Ioan ionic¿ pop (3 Ergebnisse)
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Anbieter: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, DeutschlandBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The composition aimed at mirrors the spirit of human freedom. I. Remember is a piece in verses, in which there enter three singers one by one, then a fourth one at the very end of the piece. II. On Laughter is a dialogue with death, a…n ironic and grotesque dialogue which cocks a snook at death. III. Oleander is a kind of lament with some elements of incantation. The last part is called Tarot as in the game of cards in which one guesses, he who knows how to do it. Having a unitary material of construction the whole work is a mosaic of structures, in which these structures communicate underground, completing themselves, complementing themselves, replying to the distance, maintaining a dialogue, all dynamised by an 'active' music which, like a wave, breaks on the shore in order to return. If we were to associate this work with an epoch of time, we would call it a blend of the archaic and the present. In this sense, we can regard the work at the level of macrostructure as a 'heterophonic' fresco in which the 'overlaid images' dance and shout on a background of a multiple transfer of energy adapted in their connections to 'the great stage of the world'. 76 pp. Englisch.
- Softcover
- Print-on-Demand
Anbieter: buchversandmimpf2000, Emtmannsberg, BAYE, Deutschlandbuchversandmimpf2000
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
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EUR 60,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The composition aimed at mirrors the spirit of human freedom. I. Remember is a piece in verses, in which there enter three singers one by one, then a fourth one at the very end of the piece. II. On Laughter is a dialogue with death, an ir…onic and grotesque dialogue which cocks a snook at death. III. Oleander is a kind of lament with some elements of incantation. The last part is called Tarot as in the game of cards in which one guesses, he who knows how to do it. Having a unitary material of construction the whole work is a mosaic of structures, in which these structures communicate underground, completing themselves, complementing themselves, replying to the distance, maintaining a dialogue, all dynamised by an 'active' music which, like a wave, breaks on the shore in order to return. If we were to associate this work with an epoch of time, we would call it a blend of the archaic and the present. In this sense, we can regard the work at the level of macrostructure as a 'heterophonic' fresco in which the 'overlaid images' dance and shout on a background of a multiple transfer of energy adapted in their connections to 'the great stage of the world'.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 76 pp. Englisch.
- Softcover
- Print-on-Demand
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 40,89
EUR 60,66 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The composition aimed at mirrors the spirit of human freedom. I. Remember is a piece in verses, in which there enter three singers one by one, then a fourth one at the very end of the piece. II. On Laughter is a dialogue with death, an iro…nic and grotesque dialogue which cocks a snook at death. III. Oleander is a kind of lament with some elements of incantation. The last part is called Tarot as in the game of cards in which one guesses, he who knows how to do it. Having a unitary material of construction the whole work is a mosaic of structures, in which these structures communicate underground, completing themselves, complementing themselves, replying to the distance, maintaining a dialogue, all dynamised by an 'active' music which, like a wave, breaks on the shore in order to return. If we were to associate this work with an epoch of time, we would call it a blend of the archaic and the present. In this sense, we can regard the work at the level of macrostructure as a 'heterophonic' fresco in which the 'overlaid images' dance and shout on a background of a multiple transfer of energy adapted in their connections to 'the great stage of the world'.
