Hours h (56 Ergebnisse)

DVD. Zustand: Used - Acceptable.

Soft cover. Zustand: Very Good. 20 pages. THE STEEL BILL / Odeon Theatres Limited / Railway Reorganisation / The Law Of Libel / Finanve of Nationalisation / Anglo-American Productivity Council / Earnings And Hours / E.R.P.and Sterling / T.U.C. Decisions / Eva C Reckitt "Christmas Book Supplement" (SL#94). …

Soft cover. Zustand: Very Good. (16 pages. THE TRUTH ABOUT RENTS / WHO ARE THE PROPERTY OWNERS? / THE SALE OF COUNCIL HOUSES/ HOURS AND EARNINGS BY INDUSTRIES (APRIL 1952) / LABOUR PARTY CONFERENCE/ INTERNATIONAL OIL CARTEL / PRODUCTION IN THE U.S.S.R. (SL#92).

Zustand: Very Good. 23 pages, 13 figures. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 19 x 24cms. Category: British Library Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 24 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 17 x 24 cms. Category: Social History Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 8 pages, with illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 17.5 x 24 cms. Category: History Today; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 6 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: A4 Size. Category: History Today; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 12 pages, 6 figures. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 19 x 24cms. Category: British Library Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 12 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 21 cms. Category: Marxist Quarterly; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 14 pages, illustrated in colour. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 16 x 24 cms. Category: National Geographic Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 17 pages, 9 figures. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 19 x 24cms. Category: British Library Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 21 pages, 15 figures. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 19 x 24cms. Category: British Library Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 16 Pages, many illustrations, some in colour. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 16 x 24 cms. Category: National Geographic Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 6 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 8 pages, 1 illustration, 1 plate, 1 double-sided plate. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 19.5 x 25 cms. Category: Archaeological Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 11 pages. An authentic standalone article, extracted from the Universal Magazine. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 12 x 20 cms. Category: Universal Magazine; Printed before 1800; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 30 pages, 2 illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 18 x 26 cms. Category: Historic Society of Lancashire and Cheshire; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 16 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 22 cms. Category: Blackwood's Edinburgh Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 7 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 16 x 22 cms. Category: Wide World Magazine Articles; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Beauchesne, Coll. Histoire des Diocèses de France, 1983, 350 p., broché, coins des plats un peu cornés, bon état pour le reste et intérieur bien propre.

No Binding. Zustand: Very Good. (not signed) from the 1960 film "The Gallant Hours" the pair $22.50 1). 3/4 length pose of Cagney with three unidentified actors. 2). 3/4 length pose of Cagney as Fleet Adm. William. F. 'Bull' Halsey Jr., receiving an award from the admiral with five other military admirals in the background. Photographs are on single stock; 10" x 8"; very good (minor signs of handling).…

Unframed Print. Zustand: Very Good. 3 pages of text; the entire article. The illustrations found in leading architectural journals of the nineteenth and early twentieth centuries, such as The Builder, Building News, and The Architect are masterpieces of visual craftsmanship. These illustrations capture the elegance, intricacy, and stylistic flair of the period's architecture. Rich in ornamental detail and atmospheric depth, they reflect not only the buildings themselves but the artistic sensibilities and design discourse of their age. THIS IS AN ORIGINAL PAGE FROM THE JOURNAL, PRINTED AT THE DATE SHOWN IN THE TITLE, NOT A REPRINT OR COPY. Category: Builder & Building News; PRINTS : Buildings & Places; Unframed Prints : Old. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.…

Couverture souple. Zustand: Bon. Edition originale. Paris, Puf, 1954. In-8 broché, non coupé, pp.289-384. 6 planches hors texte. Deuxième année n°4. Couverture légèrement défraichie. Bon exemplaire.

Zustand: BUONO USATO. Da revisionare Francese Coperta morbida, con lievi segni di usura ed ingiallita, traccioa di umidtà lungo i bordi, dorso ingiallito ed usurato, volume intonso, pagine brunite ai bordi e, lungo il taglio superiore, leggeri segni di vecchia umiditÃ, fioritura ai tagli Numero Pagine 328.…

In-8, 22 cm, 350pp., illustr., cartes, bibliogr., p. 320-335, Nb-0205.

