Joanne cubbs (64 Ergebnisse)

hardcover. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Zustand: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. torn/chipped dj, some shelfwear/edgewear, may have remainder mark or previous owner's name, still NICE! Oversized.

hardcover. Zustand: As New. Very nice book. Edge of DJ has light wear.

Wraps. Zustand: Fine. First edition. 4to, 47 pp., color and b/w plates and illus.

Soft cover. Zustand: Good. No Jacket. Red titles on black soft covers, 28 staple bound pages with color illustrations. Some light edge wear to cover. Published on the occasion of an exhibit in 1991. Large, square format (12' by 12"). Simon Sparrow, Norbert Kox and Mary Le Ravin (illustrator).

Soft cover. Zustand: Fine. 1st Edition. 4to - over 9¾ - 12" tall. 1st ed. Small quarto. Illustrated wraps. (140 )pp, color plates. SIGNED by artist Ken Little on the verso of the front cover.

Softbound. Zustand: As New. Yellow, color illustrated wraps. 48 pp., many color and bw plates.

Hardcover. Zustand: Fine.

Trade Paperback. Zustand: Acceptable. Zustand des Schutzumschlags: n/a. null. Trade paperback covers show light shelf wear, with a small crease at the top corner of the front cover and minor rubbing along the spine edge. The spine is uncreased and the binding is firm. Interior pages are clean and free of markings, highlights, or inscriptions. Eugene Von Bruenchenhein (illustrator).…

Hardcover. Zustand: Good. No Jacket. First Edition. Dust jacket missing. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. Clean content pages. Secure packaging for safe delivery.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition. A fine copy in a fine DJ, protected by a removable mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #62.…

hardcover. Zustand: Very Good. A very nice copy. Text in clean/unmarked condition. DJ is in protective mylar cover. Your Satisfaction Guaranteed. We ship daily.

hardcover. Zustand: Good. No obvious writing or highlighting noted. Cover shows moderate shelf wear with edge/corner wear and light creasing/scuffing. Binding is solid. Ships next business day in a protective bubble mailer.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery.

Hardcover. Zustand: Used - Good. During 1996 and 1997 T. Marshall Hahn donated a substantial portion of his collection of contemporary folk art to the High Museum of Art in Atlanta. His gift was the first major collection of self-taught art primarily from the South to be given to a general interest American museum. This book is published in conjunction with the first public exhibition of the Hahn Collection. The collection comprises more than 140 paintings, works on paper, and sculptures-the creations of more than thirty artists. Especially strong in works by African Americans from the South, it includes work by Ned Catledge, Thornton Dial, Sr., Sam Doyle, Howard Finster, William Hawkins, Mattie Lou O'Kelley, Elijah Pierce, Nellie Mae Rowe, Bill Traylor, Raymond Coins, Henry Darger, Minnie Evans, Lonnie Holley, Sister Gertrude Morgan, John W. Perates, Martin Ramirez, Herbert Singleton, and Joseph E. Yoakum. 'Let It Shine,' a full-color catalog of the exhibition, features works by these artists as well as an interview with Marshall Hahn conducted by Lynne Spriggs, curator of folk art at the museum. An essay by Joanne Cubbs explores conceptual and aesthetic themes common to southern folk art and the place of the Hahn Collection in this field. An essay by Lynda Hartigan, chief curator of the Smithsonian American Art Museum, presents an overview of the development of a marketplace for southern folk art, a history which remains largely undocumented. The broad range of art and artists showcased in this spectacular volume reveals why the Hahn Collection is one of the most notable in the world. Distributed for the High Museum of Art A sumptuous catalog of self-taught art from one of America's major collections Book has minor shelf wear.…

Hardcover without dustjacket as issued, 162 pages, very good condition, tiny crimps to upper right corners of covers and a couple pages; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. F/F/1st ed. Book and Jacket are in As New condition. Jacket has been covered with a mylar sleeve. 172 pages, filled with impressive folk art in full color on just about every page. Three essays on the collection by Marshall and Lynne E. Spriggs, High Museum of Art's Curator of Folk Art, Joanne Cubbs, the museum's first curator of folk art, and Lynd Roscoe Hartigan, Chief Curator at the Smithsonian American Art Museum. Forword by Michael E. Shapiro, director of the High Museum of Art.…

