Hobbs robert text by (4 Ergebnisse)

- Hardcover
- Erstausgabe
Anbieter: LEFT COAST BOOKS, Santa Maria, CA, USALEFT COAST BOOKS
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Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, xii, 423 pages, [16] pages of plates, illustrations (some colour); 29 cm. Near fine. Firm binding, clean inside copy. Remainder mark/tail edge. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for internati…onal & priority orders. A massive coffee-table book. *** "A long-overdue monograph on a sculptor who draws not only on minimalism and conceptualism but on a rich web of intellectual and visual sources to create postmodern work that is a 'complex' of juxtapositions. Alice Aycock's large, semi-architectural works deal with the interaction of structure, site, materials, and the psychophysical responses of the viewer. Offered meaningful but contradictory clues by both her images and her texts, viewers attempt to discover not only what the work of art conveys but how it communicates its contents, in investigations that parallel the artist's own. In Alice Aycock: Sculpture and Projects, Robert Hobbs examines the development of Aycock's work over twenty years and her negotiation-along with other artists who came of age in the early 1970s-of the transition from modernism to postmodernism. 'The problem,' wrote Aycock in 1977, 'seems to be how to connect without connecting.' Hobbs describes Aycock's strategies for doing just this: for creating a work with disparate image and texts that offer a new perspective on reality. Influenced by the 'specific objects' of minimalism's hybrid forms and by conceptualism's emphasis on language, Aycock relies on paradigms, cybernetics, phenomenology, physics, post-structuralism, psychoanalysis, information overload, outdated scientific thinking, and computer programming to create a 'complex' that is architectural and sculptural as well as mental and emotional. Schizophrenia and other mental conditions, sometimes considered metaphors for the disconnections of postmodern existence, are specific sources of inspiration in Aycock's work. By exploring the physical and existential positions of isolation, estrangement, disorientation, entrapment and fear, her three-dimensional constructions not only posit alternative states of mind, they suppose possible narratives and suggest multiple truths and lies. Aycock's work invites the viewer to experience sculpture with the entire body and a fully mind. Her sculpture has had a transformative effect on the contemporary art experience." - Publisher. *** CONTENTS: The beginning of a complex; Aycock on her family: facts into myths; Incarnating thought as baby boomer, cold war soldier, and '60s radical; From minimalism to the future; Cresting the minimalist/postminimalist divide; M.A. thesis: the highway network; Early work: projecting art into viewer's spaces and the world, the aesthetics of danger, and the synergy of 112 Greene Street; Maze, 1972; Low building with dirt roof (for Mary), 1973; Feminism; Drawing on patriarchal order while deflecting it; Architectural sculpture; Site specificity; Architectural sculpture as suprastruction; Borges's tear and Aycock's rip; The true and the false project: embodied and disembodied seeing: phenomenology and schizophrenia; "The beginning of a complex.": for documenta; Writerly texts and schizophrenia; Virtual space, medieval legacies, and architectural sculpture; From architectural sculpture to The machine that makes the world; How to catch and manufacture ghosts; The art of memory in the age of artificial intelligence; Enmeshed in wisdom's nets; Sophistry and postmodernism. Size: 4to.

Sprache: Englisch
Verlag: Harry N. Abrams, Inc., Publishers, in association with the National Museum of American Art, Smithsonian Institution, New York and Washington D.C., 1987
- Hardcover
- Erstausgabe
Anbieter: LEFT COAST BOOKS, Santa Maria, CA, USALEFT COAST BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 26,00
Versand gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, 158 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format co…ffee-table book. Richly illustrated with colour plates. *** CONTENTS: Acknowledgments; I. Introduction: Vision, A Historical Artifact; II. Early Development: Paris and New York; III. Transition: The Etchings; IV. Maturity; V. The Automobile and the American View; VI. Outside the Mainstream: The Victims of Modernism; VII. Late Works: 1940-1965; Chronology; Selected Bibliography; Photograph Credits; Index. Size: 4to. Collectible.
Sprache: Englisch
Verlag: Marisa Del Re Gallery, New York, 1992
- Softcover
Anbieter: Olana Gallery, Brewster, NY, USAOlana Gallery
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In den WarenkorbPaper. Zustand: Good. Good paper copy ex. cat., 24 pp, 1 pp fwd, 3 pp text, 10 4/C illus., 1 B/W photo of the artist, 2 pp chron, a list of selected public collections.

- Hardcover
- Erstausgabe
Anbieter: Antiquariat UEBUE, Zürich, SchweizAntiquariat UEBUE
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 48,49
EUR 26,90 VersandVersand von Schweiz nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 192 pp., 186 ills. hardcover - With over one hundred paintings, sculptures, prints, and drawings, this definitive survey brings together the work of American artists-Joseph Cornell, Peter Blume, Kay Sage, Isamu Noguchi, Arshile Gorky, and Jackso…n Pollock-with that of Europeans in exile during World War II, including Salvador Dalí, Yves Tanguy, André Masson, and Max Ernst.