Jake seniuk (27 Ergebnisse)

Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. New. Pristine, unmarked. // shipped carefully packed in a sturdy box.

PAPERBACK. 1st edition. two-fold folder. clean and tight, colorful wraps, Fine.

Oversize Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. A clean, unmarked book with a tight binding. 82 pages. A study of the work of a Port Townsend, Washington ceramist over three decades, from urns to forms based on architecture to coils of clay. Keywords: Port Townsend, Clay Coiling, Early Urns, Architectural Forms, Traditional Pottery, White House, Soda Ash Glaze, Teapots, Functional Pots, Northwest Clay, Wilson Series, Washington Potter 2.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. A fine copy of the first ediiton hardcover in jacket.

hardcover. Zustand: Good. Congratulations! Your purchase will help save books from the landfill. All pages and cover are intact. Spine may show signs of shelf wear. Pages may include limited notes and highlighting. May include "from the library" of labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media. Please let us know if you are unhappy with your purchase for any reason.…

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. A clean, unmarked book with a tight binding. Full beige cloth boards. Edge wear to dust jadket. 10 1/4"w x 11 3/4"h. 144 pages. Many color photos. 2.

Hardcover. Zustand: VG. Beige cloth, siena and color illustrated dust jacket, 144 pp., many color illus. A colorful visit to the sculpture-infused forest of American sculptor Ann Morris (b. 1934). Amazing pieces of all sorts are interspersed with the natural elements of the property. With essays by Ted Lindberg and Jake Seniuk. You'll wish you were there in person.…

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Minimal wear to jacket. No tears. A small area of eraser rubbing to top corner of Publisher page, otherwise internally clean. Binding tight. 77pp Size: 235mm x 260mm. Book.

Zustand: New.

Zustand: New.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 143 pages. 11.50x10.00x0.75 inches. In Stock.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New. pp. 144.

The University of Washington Press, Washington D.C. 2012. Large square 8vo. 81 pages. Orig. cloth binding with dust wrapper. Very Good+/Very Good.

Zustand: New. pp. 144 164 Illus. (144 Col.).

Zustand: New. Ann Morris has become a priestess of sorts, investing her mind and spirit into an ambitious oeuvre of figurative bronzes that speak with a singular and meditative voice. This book traces the arc of Morris artistic development.&Uumlber den Autor.

Hardcover. Zustand: New.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. A clean, unmarked book with a tight binding. Full beige cloth boards. A tiny bit of wear to edges of dust jadket, no tears. 10 1/4"w x 11 3/4"h. 144 pages. Many full page, full color photos. Inscribed on title page and signed by ":Ann." This book explores Ann Morris's figurative bronze sculptures at her 15-acre Sculpture Woods on Lummi Island, tracing her artistic journey from printmaker to sculptor and examining how her monumental works draw on Jungian archetypes, Celtic and classical mythology, and her intimate Bone Journey series. Keywords: Lummi Island, Figurative Bronze, Jungian Archetypes, Celtic Mythology, Classical Antiquity, Bone Journey Series, Northwest Forest, Outdoor Sculpture, Museum Northwest Art, Pacific Northwest, Mythological Themes, University Washington 2. Signed by Author.…

Hardcover. Zustand: Very Good. Hardcover. No dust-jacket. Clean and solid. Ships from a smoke-free home.

Hardcover. Zustand: New. Thomas T. Wilson Series; For three decades, nationally renowned ceramist Anne Hirondelle has pushed the boundaries of traditional pottery, producing beautiful works that appear warmly alive and visually engaging. From her early majestic urns to her architectural impulse for sedate forms to her bright ropes of clay coiling to the sky, she keeps exploring new possibilities without rejecting the traditions of her chosen material. Hirondelle's Port Townsend, Washington, studio is the nexus of her creative and imaginative life. The works she has produced in that space have been exhibited in numerous one-person shows throughout the United States. Among the many museums whose collections include her work are the Crocker Art Museum; Fine Arts Museums of San Francisco; Museum of Arts and Design, New York; Tacoma Art Museum; and the White House Collection housed at the William J. Clinton Library in Little Rock, Arkansas. "Anne Hirondelle's feet are firmly planted in clay." -American CraftJo Lauria is a curator and design historian. Her most recent publications are Craft in America: Celebrating Two Centuries of Artists and Objects and California Design: The Legacy of West Coast Craft and Style. She lives in the Los Angeles area. Jake Seniuk is an artist and executive director of the Port Angeles Fine Arts Center and Webster Woods Art Park.…

Hardcover. Zustand: New. Ann Morris has become a priestess of sorts, investing her mind and spirit into an ambitious oeuvre of figurative bronzes that speak with a singular and meditative voice. In a comprehensive and insightful essay, Ted Lindberg traces the arc of Morris's artistic development from her beginnings as a mother, philosophy student, and Pasadena printmaker, to her reclusion on the wind-swept bluffs of Lummi Island in north Puget Sound. There Morris has created an extraordinary bronze park that she calls Sculpture Woods, a 15-acre sanctuary of stately forest and highbank waterfront that is home to her studio and to a winding path populated by 16 sculptural tableaus seen through a Jungian lens. Monumental figures emerge from the forest, as if stepping through a rift in time from the mists of classical and celtic antiquities, to tell their archetypal tales. In a second essay, Jake Seniuk muses on how Morris moved from such overtly mythological themes to a kind of talismanic naturalism when she turned to an ongoing series of more intimately scaled bronzes that trace an ongoing Bone Journey. Unfolding her own creation myth through her work, Morris remains true to the marriage of the Platonic and the aboriginal, where a clear-eyed awareness of mortality is liberating and transcendent.…