J c buckler (46 Ergebnisse)

Soft cover. Zustand: Good +. No Jacket. 1st Edition. Bodleian Library, Oxford, UK. 1951. Softcover/Trade Wraps. Stated First Published 1951. Book is tight, square, and unmarked. Book Condition: Good +; light soiling to wraps; one dogeared page. No DJ. Printed card stock wraps. Wraps are not bent or folded; spine is secure in stitched thread binding; text is secure in binding. Unpaginated (32 pp by count) 8vo. The artist was both an architect and draughtsman but also an accomplished artist in watercolors and pencil. These 24 printings are taken from a collection of 145 sepia drawings of buildings structures in the City of Oxford made in the years 1810-1830. These drawings are a unique record of some of the less publicized buildings of Oxford in their early nineteenth-century setting. Laid-in is a small paper noting the price increase on the Picture Books increased to 5s on 24 June 1968. A clean very presentable copy.…

Paperback. Zustand: Very Good. Beige and gray paperback with black lettering and trim on front cover, sewn spine, cover shows light creasing and fading, slight staining and edge wear. Binding secure, pages very clean, no markings. Packaged carefully for shipment in cardboard with U. S. tracking. Oversized or heavy books may require extra postage for priority or international shipment. …

Hardcover. Zustand: Very Good. 1st Edition. The Batsford Book of Romantic Poetry Edited by Samuel Carr London: B.T. Batsford Ltd., 1982. First edition. Hardcover, original brick-red cloth with gilt lettering to the spine. Dust jacket present. 124 pages (including preliminaries and indexes), with 4 colour plates and numerous black-and-white illustrations throughout. Illustrated endpapers. 8vo (approximately 23 × 14 cm / 9 × 5½ inches). ISBN 0 7134 3903 3 / 9780713439038. Includes indexes of poets and artists. This handsomely produced Batsford anthology brings together poems of the Romantic period with the paintings and drawings that so often shared the same subjects and sensibility. The double aim, set out in the introduction, is both to give pleasure through the juxtaposition of memorable (and sometimes unfamiliar) verse and pictures, and to show how closely the poets and painters of the age responded to the same themes: night and nightmare, storm-lashed coasts, ruined abbeys, moonlight, the Lakes, the Alps, and the Italian landscape. Wordsworth's Tintern Abbey appears alongside views by Turner, Girtin and Crome; Shelley's The Cloud is paired with Constable; Byron and de Loutherbourg share stormy coastal scenes; Erasmus Darwin and Henry Fuseli are both preoccupied by the night-mare; and the Lakes, Alps and Italy recur throughout. The colour plates include works after William Blake (Thus wept the Angel voice… from America), Francis Towne (The Source of the Arveiron), John Constable (Stonehenge), and J.M.W. Turner (The Devil's Bridge, St Gothard — a detail of which also forms the striking jacket illustration, supplied by Thomas Agnew & Sons). Black-and-white reproductions throughout feature further works by Joseph Wright of Derby, James Ward, Henry Fuseli, John Crome, John Constable, George Barret Jnr, Thomas Girtin, J.C. Buckler, Edward Burney, John Martin, Samuel Palmer, and others. Front and back endpapers reproduce watercolours and paintings by J.S. Cotman and P.J. de Loutherbourg respectively. About the editor Samuel Carr (1913-) was a successful and prolific British editor of illustrated poetry anthologies, almost all published by Batsford. His other titles include The Poetry of Cats (1974), Birds, Beasts and Fishes, The Poetry of Childhood, The Poetry of Birds, The Poetry of Horses, The Poetry of Railways, Hymns as Poetry (with a preface by John Betjeman), The Batsford Book of Country Verse, and later volumes such as Ode to the Countryside and Ode to Flowers. He specialised in carefully chosen thematic collections that paired verse with fine reproductions of related art, producing attractive, accessible books that remain popular with collectors of both poetry and illustrated volumes. Condition (based on the copy shown) Book: Very Good. Clean, bright cloth boards with only light shelf-wear; tight binding; pages clean and unmarked, with the illustrations crisp. No significant foxing or inscriptions noted. Dust jacket: Very Good. The Turner jacket design is intact and attractive, with only minor edge-wear and light shelf-rubbing; protected or unclipped as applicable. The volume presents very well and is a strong, attractive copy of this first edition. A pleasing example of Batsford's characteristic illustrated poetry anthologies, offering both literary and visual enjoyment of the Romantic period. George Barret Jnr., J. Barnett, William Blake, J.C. Buckler, Edward Burney, John Constable, J.S. Cotman, David Cox, J.R. Cozens, John Crome, Francis Danby, Thomas Doughty, Henry Fuseli, Thomas Girtin, W.H. Hunt, P.J. de Loutherbourg, John Martin, S.Palmer (illustrator).…

Softcover. Zustand: Very Good. Soft Cover. Very Good. Second Printing. 12mo - over 6¾" - 7¾" tall. Second Printing. Cover slightly yellowed and worn. Includes illustrations. Architectural interest. Art Spinner; 12mo.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Good. staple bound, soft cover, light rubbing to edges, slight tanning to edges, 24 plates, pages clean and good + condition.

