Jacob fabricius (134 Ergebnisse)

Trade Paperback. Zustand: Used.

Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Zustand: As New. No Jacket. Complete 2 volume set. A clean copy in excellent condition, appears unread. Still wrapped in plastic. Secure packaging for safe delivery.

Paperback. Zustand: Very Good. GAS Editorial 001: The Food Issue with text by Albrethsen, Pernille; Fabricius, Jacob; Belle, La Vaughn; Chang, Young-hae; Faldbakken, Matias; Aguirre, Peio; Volz, Jochen; Duncan, Theresa L.; Frank, Lars Erik and others. Text in English. 24 pages, paper. Black and white reproduction. 13" x 9". Very good condition.…

Paperback. Zustand: Very Good. Paperback. A few marks and scores on covers. Front upper and rear lower leading corners are slightly creased. Spine foot is very lightly worn. Binding is intact, contents are clean and clear. AM. Used.

Hardcover. Zustand: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Broschur, 8°. Zustand: Wie neu. 1. 192 S. Buch ist neu, aus priv. Vorbesitz, ungelesen. Das Buch ist in exzellentem, sauberen Zustand. -----Inhalt. The critically-acclaimed Danish artist group SUPERFLEX, founded in 1993 by Jakob Fenger (b. 1968), Bjørnstjerne Christiansen (b. 1969), and Rasmus Nielsen (b. 1969), create humorous and playfully subversive installations and films that deal with financial crisis, corruption, migration, and the possible consequences of global warming. The artists describe their practice as the provision of tools that affect or influence social or economic contexts, and often root their projects in particular local situations, inviting the participation of viewers. Their work poses questions of political, economic, and environmental behavior and responsibility. This catalogue accompanies the groups first major museum survey in the United States and highlights video, sculpture, and installation works relevant to the history, present, and future of cities like Miami, poised on the leading edge of pressing issues such as climate change and immigration.Co-published by Museum of Art and Design at Miami Dade College (MOAD), Superflex: We Are All in the Same Boat includes an introduction by the exhibitions curator, Jacob Fabricius, Artistic Director of Kunsthal Aarhus, essays by Stephanie Wakefield and Gean Moreno, and George Yudice, and a fictional text about water, flooding, and the future of Miami by science-fiction writer Mark von Schlegell.EXHIBITIONNovember 15, 2018 April 21, 2019Museum of Art and Design at Miami Dade College (MOAD), MiamiThe critically-acclaimed Danish artist group SUPERFLEX, founded in 1993 by Jakob Fenger (b. 1968), Bjørnstjerne Christiansen (b. 1969), and Rasmus Nielsen (b. 1969), create humorous and playfully subversive installations and films that deal with financial crisis, corruption, migration, and the possible consequences of global warming. The artists describe their practice as the provision of tools that affect or influence social or economic contexts, and often root their projects in particular local situations, inviting the participation of viewers. Their work poses questions of political, economic, and environmental behavior and responsibility. This catalogue accompanies the groups first major museum survey in the United States and highlights video, sculpture, and installation works relevant to the history, present, and future of cities like Miami, poised on the leading edge of pressing issues such as climate change and immigration. ISBN: 9783775745109 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 299.…

Softcover. Zustand: Fine. First edition. 11 3/4'' x 8 1/2''. Unpaginated.

Paperback. Zustand: Very Good+. First Edition. Color Photographs; 8vo 8" - 9" tall; 93 pages; 2009 Pork Salad Press. Trade size paperback in glossy pictorial covers. 1st edition. Tightly bound and neat with just a hint of edge wear at the corners. Contents clean and bright, with no marks. Illustrated with color photos. VG+. …

Paperback. Zustand: Very Good. Softcover. Overall very good condition. Cover is glossy. Corners are squared and binding is tight. Pages are crisp and clean. Title page is not dated. Copyright is dated 2015. 44 pages. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

