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In den WarenkorbHardcover. Zustand: Brand New. 256 pages. 9.22x6.14x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing (UK), 2025
ISBN 10: 1350327689 ISBN 13: 9781350327689
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Sprache: Englisch
Verlag: Bloomsbury Publishing (UK), 2025
ISBN 10: 1350327689 ISBN 13: 9781350327689
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Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350327689 ISBN 13: 9781350327689
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Hardcover. Zustand: new. Hardcover. Revisiting the place of Italian Futurism in English literary modernism, this book draws on a range of overlooked historical and archival sources to reassess how English writers engaged with Futurist ideas. It suggests that Futurism offered a compelling response to a cultural tension that had emerged in the late nineteenth centurythe growing separation between art and lifeand considers how English modernists adapted aspects of Futurist thought in order to navigate and reshape fin-de-siecle cultural discourses. It begins with an analysis of Italian Futurisms transnational affiliations, its position in the European cultural field, and a reassessment of its reception in England, and goes on to re-evaluate three key modernist figures: the Poetry Bookshop proprietor and editor Harold Monro; the Vorticist impresario Wyndham Lewis; and the poet and artist Mina Loy. In doing so, this study not only offers an expanded account of the Futurist movement in England and Anglophone contexts, but also contributes to ongoing efforts to develop a more interconnected and nuanced understanding of early modernist historiography. Going against most accounts of Futurism in England, this book unpacks the profound influence of Italian Futurisms role in the development of English literary modernism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, London, 2025
ISBN 10: 1350327689 ISBN 13: 9781350327689
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In den WarenkorbHardcover. Zustand: new. Hardcover. Revisiting the place of Italian Futurism in English literary modernism, this book draws on a range of overlooked historical and archival sources to reassess how English writers engaged with Futurist ideas. It suggests that Futurism offered a compelling response to a cultural tension that had emerged in the late nineteenth centurythe growing separation between art and lifeand considers how English modernists adapted aspects of Futurist thought in order to navigate and reshape fin-de-siecle cultural discourses. It begins with an analysis of Italian Futurisms transnational affiliations, its position in the European cultural field, and a reassessment of its reception in England, and goes on to re-evaluate three key modernist figures: the Poetry Bookshop proprietor and editor Harold Monro; the Vorticist impresario Wyndham Lewis; and the poet and artist Mina Loy. In doing so, this study not only offers an expanded account of the Futurist movement in England and Anglophone contexts, but also contributes to ongoing efforts to develop a more interconnected and nuanced understanding of early modernist historiography. Going against most accounts of Futurism in England, this book unpacks the profound influence of Italian Futurisms role in the development of English literary modernism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Buch. Zustand: Neu. Italian Futurism and the Development of English Literary Modernism | Robyn Jakeman | Buch | Englisch | 2025 | Bloomsbury Academic | EAN 9781350327689 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Revisiting the place of Italian Futurism in English literary modernism, this book draws on a range of overlooked historical and archival sources to reassess how English writers engaged with Futurist ideas. It suggests that Futurism offered a compelling response to a cultural tension that had emerged in the late nineteenth century-the growing separation between art and life-and considers how English modernists adapted aspects of Futurist thought in order to navigate and reshape fin-de-siècle cultural discourses. It begins with an analysis of Italian Futurism's transnational affiliations, its position in the European cultural field, and a reassessment of its reception in England, and goes on to re-evaluate three key modernist figures: the Poetry Bookshop proprietor and editor Harold Monro; the Vorticist impresario Wyndham Lewis; and the poet and artist Mina Loy. In doing so, this study not only offers an expanded account of the Futurist movement in England and Anglophone contexts, but also contributes to ongoing efforts to develop a more interconnected and nuanced understanding of early modernist historiography.