Ikegami hiroko (45 Ergebnisse)

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Zustand: Very Good. Minimal shelf wear, clean internals. Remainder mark.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: Very Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Zustand: Very Good. Hardcover, no dust jacket. Light shelfwear to covers. Contents clean and tight. 277 pages, index, notes, bibliography, color and b&w photos and illus.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Zustand: Very Good. First Edition. Nearly flawless interior, bound simply in gray cloth, with gilt lettering to spine, sturdy, clean, and unmarked. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Stated First Edition, with "1" in number line present. Acknowledgements, Notes to the Reader, four chapters discoursing upon the engineering of Robert Rauschenberg's art as it went global, especially culminating in Monogram, shown in Stockholm, and then with interviews in Tokyo. Conclusions. Then an Appendix recounting his exhibition history. Notes, bibliography, Index. [vii], [1], 8-177 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Paperback. Zustand: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Softcover, 278 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Zustand: New.

Hardcover. Zustand: Used - Very Good. Zustand des Schutzumschlags: Very Good.

Paper Back. Zustand: New.

Zustand: As New. Unread book in perfect condition.

hardcover. Zustand: Very Good. Hardback--NO DUST COVER--cover shows slight wear otherwise excellent condition.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Softcover. Zustand: VG+. Thick color illustrated card wraps, glued binding. 412 pp., profusely illustrated in color and bw. The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg blazed a new trail for art in the second half of the 20th century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed by rules and conventions. Each chapter in Rauschenberg's six-decade career will be represented by major works. This book collects 14 essays focusing on key moments in Rauschenberg's oeuvre.…

Cloth. Zustand: Near Fine. No Jacket, As Issued. 456 pages with 400 illustrations 250 in color. Still in shrink-wrap though minor bumps to the corners underneath the plastic protection. Edited with text by Fionn Meade, Joan Rothfuss. Foreword by Olga Viso. Interviews by Victoria Brooks, Danielle Goldman, Aram Moshayedi. Published on the occasion of the exhibition from the Walker Art Center, Minneapolis MN February 8-July 30, 2017. Extensive Illustrated Chronology.…

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: new.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Trade Paperback. Zustand: New. 'Painting relates to both art and life. Neither can be made. (I try to act in the gap between the two.)' --Robert RauschenbergThe early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new interdisciplinary models of artistic practice that shaped the decades to come. Published in conjunction with this century's first retrospective of this defining figure in postwar art, this richly illustrated catalog reframes Rauschenberg's widely celebrated Combines (1954-64) and silkscreen paintings (1962-64) in fresh ways. It also illuminates lesser-known periods within Rauschenberg's career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes.Sixteen short essays by eminent scholars and emerging new writers focus on specific moments throughout Rauschenberg's career, exploring his creative production across an extraordinary range of media and following him on his travels around the globe. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist's career in 20 years, an important contribution to American cultural and intellectual history and a necessary volume for anyone interested in contemporary art. open new copy. …

Zustand: As New. Unread book in perfect condition.

First Edition. First edition. Large softcover. 262 pages. Published in conjunction an exhibition that ran September 22 through December 10, 2017 at the Royal Academy of Arts and then February 10 through May 13, 2018 at the Broad in Los Angeles. Features text contributions by Roberta Bernstein and Edith Devaney, Robert Storr, Morgan Meis, and Hiroko Ikegami. Includes numerous color illustrations a chronology by Berstein, and a bibliography. A clean very near fine copy in wrappers.…

Hardcover. Zustand: Wie neu. Gebraucht - Wie neu Wie neu, Importqualität, auf Lager - In 1964, Robert Rauschenberg, already a frequent transatlantic traveler, became even more peripatetic, joining the Merce Cunningham Dance Company as costume and set designer for its first world tour. Rauschenberg and the company visited thirty cities in fourteen countries throughout Europe and Asia. During the tour, he not only devised sets and costumes but also enacted his own performances and created works of art, often using local materials and collaborating with local art communities. In The Great Migrator, Hiroko Ikegami examines Rauschenberg's activities abroad and charts the increasing international dominance of American art during that period. Ikegami focuses on Rauschenberg's stops in four cities: Paris, Venice (where he became the first American to win the Grand Prize at the Venice Biennale), Stockholm, and Tokyo. In each city, she tells us, Rauschenberg's work encountered both enthusiasm and resistance (which was often a reaction against American power). Ikegami's account offers a fresh, nonbinary perspective on the global and the local.…