[14] pp.; 20.6 x 14.6 cm.; staple bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with show held at Herning Kunstmuseum, Herning, Denmark, June 4 - August 15, 2004. Curated by Jacob Fabricius. Texts in English and Danish. "A companion to Danes in the Sun, the newspaper produced for Socle du Monde Biennial in Herning 2004, Finding Photographs is a poetic manifesto/descriptive workbook on my general approach to found photography. Using sample photographs from previous projects and exhibitions, I discuss the logistics behind my gathering and organizational methods, arguing for the circulation of culture and claiming the 'spaces between photographs' to be my work." -- artist's statement. Very Good / Fine. Light bumping of corners with minimal rubbing of covers. Otherwise Fine, clean and unmarked. …

Broschur / Softcover. 1. Aufl. Text: English (Verlagsfrisch! / new) Sprache: Englisch Gewicht in Gramm: 600.

Hardcover. Zustand: Very Good. Hardcover (no jacket) in very good condition. Danish and English text throughout. Minor marks, scores and marks on the hardcover; bumps to the leading edges. Binding is sound; text and images are clear. CM. Used.

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Tapa blanda. Zustand: Como nuevo. Douglas Hyde Gallery, 2002 Texto en ingles. Tapa blanda de editorial ilustrada Profusamente ilustrado. Como nuevo. Formato apaisado. 18 x 26 Cm. Libro.

Hardcover. Zustand: VG. Oblong, glossy BW pictorial boards. 94 pp. An abundance of BW and color plates and illustrations, including tons of thumbnails. Parallel text in Danish and English. Essays by the various authors and a plethora of photographs, with a focus on family portraits.

Hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Zustand: As New. No Jacket. A clean copy in excellent condition, appears unread. Clean collectible condition. Gift Quality. Never opened. Secure packaging for safe delivery.

Broschur / Softcover. 1. Aufl. Exhibition: Krakow, Bunkier Sztuki. - / Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into doing art. According to him, art is not something external to everyday reality; on the contrary, it lurks in the byways and crannies of that reality, waiting for someone to bring it out. - Leopold Kessler uses several methods to bring it out. These include irony, modesty, the cunning instincts of people on the margins, and also the ethical gesture. . / Sprache : Englisch, Polnisch (Sehr gut erhalten - NEU, ungelesen / in very good condition - new) Sprache: Englisch Gewicht in Gramm: 750.…

Softcover. Zustand: Very Good. First Edition Thus. Presumed first English edition with NAP, trade paperback, has a slight lean to the binding, light bumps to the spine ends, rubbing to the covers, and a shallow wave to the text block. Overall, a Very Good copy. Jensen, Sergej (illustrator).

Trade Paperback. Zustand: Used - Very Good. Moments spent in elevators, check-ins at airports, subway rides-these are all examples of the kind of 'in-between' time that fascinates Walead Beshty and supplies so much of the material for his photographs. 'In-between time' applies to civic space, too-depopulated modernist housing developments that sit precariously between evacuation and demolition (explored by Beshty in his 'Excursionist Views'), plants, weeds and vegetation on isolated highway medians ('Island Flora'), or abandoned shopping malls ('American Passages'). More recently, Beshty's adventures in 'the in-between' have become a means of production, as he makes creative use of such mundane procedures as air travel or sending a package. This monograph presents a ten-year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty. Very nice clean, tight copy free of any marks. …

Paperback. Zustand: Very Good. Spine not creased. 240 x 170 mm. 128 pp. Catalogue published on the occasion of the exhibition, Kunsthal Aarhus, January-May 2019. Colour & b&w illustrations. Text in English, Korean and Danish. Edited by Jacob Fabricius. Book.

Zustand: , , goed exemplaar. Zustand des Schutzumschlags: , , goed exemplaar. 2002, paperback, goed exemplaar.

