james baker pyne (50 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Paperback. Zustand: New. Print on Demand. This book presents a stunning collection of engravings that capture the captivating beauty of the Lake District of England. Commissioned by the Proprietors to commemorate its picturesque scenery, the project was undertaken by a talented Painter profoundly connected to the region. The Lake District, located in the north-west of England, is renowned for its breathtaking landscapes, tranquil lakes, and majestic mountains. This book is a testament to the region's enduring allure. The engravings depict diverse scenes, ranging from the tranquil beauty of Windermere to the rugged grandeur of Borrowdale. These images not only showcase the physical beauty of the Lakes but also evoke the sense of awe and inspiration they instill. The author provides an insightful introduction that contextualizes the work within the history of landscape painting and highlights the unique qualities of the Lake District. The engravings themselves are a testament to the painter's keen eye for detail and ability to capture the essence of the natural world. Through his masterful use of light and shadow, the artist breathes life into each scene, inviting viewers to immerse themselves in the tranquility and grandeur of the Lakes. This book is not merely a collection of beautiful images but also a valuable contribution to the understanding and appreciation of the Lake District. The accompanying text provides historical and cultural insights, while the engravings offer a timeless visual record of this extraordinary landscape. Together, they offer a captivating exploration of one of England's most cherished natural treasures and serve as a reminder of the profound connection between art and nature. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Loose Leaf. Zustand: New. Reproduction. Original title: Landscape, with Man in Gully German: Landschaft, mit Mann in Gully French: Paysage, avec l'homme en Gully Spanish: Paisaje, con el hombre en Gully High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (ca. 1860). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Windsor Castle from the Frozen River during the Great Frost German: Windsor Castle vom gefrorenen Fluss während der großen Frost French: Château de Windsor de la rivière Frozen pendant le Grand Frost Spanish: Castillo de Windsor desde el Río Congelado durante la Gran Escarcha High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1838). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Shipping in a Calm German: Versand in einer ruhigen French: Expédition dans un calme Spanish: Envío en calma High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Rag Bright White) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Figures on a Cliff Path near Dover German: Zahlen auf einem Cliff Path in der Nähe von Dover French: Figures sur un sentier Cliff près de Dover Spanish: Figuras en un camino del acantilado cerca de Dover High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1839). Professionally printed on premium fine-art paper (Photo Rag Bright White) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Landscape, with Man in Gully German: Landschaft, mit Mann in Gully French: Paysage, avec l'homme en Gully Spanish: Paisaje, con el hombre en Gully High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (ca. 1860). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Windsor Castle from the Frozen River during the Great Frost German: Windsor Castle vom gefrorenen Fluss während der großen Frost French: Château de Windsor de la rivière Frozen pendant le Grand Frost Spanish: Castillo de Windsor desde el Río Congelado durante la Gran Escarcha High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1838). Professionally printed on premium fine-art paper (Photo Rag Bright White, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Shipping in a Calm German: Versand in einer ruhigen French: Expédition dans un calme Spanish: Envío en calma High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Rag 308, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Figures on a Cliff Path near Dover German: Zahlen auf einem Cliff Path in der Nähe von Dover French: Figures sur un sentier Cliff près de Dover Spanish: Figuras en un camino del acantilado cerca de Dover High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1839). Professionally printed on premium fine-art paper (Photo Rag 308, premium quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Loose Leaf. Zustand: New. Reproduction. Original title: Landscape, with Man in Gully German: Landschaft, mit Mann in Gully French: Paysage, avec l'homme en Gully Spanish: Paisaje, con el hombre en Gully High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (ca. 1860). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Windsor Castle from the Frozen River during the Great Frost German: Windsor Castle vom gefrorenen Fluss während der großen Frost French: Château de Windsor de la rivière Frozen pendant le Grand Frost Spanish: Castillo de Windsor desde el Río Congelado durante la Gran Escarcha High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1838). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Shipping in a Calm German: Versand in einer ruhigen French: Expédition dans un calme Spanish: Envío en calma High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Zustand: New. Reproduction. Original title: Figures on a Cliff Path near Dover German: Zahlen auf einem Cliff Path in der Nähe von Dover French: Figures sur un sentier Cliff près de Dover Spanish: Figuras en un camino del acantilado cerca de Dover High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1839). Professionally printed on premium fine-art paper (Museum Etching, museum quality) in size A5. The motif is printed with a white border (museum-style presentation). No.