Hardcover. Large square quarto. Hardcover. Black cloth, black and illus. dust jacket, 324 pp., color illus. Issued in conjunction with a 2005-2006 exhibition of artwork by American artist Thornton Dial (1928-2016). With a variety of thematic and illustrated essays, and many full-color examples of Dial's work. Contents as follows: Foreword / Peter C. Marzio -- The road from Emelle / William Arnett -- A cycle of works on art -- The aesthetics of (in)visibility : Thornton Dial and the politics of art / Joanne Cubbs, Mark Lawrence McPhail, and Eugene W. Metcalf Jr. -- A cycle of works on memory and autobiography -- Self-taught : on Dial's style / Paul Arnett -- A cycle of works on struggles for survival -- Revolutionary traditional art from the cultural commonwealth of Afro-Alabama / Amiri Baraka -- A cycle of works on quilts and Gee's Bend -- Creation story : Thornton Dial's quilt histories / Bernard L. Herman -- A cycle of works on September 11, 2001 -- Thornton Dial at Ground Zero : to build means to destroy / Amei Wallach -- A cycle of works on America after September 11, 2001 -- Thornton Dial and contemporary history / Richard R. Brettell -- His story/History : Thornton Dial in the twentieth century / John Beardsley -- "An attitude of hugeness" : Thornton Dial and his circle / Alvia J. Wardlaw -- An artist in the twenty-first century / Jane Livingston -- Afterword / Thomas McEvilley. VG. A few bumps to the text block along the top edge.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Dust jacket in good condition. First edition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Clean cover and content pages. New protective Mylar applied to dust jacket before shipping. Secure packaging for safe delivery.…

Soft cover. Zustand: Very Good. 1st Edition. Published for Josephus Farmer exhibition, November 1 - December, 17, 1982, Milwaukee Art History Gallery, Milwaukee, WI. Clean and tightly bound in stapled wraps. Light shelf wear, the contents remain fine.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition. First printing, hardcover catalogue published in conjunction with the exhibition of the same title, the book has a mild lean to the binding, as well as light bumps to the spine ends and cover corners, and overall, is a solid, tight and clean, Very Good+ copy in a like dust jacket, which has rubbing to the covers, and slight bumps to the spine ends and corners. The jacket is wrapped in Mylar.…

Paperback. Zustand: Very Good. 1st. vii, 26 pages, colour illustrations; 31 x 31 cm. Catalogue of an exhibition held March 3 to May 12, 1991 at the John Michael Kohler Arts Center. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. *** Christian art and symbolism in the work of outsider artists Simon Sparrow, Norbert Kox, and Mary Le Ravin. Art brut. Large, square-format catalogue. Size: 4to.…

First edition 140 illustrations including 120 in full color. This was a donation to the High Museum of Art in Atlanta. This gift was a first major collection of self-taught art primarily from the South to be given to a general interest American museum. Much of that collection or at least a selection can be enjoyed in the book, in full color or full page with deep informative text about the author and their work. Fine and bright brown boards with gilt titles in like dustjacket with crisp bright text throughout.…

Wraps. Zustand: VG+. Foreword by John E. Ollman; Catalogue Essay by Joanne Cubbs; Color Plates; Exhibition Check List; Chronology; Selected Exhibitions; Bibliograpgy. ; 19 Color ; 8vo 8" - 9" tall; 54 pp.

Zustand: Sehr gut. 31 x 24 cm. 175 S. OPappband mit illustriertem Umschlag. Umschlag am unteren Rückenrand etwas berieben. Gutes bis sehr gutes Exemplar. Katalog erschien anlässlich der ersten Ausstellung der Hahn-Sammlung im High Museum of Art in Atlanta vom 23. Juni bis 2. September 2001. 140 Abbildungen, 120 davon in Farbe. Text in englischer Sprache.…

Hardcover. Zustand: New. 'Von Bruenchenhein belongs among the great American outsider artists.' -Roberta Smith, The New York Times King of Lesser Lands traces the fugitive career of Eugene Von Bruenchenhein (1910-83), a prolific creator of a diverse range of distinctive images and sculptural objects, who produced his art in private over a period of about 50 years at his home in Milwaukee, Wisconsin. His large and unusual body of work was not discovered until after he died. In 1939, at the age of 29, Von Bruenchenhein met Evelyn Kalka. She became his wife and muse. Evelyn, who was nicknamed 'Marie,' served as his model and the subject of thousands of erotic photo-portraits, which he shot and printed himself. For these images, which emulated girlie-magazine pinups with an offbeat air, Von Bruenchenhein designed and created his own background sets and costumes for Marie. Around the mid-1950s, the artist began to make abstract paintings using his fingers or sticks, combs, leaves and other makeshift utensils to push oil paint around the surfaces of Masonite boards or cardboard taken from packing boxes at the bakery where he worked. Von Bruenchenhein's abstract explosions of vibrant color evoke the forms of strange plants or fantasy creatures and architectural structures. Later, Von Bruenchenhein used clay to produce home-fired crowns and vases, and also created mysterious sculptures resembling towers or thrones with chicken and turkey bones. During his lifetime, only his closest family members and friends knew anything about his artistic pursuits. In 1983, after the artist's death, one of his friends called the attention of the Milwaukee Art Museum to Von Bruenchenhein's extraordinary oeuvre. On the occasion of a 2010 survey of his work at the American Folk Art Museum in New York, Roberta Smith wrote in The New York Times: 'Von Bruenchenhein belongs among the great American outsider artists whose work came to light or resurfaced in the last three decades of the 20th century.' Smith placed Von Bruenchenhein's unusual art in the company of that of Henry Darger, Martin RamIrez, Bill Traylor, James Castle and Morton Bartlett.…

Zustand: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…