Hardback. Zustand: New. What does "family" mean today? Which notions and prejudices come to light with it? How is modern family life shaped these days? In her project A Real Danish Family, the British artist Gillian Wearing asks these questions in ways that are both artistic and thought-provoking. The eponymous sculpture portrays a Danish family selected from 492 participating families of the most diverse composition. The exhibition Family Stories, which will open when the sculpture is unveiled in the National Gallery of Denmark (SMK) in Copenhagen and was initiated and produced by Kunsthal Arhus, also revolves around the family as the crystallization point for inter-human relationships. Photographs, videos, and sculptures explore relatedness and identity, and include the artist's own family as an example. In a series of "self-portraits" the artist uses masks to slip into the roles of her siblings, parents, and grandparents. The publication examines Wearing's work and the theme of the family through the lens of art history, and traces the course of A Real Danish Family, a project that boldly questions patterns of thought in society.Exhibition: 13 October 2017-7 January 2018, Statens Museum for Kunst, Kopenhagen. …

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Kim Beom initiates the culture year for Denmark and South Korea with the solo exhibition Water from Ganges River in the Cup Made with Newspaper from Congo at Kunsthal Aarhus. The artist shows a series of new works that combine existential questions with poetic playfulness. The paintings, sculptures, installations, and videos show a broad range of work that challenge our perception. With slight changes of perspective, his objects reflect a complex world view. 128 pp. Englisch, Dänisch, Nicht zu entscheiden.…

Kl.8° , Broschur. 191 Seiten; das Buch ist in einem sehr guten Zustand. 9783775745109 Sprache: Englisch Gewicht in Gramm: 261.

Zustand: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Dänisch/Englisch. Edited by Jacob Fabricius and Cecilie Høgsbro Østergaard. Translations by René Lauritsen. Graphic design by Spassky Fischer. Including texts by Mikkel Bogh and Jacob Fabricius, and a conversation between the artist and Marianne Torp. On occasion of the exhibition at Statens Museum for Kunst, Kopenhagen, 13. Oktober 2017-7. Januar 2018. Fotografien, Videoarbeiten und Skulpturen untersuchen Verwandtschaft und Identität, auch anhand der Familie der Künstlerin selbst. Die Publikation arbeitet Gillian Wearings Werk sowie das Thema Familie kunsthistorisch auf und zeichnet den Verlauf des Projekts A Real Danish Family nach, das gesellschaftliche Denkmuster auf kühne Weise hinterfragt. 94 Seiten mit 49 Abb., Großformat, gebunden (Hatje Cantz 2017). Früher EUR 35,00. Gewicht: 674 g - Gebunden/Gebundene Ausgabe.…

Taschenbuch. Zustand: Neu. Neuware -Partizipation und Zufall als kuratorisches PrinzipDie künstlerische Praxis von Hannes Egger (geb. 1981, lebt und arbeitet in Meran, Italien) ist geprägt von einem konzeptionell-partizipativen Ansatz, bei dem die Aktionen der Teilnehmenden oft selbst zum Kunstwerk werden. Thomas Sterna (geb. 1958, lebt in Meran und Frankfurt/Main) beschäftigt sich mit den Bedingungen autonomer künstlerischer Produktion und hinterfragt deren gesellschaftliche und politische Grundlagen.In ihrem gemeinsamen Projekt Win-Win Lottery nutzten sie das Losverfahren - ein seit der Antike bewährtes Mittel demokratischer Auswahl - als kuratorisches Prinzip. Während der documenta fifteen mieteten sie einen Projektraum im KulturBahnhof Kassel. Statt einer Jury entschied der Zufall: Künstler\*innen, Kurator\*innen und Ausstellungsmacher\*innen konnten Lose erwerben und in vier Ziehungen wurden 13 Gewinner\*innen ermittelt, die den Raum frei gestalten durften. Die resultierenden Ausstellungen waren überraschend vielfältig und brachen häufig mit konventionellen Kunstvorstellungen und Bewertungsmaßstäben.Mit Texten von Hans Dieter Huber und Larissa Kikol, einem Interview mit den beiden Künstlern von Katinka Fischer und einem Gespräch zwischen Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna und Judith Waldmann.Participation and Chance as Curatorial PrincipleThe artist Hannes Egger's (b. 1981; lives and works in Merano, Italy) practice is informed by a conceptual and participatory approach in which the attendees' active engagement often become a work of art in its own right. Thomas Sterna (b. 1958; lives in Merano and Frankfurt/Main) grapples with the conditions of autonomous artistic production and interrogates its social and political premises.In their joint project Win-Win Lottery, the two used the drawing of lots-a technique of democratic selection that has been employed successfully since antiquity-as a curatorial principle. They rented a project space at KulturBahnhof Kassel for the duration of documenta fifteen. Instead of a jury, they had chance decide: artists, curators, and exhibition organizers were invited to buy lottery tickets, and thirteen winners were selected in four drawings who were then free to do with the room as they pleased. The resulting exhibitions were surprisingly diverse and often defied conventional ideas about art and standards of its quality.With writings by Hans Dieter Huber and Larissa Kikol, an interview with the two artists by Katinka Fischer, and a conversation between Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna, and Judith Waldmann. 416 pp. Englisch.…

