scholarly." - The Royal Photographic Society Journal "'Ever since the Great exhibition I have felt that a new era had commenced for photography', said William Henry Fox Talbot -- inventor of photography on paper. In charting the pioneering and diverse role of photography at the Great exhibition, this important study plots the start of photography's international journey which set the foundations for the new purpose and place of photography at the Victoria and Albert Museum today." - Tristram Hunt, Director of the V&A, from the Foreword The Great Exhibition of the Works of Industry of All Nations, held in London from May to October of 1851, was the genesis of the Victoria and Albert Museum. Published to accompany the opening of the V&A Photography Centre, this book makes extensive use of the V&A collections and archival material related to the 1851 Great Exhibition. Photography and the 1851 Great Exhibition is the first comprehensive study of the seminal gathering of photographs and photographic equipment that marked the global launch of the form. It examines the role and impact of photography at the 1851 Great Exhibition and beyond, drawing together two decades of research to create a broader understanding of the step-change in image making and distribution represented by that event. With a Foreword by Tristram Hunt and an essay on photoscience by Nicholas Burnett. While the Great Exhibition has received a variety of examinations, its role in exhibiting and furthering the cause and exploitation of photography and its impact on illustration, printing, publishing, and the arts has been largely underappreciated. More broadly, 1851 saw a massive change in information management: in the creation and dissemination of visually based graphic information characterized by images of the building, its contents and their display that collectively constituted the Great Exhibition. Photography played a critical role in this quantum leap. The scale and scope of photography of the Great Exhibition is made evident through reproductions of images produced by a wide range of amateur and professional photographers who documented the Great Exhibition, some of which are the only known images of now lost works of art. Also shown and examined are prints produced by traditional reprographics and lithographs and the photographic originals from which they were derived. The result of more than twenty years of research, this study is based on a number of contemporary sources including official publications, the archive of the Royal Commission for the Exhibition of 1851, the correspondence of William Henry Fox Talbot, letters, newspapers, books, and articles in serial and periodical publications, as well as the Reports by the Juries, from which all 154 photographic images are reproduced in these pages. Anthony Hamber is an expert on 19th century photography and the illustrated book, the contribution of photography to other forms of illustration, and the application of photography to art publishing. His first monograph, A Higher Branch of the Art; Photographing the Fine Arts in England 1839-1880 (Gordon & Breach, 1996) is a fundamental source of information in its field. Available in the UK and Ireland from the Victoria and Albert Museum.…

Paperback. Zustand: New.

Cloth. Zustand: Fine. Zustand des Schutzumschlags: fine. (Documenting the Image, 4). 542, 36 p.; illus. (some in color), index. Excellent detailed examination of the use of photography to document the fine & decorative arts during the early decades of photographic development.

Hardback. Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Zustand: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…