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 124. A perfect gift for your loved ones. Reprinted from 1859 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 124.

Hardcover. Zustand: Near Fine. Leeds: D. Banks, (1870) , DELUXE ISSUE, with 24 finely hand-coloured lithograph plates mounted on thick card, each plate with captioned tissue-guards, all edges gilt, original decorative green cloth gilt, folio This DeLuxe edition not in Abbey. A scarce set, rarer than the deluxe issue of Pyne's The English Lake District. This title in the deluxe format was also published by Henry Sotheran in 1870. Landscape painter James Baker Pyne was born in Bristol, where he worked as a self-taught artist until the age of 35. He gave painting lessons to William James Müller, who later became an artist of repute. In 1835 Pyne moved to London, exhibiting his work at the Royal Academy, British Institution and New Watercolour Society over two decades. In his early period he painted views and scenery around Bristol but after 1835 he travelled to Italy and elsewhere on the Continent, gathering material to work up into finished pictures. Pyne was an admirer and imitator of Turner; his dramatic effects and use of pale yellow tones reflecting Turner's influence. Today, his records of works produced from 1840 to 1868 are in the Victoria and Albert Museum. Bookplate of William Park.

No Binding. Zustand: Very Good. James Baker Pyne (illustrator). LITHOGRAPH. A quite large lithograph. Image size 16 inches by 11 inches approx. This an authentic antique print. Supplied rolled in tube. Formerly in a frame with a little edge discolouration where the mount was.This would disappear when reframed. Image clean with only the slightest overall aging. 25/- and 45/- in manuscript on reverse (possibly a very old price) along with four marks indicating it may have been affixed to an earlier backing board. None affecting the print in any way. A very attractive quite scarce print. James Baker Pyne (1800-1870) English landscape painter and a follower of Turner.

Zustand: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.

Zustand: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mild toning, else VG.

Zustand: Good. 4-color lithograph reproducing Pyne's work. Sheet 20.5 x 28.5 cm. (8 x 11.5"); image 14.5 x 22 cm. (6 x 8.75"). Orig. pub. "Lake Scenery of England," June 1st, 1859. Title and attrib. below plate. Mildly toned, marginal soiling lower left and left edge, minor crimping at edges, else VG.

'the picture you sent me is not my work, but a very respectable and carefull copy from a rather early one', offering for £12 to repaint, 'make it my own work' and sign and date it, but if not required he will just clean it. conjugate leaf pasted to album leaf, James Baker Pyne was a landscape painter and a member of the Bristol School of Artists, before he moved to London. He complains of feeling unwell, he died later in the year. This letter provides an interesting insight into the role of the artist as restorer.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1859 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 169 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 169.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1859 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 179 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 179 Language: English.

Lithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some overall light soiling and minor foxing. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700 square miles, contains all the main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.

Lithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some minor foxing. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700 square miles, contains all the main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.

Lithograph by W. Gauci, printed in tints by M. & N. Hanhart, coloured by hand. Very good condition apart from some overall light soiling and two skillfully repaired 3/4" tears. An evocative image of the Lake District, an area renowned as the cradle of the Romantic Movement in Britain. The Lake District, an area of only some 700 square miles, contains all the main English lakes and is found within the northwestern counties of Cumbria and Lancashire. 'The Lakes' (as the area is also known) first came to prominence with the rise of the cult of the Picturesque in the second half of the 18th century, but it was Wordsworth, a native of Cumbria, born in 1770 on the outskirts of the Lake District itself, who really made it a mecca for those in search of the romantic ideal of landscape. He was joined in the area, at one time or another, by Robert Southey, Samuel Taylor Coleridge, Percy Bysshe Shelley, John Keats, Lord Byron, Sir Walter Scott, Thomas de Quincey and many others. By the middle of the 19th century, when the present image was produced, the area was well established in the national consciousness as the area of outstanding natural beauty in England. Bristol-born James Baker Pyne is now considered by many to have been second only to Turner in his ability to capture the essence of the English landscape. After training initially for the Law, he turned to painting in his twenties. He moved to London in 1835, where he exhibited at the Royal Academy and the Society of British Artists (where he later became vice president). He travelled widely throughout Britain and Europe, but he is perhaps best known for his series of views of the Lakes, painted between 1848 and 1851. Cf. Abbey Scenery 196 (1859 edition); cf. Tooley 387.