Taschenbuch. Zustand: Neu. Neuware -Partizipation und Zufall als kuratorisches PrinzipDie künstlerische Praxis von Hannes Egger (geb. 1981, lebt und arbeitet in Meran, Italien) ist geprägt von einem konzeptionell-partizipativen Ansatz, bei dem die Aktionen der Teilnehmenden oft selbst zum Kunstwerk werden. Thomas Sterna (geb. 1958, lebt in Meran und Frankfurt/Main) beschäftigt sich mit den Bedingungen autonomer künstlerischer Produktion und hinterfragt deren gesellschaftliche und politische Grundlagen.In ihrem gemeinsamen Projekt Win-Win Lottery nutzten sie das Losverfahren - ein seit der Antike bewährtes Mittel demokratischer Auswahl - als kuratorisches Prinzip. Während der documenta fifteen mieteten sie einen Projektraum im KulturBahnhof Kassel. Statt einer Jury entschied der Zufall: Künstler\*innen, Kurator\*innen und Ausstellungsmacher\*innen konnten Lose erwerben und in vier Ziehungen wurden 13 Gewinner\*innen ermittelt, die den Raum frei gestalten durften. Die resultierenden Ausstellungen waren überraschend vielfältig und brachen häufig mit konventionellen Kunstvorstellungen und Bewertungsmaßstäben.Mit Texten von Hans Dieter Huber und Larissa Kikol, einem Interview mit den beiden Künstlern von Katinka Fischer und einem Gespräch zwischen Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna und Judith Waldmann.Participation and Chance as Curatorial PrincipleThe artist Hannes Egger's (b. 1981; lives and works in Merano, Italy) practice is informed by a conceptual and participatory approach in which the attendees' active engagement often become a work of art in its own right. Thomas Sterna (b. 1958; lives in Merano and Frankfurt/Main) grapples with the conditions of autonomous artistic production and interrogates its social and political premises.In their joint project Win-Win Lottery, the two used the drawing of lots-a technique of democratic selection that has been employed successfully since antiquity-as a curatorial principle. They rented a project space at KulturBahnhof Kassel for the duration of documenta fifteen. Instead of a jury, they had chance decide: artists, curators, and exhibition organizers were invited to buy lottery tickets, and thirteen winners were selected in four drawings who were then free to do with the room as they pleased. The resulting exhibitions were surprisingly diverse and often defied conventional ideas about art and standards of its quality.With writings by Hans Dieter Huber and Larissa Kikol, an interview with the two artists by Katinka Fischer, and a conversation between Hannes Egger, Dan Perjovschi, Farid Rakun (ruangrupa), Thomas Sterna, and Judith Waldmann. 416 pp. Englisch.…