163 x 115 mm. (6 1/2 x 4 1/2"). Single column, 18 lines in a gothic book hand. Rubrics in red, line fillers in blue and pink with gold bezant, five one-line initials in burnished gold on pink and blue ground, one two-line initial in blue on gold ground with a flower in the center, one three-line initial in blue filled with ivy on gold ground, recto with panel border of colorful flowers and acanthus, verso with A LARGE ARCH-TOPPED MINIATURE OF THE ADORATION OF THE MAGI with an "L" shaped bar of burnished gold and painted flowers, and A FULL BORDER of acanthus, flowers, a small stoat, and hybrid creature, all on a painted gold ground. Vellum a little wrinkled, small tear on fore edge (just touching border), paint showing light rubbing and a few minor imperfections, but in very nice condition overall, quite fresh, and with no major condition issues. From what was a refined Book of Hours, this leaf features a charming and accomplished miniature attributable to the workshop of Jean Pichore (fl. ca. 1502-20), a major figure among illuminators of the period and one of the most sought-after artists in France at the turn of the 16th century. The artist depicts the traditional subject associated with the hour of Sext, the Adoration of the Magi, in which the three wise men, all expensively dressed in ermine, blue, and gold, lavish the newly born Christ Child with exotic gifts carried in golden vessels. The composition is notable for its intimacy, favoring a tightly framed scene focused on human interaction and the wonder of the moment. The faces are skillfully individuated and carefully molded, with great care going into the Virgin's visage in particular. The borders here are also a source of delight, featuring a small stoat and a hybrid creature hidden among the exuberant acanthus and flowers. Craning their necks around in the direction of the Christ Child, they seem to take the place of the usual barnyard animals often seen poking their heads over a fence or through a window in other "Magi" compositions. All of these indications of sophistication suggest that the original manuscript must have been commissioned by a patron able to pay a substantial amount for the work of a well-established atelier.…

165 x 115 mm. (6 1/2 x 4 1/2"). Single column, verso with 18 lines, in a gothic book hand. Rubrics in red, one three-line initial in blue filled with foliage on burnished gold ground, verso with panel border of colorful flowers, a vase, and acanthus, recto with A MINIATURE OF THE VIRGIN AND CHILD flanked by two angels, framed by gold and painted bars on three sides and A FULL BORDER of acanthus, flowers, a vase, and gold bezants. Minor soiling to vellum, but in excellent condition, the miniature especially well preserved. This especially intimate and tender scene shows the so-called Virgo Lactans (or Nursing Madonna), the Virgin suckling the infant Christ; it accompanies the text for "Obsecro te," a popular Marian prayer appealing to the Virgin for protection and intercession. The prayer is not always accompanied by a miniature, and the present illustration, being rather large and skillfully done, is a particularly appealing example. The Virgin's facial features are especially excellent, with beautiful molding and shading that give her visage deep complexity and emotional resonance. The use of gold in this miniature adds to its richness; delicately highlighted garments, tresses, and angel wings catch the light and seem to shimmer as one moves the page. The high-quality illumination, liberal use of gold, and robust borders all suggest that the original manuscript must have been the product of an accomplished workshop.…

163 x 115 mm. (6 1/2 x 4 1/2"). Single column, 18 lines in a gothic book hand. Rubrics in red, line fillers in blue and pink with gold bezant, six one-line initials in burnished gold on pink and blue ground, two two-line initials in blue on gold ground with a flower in the center, one three-line initial in blue filled with ivy on gold ground, verso with panel border of colorful flowers and acanthus, recto with A LARGE ARCH-TOPPED MINIATURE OF THE CORONATION OF THE VIRGIN with an "L" shaped frame of burnished gold and painted flowers, and A FULL BORDER of acanthus, flowers, a man playing a bagpipe, and a hybrid creature wearing a hat, all on a painted gold ground. Very minor wrinkling to vellum, but the leaf IN LOVELY CONDITION, with the gold everywhere gleaming brightly. From a luxuriously appointed Book of Hours, this leaf features a handsome miniature of the Coronation of the Virgin attributed to the workshop of Jean Pichore (fl. ca. 1502-20), a major figure among illuminators of the period and one of the most sought-after artists in France at the turn of the 16th century. Executed with imagination and delicacy, the miniature features the traditional subject associated with the hour of Compline, showing the Virgin being crowned Queen of Heaven, following her Death and Assumption. The composition here is quite intimate, with the Virgin kneeling before her son as she accepts, with humility, the crown he lays upon her head. Christ is depicted barefoot and slightly bowed toward his mother in a gentle display of respect. The artist creates a wonderful backdrop for this scene, composed entirely of seraphim painted gold, blue, light pink, and green, closely packed together. Two of the seraphim hold up light pink draperies behind the central figures, as if to shield this tender moment from prying eyes. The borders here are a source of delight, featuring a figure wearing a jester-like cap and playing the bagpipe as well as a creature with the body of a bird and the face of a human, donning a rather fashionable bycocket cap. The illumination here is of high quality, features a liberal use of gold, and contains unique marginal details, suggesting that the original manuscript must have been a costly commission for a wealthy patron.…

