High house press (24 Ergebnisse)

Soft cover. Zustand: Very Good. Sewn stiff dark rose wrappers with cover label, large slender 12mo., 8, (1) pages. One of 170 numbered copies printed by James E. Masters. Minor edgewear and a slightly faded spine, else a clean very good copy.

Soft cover. Zustand: Near Fine. Sewn decorated wrappers with cover label, large slender 12mo., 5, (3) pages. One of 90 numbered copies privately printed by James E. & Beatrice M. Masters for their friends on Arnold Unbleached handmade paper. A clean, slightly edgeworn, near fine copy.

Soft cover. Zustand: Near Fine. Sewn decorated paper over card with cover label., large slender 12mo., 10, (1) pages. One of 100 numbered copies printed on mould-made paper by James E. Masters. Minor edgewear, else a clean, near fine copy.

Hardcover. Zustand: Very Good. 1st Edition. Set in Cloister type and printed in blue and black. Number 76 of 150 (180) copies on mould-made paper. Light blue mottled paper-covered sides, parchment back with black spine titling. A very good copy.

Hardcover. Zustand: Near Fine. Quarter parchment-paper printed in black with red decorated paper-covered boards, DW, small 8vo., 26, (2) pages. Copy no. 30 of 150 numbered copies printed by James & Beatrice Masters on mould-made paper. E. M. Martin was the pseudonym of Edith Lister, secretary to E. H. Bullen of the Shakespeare Head Press. Mild toning to the endpapers, else a clean, fine copy in the original glassine DW showing minor edgewear, in archival mylar. …

Hardcover. Zustand: Very Good. Special Edition. Number 76 of 135 (165) copies printed on Arnold handmade paper. Handset in ATF Garamond and decorated with typographic ornaments. Quarter black buckram with blue paterned paper-covered sides, decorative labels on spine and upper board, top edge trimmed, others uncut. Endpapers rather browned, some wear to corners. A very good copy. One of the forty-five books chosen by Douglas Cleverdon for the 1950 British Council exhibition `1890-1940 Fifty Years: The Renaissance of English Printing'.…

Soft cover. Zustand: Fine. Sewn grey stiff wrappers with cover label, large 12mo., 12, (1) pages. Of 162 numbered copies, this is No. 9 of 12 copies printed by Janes E. Masters on F. J. Head hand-made paper. A fine copy in archival mylar.

First edition. Octavo. pp [8]. Sewn wrappers.Covers slightly creased at the edges. Very good indeed.

Hardcover. Zustand: Very Good. One of 100 copies (this not numbered) set in ATF Garamond and printed on Arnold hand-made paper. Title-page in brown and black. Cockerell marbled paper-covered boards, black and brown, linen back, edges uncut. Some browning to endpapers. A very good copy indeed.

Hardcover. Zustand: Very Good. One of 200 (230) copies printed in Cloister Oldstyle on antique de luxe paper. Borders & bands, Morlands Ornament No.2, fleurons, some printed in red used as decorative ornaments. Buff hammered parchment paper-covered boards, white buckram back with red spine titling. Endpapers a little darkened. A very good copy. First printed in 1847 in a collection of 'Songs and Carols' edited by Thomas Wright from a fifteenth-century manuscript then in his possession and now in the Bodleian Library. …

Original Wrappers. Zustand: Very Good. Limited Edition. 10pp, colophon. Bound in red-and-green patterned wrappers, paper label on cover. 7.75" x 5.25" This is #12 of an edition of 100 copies (75 for sale), printed on mould-made paper by James E. Masters at the High House Press in February, 1926.

Hardcover. Zustand: Near Fine. Quarter brown cloth with spine label and marbled paper-covered boards with cover label, 8vo., (30) pages, twelve wood engravings, seven by Biggs and five by Masters; printed on rectos only. Foreword and descriptions by James E. Masters and signed by him. Very slight edgewear, else a clean, near fine copy in archival mylar. Signed by the Printer.…

First edition. Octavo. 8 pages. Sewn patterned wrappers, printed label on upper cover. Printed on handmade paper.Number 4 of only 50 copies.Presentation copy, inscribed by the publisher/printer: "Margaret Eyres with all good wishes from J.E. Masters - Christmas 1930".Slight fading to edges of covers. Near fine.…

pp. [46], crown 8vo, original quarter purple boards with terracotta sides, lettered in gilt to upper board and backstrip, dustjacket with Biggs engravings to front and rear panels, near fine. A facsimile edition, with additional material of the 1932 High House Press book.

