joe scanlan (37 Ergebnisse)

Soft cover. Zustand: Very Good. 1st Edition. First edition, first printing of this collection of 1 short novel and 12 short stories. Featured are short novel - Mom Remembers by James Yaffe. The short stories: File #2: Stakeout on Page Street by Joe Gores, The Murder in the Rue Royal by Michael Harrison, With The Compliments of Comus by Ellery Queen, No Witness on the Waterfront by Hugh Pentecost, Father Crumlish Celebrates Christmas by Alice Scanlan Reach, A Pearl Among Women by Julian Symons, The Father Christmas Job by Edgar Wallace, The Second Nail by Stuart Cloete, First Offense by Stephen Dentinger, A Feline Felony by Lael J. Littke. The EQMM First Stories are: The Burning of a Watch by Eve Christmas, The Promise of His Coming by Mel D. Ames. The Ellery Queen story was originally published in 1948 under the title The Dauphin's Doll. The Edgar Wallace story give no date but was originally published under the title The Buoy that Did Not Light. Light edge wear. Light tanning to the cover and the pages. In very good condition.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Peter Scanlan, dj art (illustrator). 1st Edition. Signed; Inscribed by Author(s). The dust jacket is unclipped ($21.95). First Edition Stated. Inscribed by Joe Lansdale and one other on the half-title page.

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Very Good / Fine. Light rubbing of cover edges, and light bumping of cover corners, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover without dustjacket as issued; 112 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Soft Cover. Zustand: Fine. First Edition; First Printing. Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; Illustrated with full-page color plates plus text illustrations. Essays by David Pagel, Dave Hickey, and Joe Scanlan. Published on the occasion of the traveling exhibition (curated by David Pagel) that opened at the Otis Gallery, September 10 - November 5, 1994. ; 8.75 X 0.5 X 11.25 inches; 88 pages.

22 x 29 cm, Gewebeeinband. 110 S. : zahlr. Ill. ; Guter Zustand. Sprache: Englisch Gewicht in Gramm: 850.

Soft cover. Zustand: New. No Jacket. 1st Edition. Softcover, offset ink on paper, 16 pages,8.5 x 5.5 in / 21.6 x 14 cm. An edition of 250 unnumbered copies. Paragraphs on Deceptual Art proposes the importance of persuasion, illusion, and outright deception to the effectiveness of contemporary art. Published on the occasion of Joe Scanlan's exhibition "New Tricks, New Schemes" at Galerie Martin Janda, 7 March 21 April 2018. Originally published as "Paragraphs on Conceptual Art" by Sol LeWitt in Artforum, June 1967.

Soft cover. Zustand: New. No Jacket. 1st Edition. Offset ink on paper, 16 pages, saddle-stitched. First edition of 250 unnumbered copies. Classism: An Introduction is an appropriation of Edward Said's Orientalism, filtered through class consciousness and contemporary art.

Ln. Zustand: Sehr gut. 108 Seiten; Wie neu Übersetzung von Heynen, JulianWie neu.

Paperback. Zustand: Brand New. 80 pages. 11.26x7.80x0.39 inches. In Stock.

First Edition. First edition. Hardcover. 64 pages. Features a preface and epilogue by Mitchell Kane and acknowledgements by Laurie Winter. Includes illustrations of works by Joe Scanlan, Diana Thater, Stephan Dillemuth & Jason Simon, J. Morgan Puett, Christian Philipp Muller, and Rhonda Lieberman. A near fine copy in illustrated boards with some slight tapping to the spine ends. No dust jacket as issued.

First Edition. First edition. Softcover. Text features a talk between Joe Scanlan and Amada Cruz along with a wide ranging selection of quotations by the likes of Anni Albers, Honor de Balzac, Albert Camus, Cher, Kim Gordon, Moliere, and numerous others. A very good copy in stapled wrappers with some slight sunning to and along the spine and front and rear panels. Uncommon.

Softcover. Zustand: Near fine. 56 p. 26 cm. B&w illustrations. Work by Tom Friedman, Germaine Koh, Michael Landy, Daniel Olson, Sandra Rechico, Joe Scanlan, David Shrigley, and Kelly Wood.