165 x 117 mm. (6 1/2 x 4 5/8"). Single column, 18 lines in a gothic book hand. Rubrics in red, line fillers in blue and pink with gold bezant, five one-line initials in burnished gold on pink and blue ground, one two-line initial in blue on gold ground with a flower in the center, one three-line initial in blue filled with ivy on gold ground, recto with panel border of colorful flowers, vase, and acanthus, verso with A LARGE ARCH-TOPPED MINIATURE OF THE ANNUNCIATION TO THE SHEPHERDS, surrounded by A FULL BORDER of acanthus, flowers, and two birds, all on a painted gold ground. Slight soiling to vellum, but a very well-preserved leaf in fine condition. From what was surely a costly Book of Hours, this leaf features a charming and skillfully painted miniature of the Annunciation to the Shepherds, attributable to the workshop of Jean Pichore (fl. ca. 1502-20), a major figure among illuminators of the period and one of the most sought-after artists in France at the turn of the 16th century. Depicting the traditional subject associated with the hour of Terce, our miniature portrays, as usual, an angel appearing to shepherds tending their flock, bringing news of the birth of Christ. Although the biblical narrative suggests that the shepherds were startled by the angel's appearance, the three figures in this miniature appear remarkably unmoved--in fact, only one of them seems to take any notice at all. The first shepherd sits on the ground, looking straight ahead; the second holds his hands in prayer but looks little more than, well, prayerful at the angel in the sky; and a third figure maintains a slightly aloof expression, taking no particular interest in the unfolding miraculous event. What may seem to be indifference can be explained easily enough by the artist's successful portrayal of nighttime cold! All three shepherds are thickly dressed, one with his arms pressed tightly against his chest, another with a hood partly covering his face, and the sheep are tightly huddled together into one woolly white cluster. Another manifestation of the artist's success here is seen in the particularly well done molding of the faces, with subtle shading, attractively rendered features, and clear individuation. Moreover, although the shepherds seem essentially unmoved, their garments are dusted with a glistening gold radiance from above, a further subtle touch revealing a high level of achievement on the part of the painter. Finally, the borders are one last source of delight, with a small bird shown in mid-flight, and a second one investigating a single strawberry that seems to have been placed there just for him. All of these indications of sophistication suggest that the original manuscript must have been commissioned by a patron able to pay a premium for the work of a highly skilled atelier.…