First edition thus. Octavo. 32 pages. One of 170 numbered copies. Parchment-backed patterned boards. Printed by James E. Masters on hand-made paper.Very near fine in near-fine, slightly creased original plain tissue dustwrapper.

First edition. Octavo. 32 pages. One of 230 numbered copies. White buckram-backed paper boards, printed label on upper cover. Pages unopened.Free endpapers lightly tanned. Near fine in the original plain tissue dustwrapper creased at top edge.

First edition. Octavo. 16 pages. One of 115 numbered copies. Patterned wrappers with flaps and title label on front. Gypsy poems.Inside the front cover is a bookplate announcing ''Dorset Collection'' with the initials WJL and VJA. Tail of spine slightly bumped. Near fine in glassine dustwrapper slightly creased at the edges.…

Hardcover. Zustand: Very Good. 1st Edition. Number 5 of 60 copies (plus an unlimited edition), printed on Arnold unbleached paper and signed by the artists. Title-page vignette and 7 full-page wood engravings by John R. Biggs, 5 full-page wood engravings by James E. Masters. Quarter black buckram with gilt titling up the spine, grey buckram sides. Endpapers a little yellowed, two inoffensive library stamps, of Blackfriars Library. A very good copy indeed. In payment for his blocks Biggs, then a student at Derby School of Art, was given some of Masters' old ATF Cloister type. With this he founded the Hampden Press. Signed by Author(s).…

First edition. Octavo. 37 pages. One of 192 numbered copies this being one of 12 printed on hand-made paper. Four full-page illustrations and eight decorations by Philip Ainsworth. Full green buckram. Printed labels on upper cover and spine.Free endpapers lightly tanned. Spine a bit faded. A little faint spotting to front cover. Very good.…

First edition. Octavo. 15 pages. Two wood-engravings by Claire Leighton. Parchment-backed patterned paper boards. A story.One of 225 numbered copies, this being signed and dated on the limitation page by one of the printers, James E. Masters, on 12 May 1934.Free endpapers lightly tanned. Fine.

First edition thus. Quarto. 28 pages. Printed in red and black. Buckram-backed marbled boards.Number 3 of 60 copies. Presentation copy from the printer/publishers, inscribed in pencil on the front free endpaper: ''John Biggs and Hazel Biggs - With all good wishes from James and Beatrice Masters''. The recipient is an artist and illustrator who collaborated with Masters on a few of the High House Press publications. He also ran his own Hampden Press.Spine a bit dusty. Very good indeed. …

Paperback. Zustand: Acceptable. Ex-library book, usual markings. Hardback/Hardcover. Well read copy with some spine wear but still useable, colouring of page edges due to age. Quick dispatch from UK seller.

First Edition. One of 100 numbered copies End-papers just a little darkened, otherwise an exceptionally nice copy Half parchment, Cockerell marbled paper sides.

29/125 COPIES (from an overall edition of 150) printed on mould-made paper, type and press work executed by James E. Masters and Beatrice M. Masters, pp. 26, [ii], 8vo, publisher's parchment-backed decorated paper-covered boards, with design of repeated cerise fleur-de-lys on buff ground, backstrip lettered in black, untrimmed lower edge, backstrip faintly toned, very good. Edith Lister was A.H. Bullen's secretary at the Shakespeare Head Press, and instrumental in the sale of the press to Basil Blackwell in 1921. Her published works include Dreams in Wartime: A Faithful Record, a dream diary which she kept during WWI, and various poetry collections, the poems of this work, somewhat shadowed by the war, concluding with 'At the Hand Press (The old Compositor speaks)': "I sometimes think / God is a printer too, and sets the type / With men for letters, fixing them in lines / That even He can not keep straight.".…