255 pp.; 25.5 x 20.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue 55 of Parkett, edited by Bice Curiger. Contents include: Editorial: "Pavel Pepperstein: The Artist as a Subculture," by Boris Groys; "Universal Wisdom at the Bewitching Hour on Private TV," by Rudolf Schmidtz; Ed Ruscha: "Ed Ruscha's Illuminated Manuscripts," by Jeff Perrone; "Critters Crave Salt," by Jennifer Higgie; "Ed Ruscha's Modern Language," by Howard Singerman; "White-Out," by Katja Schenker; "The Ballad of Ed Ruscha," by Joe Scanlan; Edition for Parkett: Ed Ruscha;" Andreas Slominski: "Berlin Detours," by Nancy Spector; "Mousedomes at the Periphery of Peopledom," by Patrick Frey; "Wordless," by Julian Heynen; a conversation between Bettina Funcke, Jens Hoffmann, and Boris Groys; Edition for Parkett: Andreas Slominski; Sam Taylor-Wood: "Sustaining the Antagonism. On "Five Revolutionary Seconds," by Elisabeth Bronfen; "Sliding.S-Sam Taylor-Wood's Invention of the Dialogue," by Francesco Bonami; "The Soliloquious Vision," by Ewa Lajer-Burcharth; Edition for Parkett: Sam Taylor-Wood. "Cumulous aus Europa," by Michelle Nicol; "Cumulous from America," by Suely Rolnik; "Garderobe:" "Artist's Monographs & Editions" "Editions for Parkett No. 55 (With Prices). Insert by Kara Walker. Spine No. 55-57 designed by Louise Bourgeois from "ODE A MA MERE," 1995, one of a series of 9 drypoint etchings. Text in English and German. Fine. New in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Peter Scanlan (illustrator). Limited. Dark Harvest, Arlington Hts, IL, 1992. Deluxe Limited First Edition with DJ and matching Slipcase, 307 pp. This is #7 of 400 individually numbered deluxe copies SIGNED BY ALL 21 AUTHORS. An anthology of all-new "tales of dark suspense" by David Morrell, Steve Gallager, F. Paul Wilson, Andrew Vachss, Joe R . Lansdale, Bill Crider, Neal Barrett, Jr., William F. Nolan, Ardath Mayhar, Lewis Shiner, Steve Rasnic Tem, David J. Schow, and others. This early-numbered copy is unread and as new. Signed by All Contributors.

Soft cover. Zustand: New. No Jacket. 1st Edition. Softcover, 18 colors, 40 pages, Swiss binding, 28 x 20 cm. An edition of 500 unnumbered copies. Essays by Milton Friedman, Edward Said, Joseph Schumpeter, and Thorstein Veblen made made relevant to the economics of contemporary art.

Illustr. Originalleinenband. Zustand: Gut. 110 S. : zahlr. Ill. ; 22 x 29 cm. Sehr gutes Ex. - Deutsch; englisch. - Joe Scanlan (* 1961 in Stoutsville) ist ein US-amerikanischer Konzept- und Installationskünstler. Joe Scanlan studierte Bildhauerei und erlangte 1984 den Bachelor of Fine Arts am Columbus College of Art and Design in Ohio. Er setzte sein Studium an der School of the Art Institute of Chicago fort. Als Professor begann Scanlan 2001 an der Yale University School of Art zu lehren. 2009 wurde Scanlan als Professor nach Princeton berufen und leitet dort die Fakultät für Visual Arts. Scanlan veröffentlicht unter anderem Artikel über Kunst und Design in den Zeitschriften Artforum, Art issues, Frieze und Parkett. Massachusetts Wedding Bed, Thingstahtfall Pavilion und Donelle Woolford sind bekannte Projekte. Das Donelle Woolford Project, bei dem eine professionelle Schauspielerin die Rolle einer fiktiven Künstlerin übernimmt, wirft Fragen über die Bedeutung von Rasse und Geschlecht in der Kunst auf. Joe Scanlans Werke sind regelmäßig auf international bedeutenden Ausstellungen zu sehen, so auch auf der documenta IX, 1992 in Kassel. . (wiki) ISBN 9783866780620 Sprache: Englisch Gewicht in Gramm: 675.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Two books designed to fit together that but also come apart. The hardcover book has a hole die-cut into its pages with a softcover collection of essays on art and design that fits inside. The hardcover book is foil-stamped cloth, perfect-bound, 28.5 x 22 cm, 112 pages. The softcover book has a 4-color cover, perfect-bound, with four B&W illustrations, 17.5 x 10.8 cm, 96 pages. Joe Scanlan's columns on art and design originally published in frieze and Artforum are gathered here as one long, picaresque narrative in which democracy plays the amiable lead role, only to be undermined by capitalism. From the Lumière Brothers' use of their employees in the making of the first film to Tino Sehgal's use of museum visitors in the production of his art, again and again we regress to the familiar, not on the basis of its merits but because it puts the most people at ease. However vexed we were by modernist ideology, the products resulting from the current consensus-based, consumer-driven service economy are really starting to depress me. I miss having to accept something whether I like it or not, if only for the bits of stunning genius that single-mindedness made possible. Consumer culture, where is thy victory? Product, where is thy sting?