109 x 81 mm. (4 1/4 x 3 1/8"). Single column, 14 lines in a gothic book hand. 161 leaves. COMPLETE. Contents: Calendar (f. 1r); Mass of the Holy Spirit (f. 14r); Mass of the Holy Cross (f. 23r); Requiem Mass (f. 30r); Prayer on the Seven Last Words of Christ by the Venerable Bede (f. 36v); Passion according to John (f. 40v); blank (f. 53); Hours of the Holy Cross (f. 55r); Mass of the Virgin Mary (f. 60r); Gospel Lessons (f. 66v); Hours of the Virgin (f. 73r); Penitential Psalms (f. 126r); Litany (f. 138r); Office of the Dead (f. 144r). PLEASING NEAR-CONTEMPORARY BLIND-ROLLED CALF (apparently with some old, skilled restoration to joints, spine, and corners), covers with rolled vine border surrounding a panel of three columns bearing a roll with parts of the inscription "AVE MARIA GRACIA PLENA," each word separated by one of four small motifs (a flower, a human profile, the lamb of god, and a sitting animal--perhaps a lion), raised bands, compartments with part of the same inscription roll. Lacking the original ties. Housed in a very attractive custom-made brown calf folding case with blind-stamped lettering on the spine, interior lined in suede, the whole within a calf-lipped, suede-lined matching slipcase. Rubrics in red, numerous one-line initials in blue with red penwork, or gold with dark blue penwork, many two-line initials in burnished gold on pink and blue ground with white embellishments, several larger "I" initials (between four and 11 lines) in burnished gold on pink and blue ground with white embellishments, 12 six- to seven-line initials, some painted pink or blue with white embellishments and filled with flowers and tendrils on a gold ground, or the initial in burnished gold on pink and blue ground with white embellishments, EIGHT LARGE MINIATURES, each inside a thin gold frame and with a three-quarter border of gilt leaves, hairline vines, and floral spays, each facing page with a similar three-quarter border, the subjects of the miniatures being: the Holy Spirit in the form of a dove (f. 13v); St. Helena and the True Cross (f. 22v); Raising of Lazarus (f. 29v); Crucifixion (f. 54v); Virgin and Child Enthroned (f. 59v); Annunciation (f. 72v); Last Judgment (f. 125v); Funeral Mass (f. 143v). Prickings visible in fore margins. See: Defoer, et. al, "The Golden Age of Dutch Manuscript Illumination," pp. 75-86. Just minor wear to the solid, very pleasing early binding. A little chipping (almost always mild) to four of the miniatures with square frames (the fifth, the Annunciation, somewhat rubbed and faded, the three domed miniatures perfectly intact), vellum with minor soiling and thumbing in places (especially in lower corners of leaves in second half), other trivial imperfections, but overall a very well-preserved manuscript with no major issues. This enchanting little prayer book features eight attractive miniatures, large gleaming burnished gold initials, and a pleasing period binding--all in an excellent state of preservation. The miniature program here can be attributed to the so-called Masters of Otto van Moerdrecht, the name given to a variety of Dutch artists active in the 1430s and '40s, all working in a similar mode (rather than to a specific master or workshop). According to Defoer et al., the work of these miniaturists "exhibit varied compositional formulas and bright, highly contrasting colors . . . . The small, somewhat doll-like figures appear rather wooden, but their expressive gestures give the scenes a varied and vivid character." Two artistic hands are responsible for the present miniatures. The artist behind the first three miniatures, all set within domed gilt frames (the Holy Spirit, St. Helena, and Raising of Lazarus), shows particular skill, with a very smooth application of color, figures with long, eloquent hands, and faces with subtle white highlighting. A second artist was responsible for the remaining five miniatures, set within square golden frames (Crucifixion, Virgin and Child Enthroned, Annunciation, Last Judgment, and Funeral Mass). Though this hand is less polished and the miniatures slightly smaller in size, the scenes are all quite charming and attractively colored with vivid splashes of bright orange, bubblegum pink, sky blue, and pale green. (It is worth noting that the miniatures differ not only because of the artists' degree of success, but also because of their condition: whereas the five are generally well preserved, the other three are in a virtually perfect state.) In addition to the central text of the Hours of the Virgin, this manuscript contains several Masses, each of which is preceded by a miniature. Perhaps the most interesting of these is the Mass of the Holy Cross, which is paired with a miniature of St. Helena, mother of Constantine the Great. According to Christian tradition, Helena found the wooden cross used in the Crucifixion while she was travelling in Jerusalem in the fourth century. Constantine built the Basilica of the Holy Sepulchre in its honor, and installed the relic there to be venerated. Britannica says that the adoration of the True Cross led to wide-spread sale of its fragments, sought after as objects of devotion. It is unusual to find St. Helena depicted in a Book of Hours, and this image is especially appealing, with Helena in a beautiful red robe, crown, and halo, embracing a large wooden cross in the center of the composition. The background is reminiscent of the work of the Gold Scrolls group, with small swirls of liquid gold swimming in a scarlet sky (the same scrolling motif graces the Holy Dove miniature). There is no indication of former ownership in this manuscript, although the Calendar presents a few unusual saints that confirm a Flanders connection. These include St. Amandus (in red), known as the "Apostle of Flanders," on 2 February; St. Guido, known as the "Poor Man of Anderlecht," on 9 September; St. Bavo (in red), patron saint of Ghent (where a Cathedral is named in his honor), on 10 Octobe.…