Zustand: New.

Paperback. Zustand: New. New copy - Usually dispatched within 4 working days.

Somerset. Original antique lithograph, pub. by J Rutter, Shaftesbury. Later coloured by hand. Image 160 x 100 mm. Old closed tear 1 cm into engraved area and bite out of top right margin. 22 x 14 cm.

Paperback. Zustand: good. . Bodleian Picture Book 3, booklet, light fading to covers, illus, contents clean, Professional booksellers since 1981.

Trade Paperback. Zustand: Fine. First Edition. This fine staple bound trade paperback is bound in illustrated card covers. This book contains twenty four reproductions of drawings John Chessell Buckler (8 December 1793 - 10 January 1894) was a British architect, the eldest son of the architect John Buckler. J.C. Buckler initially worked with his father before taking over his practice. His work included restorations of country houses and at the University of Oxford. Buckler received art lessons from the painter Francis Nicholson. Ref TT7. J. C. Butler (illustrator).…

Somerset. Original antique lithograph, pub. by J Rutter, Shaftesbury. Image 160 x 100 mm. 24 x 16 cm.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Blind stamping; gilt imprint on front; torn spine; foxed endpapers. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.…

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's name and inscription inside cover. In poor condition, suitable as a reading copy. No dust jacket. Blind stamping; gilt imprint on front; gilt title on spine; torn spine; spine splitting; foxed pages. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN. …

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Blind stamping; gilt imprint on front; gilt title on spine; internally fair. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.…

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's name and inscription inside cover. In poor condition, suitable as a reading copy. No dust jacket. Blind stamping; gilt imprint; torn spine; spine splitting. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN. …

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Blind stamping; gilt imprint on front; front cover detached; gilt title on spine; foxed endpapers. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.…

Hardcover. Zustand: Good. 1st Edition. viii 286pp hardback, gilt crest to front board, bound in purple cloth gilt, spine slightly faded, good and uncommon.

Paper. Zustand: Fine. Some copies have small onlays on three of the plates. This item consists of a SINGLE A4 SHEET being a PHOTOCOPY of the three small onlays.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Zustand: Very Good. 1st Edition. Burgundy cloth binding with blind stamped panels to boards, gilt armorial to front boards. Page edges untrimmed. A few light marks to covers. Spine faded with slight wear to ends. Light foxing to page edges, very clean text throughout. Overall condition is Very Good. Size: 6 x 9 inches (15 x 23 cm). Hardback. Printed pages: 8vo. viii, 285, [2], 16 (ads). …

Somerset. Original antique engraving. Image 255 x 180 mm. 32 x 23.5 cm.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. 8vo. Maroon cloth boards with gilt stamp on front cover, gilt lettering on backstrip. Tearing at upper edge of backstrip. Light foxing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. 8vo, red cloth boards with gilt stamp on front and gilt lettering on backstrip, backstrip faded and appears brown, backstrip has library number written in white ink, bumped corners, front hinge split, hole in front end page, light foxing, pages and text clear. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN.…

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New.

Cloth. Zustand: Good. First edition. The first and only edition of John Chessell Buckler's vehement defence of his restorations of Lincoln Cathedral. The first and only edition.An exploration of the state of and restorations of Lincoln Cathedral, a controversial work on the restorations.The author, John Chessell Buckler, was honorary architect to the Cathedral, and had overseen the restorations. This volume is his scatching response to the accusations that his restorations damaged the Cathedral.Bookplate of Arthur c. Newsum to the front paste down. In the original publisher's cloth binding. Externally, a little worn, with loss and lifting to the head of the spine, a smaller amount of loss to the tail. Light bumping to the extremities. Spine is faded. A few light marks to the cloth. Hinges are starting but firm. Bookplate to the front paste down. Bookseller's label to the rear paste down. Internally, firmly bound. Pages are bright and clean with the occasional scattered spot, mostly to the first and last few pages. Good. None (illustrator). book. …

Hardcover. Zustand: Very Good. xi,182 pp, a few trivial spots, bookplates of James Edwin Millard and P.R. Glazebrook, cont. or slightly later half calf, rebacked, original richly gilt spine laid down, attractive copy. The work criticises recent alterations to the 15th. century cloisters.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: N/A. 1st Edition. First (and only) edition, first printing. viii, 286, 14pp. Reddish-brown buckram cloth boards with gilt motif and blind rules on upper panel, gilt lettering on spine. 8vo. Cloth is worn and rubbed; chipped and rounded and corners and spine ends, with some minor indentations on edges, spine sunned obscuring titles. Label on spine. Text block edges dust darkened. Previous owner's name neatly inked on the front free endpaper. Internally some minor signs of handling else neat and clean. Firmly bound and robust. John Chessel Buckler was the chief architect for Lincoln Cathedral in the mid 19th century. This is his virulent and controversial defence against his critics for the repair and restoration work undertaken at the Minster, as well as an exploration of the contemporary state of architectural restoration work om religious buildings.…