jacob painter (31 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Card Book. Zustand: As New. Clean and unmarked; small sticker on back.

Zustand: New. Print on Demand pp. 20.

Paperback. Zustand: New. Print on Demand. This book presents an expansive classification of human knowledge, ranging from fundamental cognitive processes and sense perception to abstract concepts and spiritual beliefs. Inspired by the author's frustration with the lack of a comprehensive system for organizing and understanding the vast array of knowledge, this work seeks to create order and coherence in the intellectual landscape. The author delves into the nature of the human mind, exploring its faculties and the ways in which we perceive and process the world around us. They then venture beyond the realm of the tangible, examining the significance and meaning that we ascribe to things, and the significance that underlies our actions and expressions. The book progresses through different branches of science and art, delving into the complexities of material existence, the diversity of living organisms, and the creative endeavors of humankind. Ultimately, the author culminates their exploration with the contemplation of the divine, attempting to grasp the infinite and the absolute. This thought-provoking work offers a profound meditation on the nature of knowledge itself, inviting readers to reflect on the interconnectedness of all things and the fundamental questions that shape our understanding of the universe. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Zustand: New. Print on Demand pp. 20.

Zustand: New. KlappentextrnrnThis book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this.

Hardcover. Zustand: Very Good. From the Library of John Russell Taylor.

Zustand: New. PRINT ON DEMAND pp. 20.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

Hard Cover/Leather & Cloth. Zustand: Near Fine. Theodore Jasper (Painter) (illustrator). Revised Edition, First Thus. Text/ NEW & Bright. Gilt embossed maroon linen boards w/leather backstrap & corners/VG; light fading to front leading edge, rubs to edges, surface and noticably, to spine edges. Upper text block in gilt. DJ/None as Issued. Popular account of bird life first published 1873 --- this 1903 edition is a reprint of the of the original edition augmented with the 1886 systematic Table & Index prepared by Frank M. Chapman of the American Museum of Natural History, New York, NY. Classic reference assembled by popular ornithologist, Jacob Henry Studer (1840 - 1904) with essays from eminent writers on bird life, and, illustrated w/119 colored plates, drawn & painted from nature, by Theodore Jasper (1814 - 1897), from field observations. Rich in study & presentation.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1866 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 20 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

First edition. 8vo. 8 pp. Illustrated with two small woodcuts. From the unsigned prefatory note: "These leaves were printed by an amateur who had never previously set up more than a few pages of type." OCLC locates a dozen copies. Very good. Original printed self-wrappers, lacking original stitching (recently stapled at the spine). (9897).

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1866 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 26 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1870 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 29 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

2. S.l.s.d., original portrait engraving, contemporary portrait of archbishop Jacob Boonen. 201 x 140 mm, (including the engraved caption). Engraving signed Ioan. Meyssens. Ant. van der Does, sculptor. Gasp. de Craijer pinx. Left and right side of the engraving cropped till within the image.

4to (209 x 268 mm), 1 p. With autograph envelope. To the German autograph collector Ernst Fritz Katz in Frankfurt a. M., who had asked for a sample of his handwriting, suggesting in a friendly tone that, if Jacob is well-known in Germany, now Katz is also famous in France: "Si je suis connu à Frankfurt, vous l'êtes à Quimper de Bretagne où j'ai reçu pendant mes vacances votre lettre". Jacob speculates on the age and occupation of his addressee, and closes with a playful "En tous cas vous êtes mon ami ou je suis le vôtre". - Very slight damage to creases, with no loss of text. Margins of envelope slightly creased.

4to. 2 pp. With autograph envelope. To his friend and protégé Maurice Morel, known as l'Abbé Morel, concerning a forthcoming publication of selected poems. Jacob asks Morel to insist with their friend, the theologian Jacques Maritain, to keep the inconspicuous title "Poémes choisis inédits" so as not to attract "hate and furor", as well as the information "chosen by l'abbé Morel". The second part of the letter concerns the contract, Jacob's dire financial situation, and the painter Jean Colle, who was currently in London and somehow involved in the projected publication. While there is no publication of Max Jacob entitled "Poémes choisis inédits", it is very likely that the anthology in question is identical with the "Morceaux choisis" published by Gallimard in November 1936. - The devout Catholic Jacob met the future priest Maurice Morel (1908-91) when he was taken in by Father Albert Fleureau in Saint-Benoît-sur-Loire for detoxification in 1921. Jacob dedicated his 1921 poem "Le Laboratoire central" to Morel and encouraged him to follow his second calling as a painter. In his art, Morel was decidedly modern and abstract. He opened the Catholic Church of France to non-figurative art, even facilitating the introduction of modern art to the Vatican Museums. - Traces of folds.

8vo. 1 p. To his friend and protégé Maurice Morel, known as l'Abbé Morel, concerning a manuscript that has been saved from his "shipwreck disaster" and hopes to publish it "as it is" after everything "has been taken" from Jacobs: "Tout est donc au même ! Gloria in excelsis Deo. Merci au Seigneur d'avoir sauvé ce manuscrit de mon désastre de naufrage. Publions le manuscrit tel que puisque je n'ai rien d'autre, tout ayant été pris. Cependant je ne veux pas vendre le manuscrit et perdre mes droits. Que votre éditeur me propose un contrat que j'étudierai". - The touching letter is a testament to Max Jacob's desperate situation in occupied France and the importance of his Christian faith during this period. Whether Jacobs could have actually hoped for a publication under these circumstances is very doubtful. - Traces of folds.

4to. 1 p. Apologizing to his friend and protégé Maurice Morel, known as l'Abbé Morel, for having forgotten an appointment. In a desperate and almost certainly exaggerated apology, Jacob laments his "appalling and tormented existence", his poor health and his "inescapable financial embarrassments" that "absorb" him: "Je ne sais comment m'excuser de n'avoir pas songé à notre rendez-vous. Je vis une existence atroce et tourmenté non seulement par mes malades [!] mais parl'inéluctables embarras financiers qui m'absorbent et nécessitent des courses fatals; il ne s'agit de rien moins que de la rupture de mon contrat et qui est mon unique moyen de vivre". - The "breach of his contract" and only means of livelihood that Jacob mentions in the end of the letter probably refers to his long litigation with an insurance company following a car accident in 1929. In 1932, Jacob finally was adjudged a small life annuity. - The devout catholic Jacob met the future priest Maurice Morel (1908-91) when he was taken in by father Albert Fleureau in Saint-Benoît-sur-Loire for detoxification in 1921. Jacob dedicated is 1921 poem "Le Laboratoire central" to Morel and encouraged him to follow his second calling as a painter. In his art, Morel was decidedly modern and abstract. He opened the catholic church of France to non-figurative art, even facilitating the introduction of modern art to the Vatican Museums. - Traces of folds.

293 x 235 mm. Three-quarter profile, inscribed to the French priest and painter Maurice Morel (1908-91): "A Monsieur l'abbé Maurice Morel / son ami fidèle et reconnaissant / Max Jacob / 7. Sept. 36". - Morel found a mentor in Max Jacob, a Jewish convert to Catholicis who was a close friend of Pablo Picasso and other artistic-literary notables of the period. - With stamp of the photo studio "Photo Photomaton" on verso page.