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Peter Scanlan (illustrator). First Edition/First Printing. A square solid tight clean unread unused copy. SIGNED by all contributors, Joe Lansdale, F. Paul Wilson, Neal Barrett Jr., Andrew Vachss, Lewis Shiner, Ronald Kelly Norman Partridge, Bill Crider, Steve Rasn ic Tem, Robert Pettitt, Stephen Gallagher, David J. Schow, Ed Gorman, Dan Lowry, Chet Williamson, Ardath Mayhar, William F. Nolan, John Keefauver, Thomas Sullivan, & David Morrell. All new fiction. Signed Copy. Book.

Hardcover. Orange and illustrated boards with black spine lettering. 64 pp. Illustrations. "The contributions, ideas and miscellaneous matter enclosed in this book were developed by a selected group of practitioners in the visual arts following a meeting in Hillsboro, Wisconsin, July 11th through 18th"--Title page verso. Coveralls pattern included in separate back pocket. VG- light corner bumping, pocket has detached from inside of back cover.

Soft cover. Zustand: About Fine. 1st Edition. A very nice copy in stapled wraps. Book.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Joe Scanlan (born 1961) is an American artist and educator.Joe Scanlan's magazine columns from the past fifteen years gathered here as one long, picaresque narrative in which democracy plays the amiable lead role, only to be undermined by capitalism. From the Lumière Brothers' use of their employees in the making of the first film to Tino Sehgal's use of museum visitors in the production of his art.Two books designed to fit together that but also come apart. The hardcover book has a hole die-cut into its pages with a softcover collection of essays on art and design that fits insideLimited edition of 1500.There is a water stain at the top of the front cover with slight shelf wear to the edges. Inside, the pages are clean and the binding is sound.

255 pp.; 24 x 17 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Annual publication focusing on art and artists. Conceived, organized and with a text by Christiane Schneider. Artists include Franz Ackermann, Angela Bulloch, Douglas Coupland, Meg Cranston, Stefan Dillemuth, Stan Douglas, Laura Emrick, Norman Foster, Liam Gillick, Michael Joaquin Grey, Klaus Hahlbrock, Carsten Höller, Ronald Jones, Inez van Lamsweerde, Jens-Marten Lohse, Helmut Neunzert, Hanno Otten, Jorge Pardo, Dan Peterman, Joe Scanlan, Julia Scher, Laura Stein, Beat Streuli, Lincoln Tobier, Peter M. Todd, Petra Wirth and Andrea Zittel. "Christiane Schneider presents contributions from various areas of society and research that are currently in a state of upheaval, such as biotechnology, mathematics, architecture, etc. non-artistic strategies, how much the social change affects the art of the 90s." --publishers statement. Text in German with some English. Fine. As issued, clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Softcover with dustjacket, 80 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Zustand: Good. Covers show some light discoloration and shelf wear as well as some edge wear. A few instances of underlining in pencil throughout book.