Jongenelen bas (51 Ergebnisse)

FIFTEENTH-CENTURY STUDIES, VOLUME 34
Jongenelen, Bas & Ben Parsons & Daniel Salas-Dias & Edelgard E Dubruck & Elizabeth Wade-Sirabian & Barbara I Gusick & Ilan Mitchell-Smith & James H. Brown & Jean Dufournet & Jennifer Lee & John Marlin & Mary F. Dockray-Miller & Rocio Del Río
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Zustand: Muy bueno. : Sumérgete en el mundo de la poesía deportiva con 'Sportgedichten: sneller, sterker, slimmer, schoner, sporter: een sportsonnettenkransenkrans', una colección única de sonetos que celebran la velocidad, la fuerza, la inteligencia, la belleza y el espíritu deportivo. Editado por Marino van Liempt y Bas Jongen…elen, este libro de 178 páginas, publicado por Brave New Books, es una oda al deporte a través de la lírica. EAN: 9789464480627 Tipo: Libros Categoría: Otros Título: Sportgedichten Autor: Marino van Liempt| Bas Jongenelen Editorial: Brave New Books Idioma: nl Páginas: 178 Formato: tapa blanda.

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Verlag: Geroosterde Hond, Tilburg, 2016
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In den WarenkorbPaperback, 20 cm, 271 pp. Voorwaar een meesterstuk. Cond.: goed / good. ISBN: 9789490855154.

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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781843842910.

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Hardback. Zustand: New. Text and translation of comic plays sheds light on a fascinating era of theatrical production.`[Opens] up an entirely new corpus of texts for scholars and readers familar with and interested in European dramatic texts from this period, but who have heretofore not had access to them due to the language bar…rier.' Professor David F. Johnson, Florida State University, Tallahassee During the Middle Ages and early modern period, a dramatic culture of astonishing vitality developed in the Low Countries. Owing to the activities of organisationsknown as rederijkerskamers, or "chambers of rhetoric", drama became a central aspect of public life in the cities of the Netherlands. The comedies produced by these groups are particularly interesting. Drawing their forms and narratives from folklore and popular ritual, and entertaining in their own right, they also bring together a range of important concerns; they respond directly to some of the key developments in the period, reflecting the political and religious turmoil of the Reformation and Dutch Revolt, the emergence of humanism, and the appearance of an early capitalist economy. This collection brings together the original Middle Dutch text of ten of these comic plays, with facing translation into modern English. The selection is divided evenly between formal stage-plays and monologues, and provides a representation of the full range of rederijker drama, from the sophisticatedFarce of the Fisherman, with its sly undermining of audience expectation, to the hearty scatology of A Mock-Sermon on Saint Nobody, and the grim gallows humour of The Farce of the Beggar. An introduction and notes place the plays in their context and elucidate difficulties of interpretation. Ben Parsons is Teaching Fellow at the University of Leicester; Bas Jongenelen is teacher of Dutch Literature at Fontys Lerarenopleidingin Tilburg.

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Hardcover. Zustand: new. Hardcover. Text and translation of comic plays sheds light on a fascinating era of theatrical production.`[Opens] up an entirely new corpus of texts for scholars and readers familar with and interested in European dramatic texts from this period, but who have heretofore not had access to them due to the…language barrier.' Professor David F. Johnson, Florida State University, TallahasseeDuring the Middle Ages and early modern period, a dramatic culture of astonishing vitality developed in the Low Countries. Owing to the activities of organisationsknown as rederijkerskamers, or "chambers of rhetoric", drama became a central aspect of public life in the cities of the Netherlands. The comedies produced by these groups are particularly interesting. Drawing their forms and narratives from folklore and popular ritual, and entertaining in their own right, they also bring together a range of important concerns; they respond directly to some of the key developments in the period, reflecting the political and religious turmoil of the Reformation and Dutch Revolt, the emergence of humanism, and the appearance of an early capitalist economy.This collection brings together the original Middle Dutch text of ten of these comic plays, with facing translation into modern English. The selection is divided evenly between formal stage-plays and monologues, and provides a representation of the full range of rederijker drama, from the sophisticatedFarce of the Fisherman, with its sly undermining of audience expectation, to the hearty scatology of A Mock-Sermon on Saint Nobody, and the grim gallows humour of The Farce of the Beggar. An introduction and notes place the plays in their context and elucidate difficulties of interpretation.Ben Parsons is Teaching Fellow at the University of Leicester; Bas Jongenelen is teacher of Dutch Literature at Fontys Lerarenopleidingin Tilburg. Text and translation of comic plays sheds light on a fascinating era of theatrical production. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Hardcover
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Hardback. Zustand: New. Text and translation of comic plays sheds light on a fascinating era of theatrical production.`[Opens] up an entirely new corpus of texts for scholars and readers familar with and interested in European dramatic texts from this period, but who have heretofore not had access to them due to the language bar…rier.' Professor David F. Johnson, Florida State University, Tallahassee During the Middle Ages and early modern period, a dramatic culture of astonishing vitality developed in the Low Countries. Owing to the activities of organisationsknown as rederijkerskamers, or "chambers of rhetoric", drama became a central aspect of public life in the cities of the Netherlands. The comedies produced by these groups are particularly interesting. Drawing their forms and narratives from folklore and popular ritual, and entertaining in their own right, they also bring together a range of important concerns; they respond directly to some of the key developments in the period, reflecting the political and religious turmoil of the Reformation and Dutch Revolt, the emergence of humanism, and the appearance of an early capitalist economy. This collection brings together the original Middle Dutch text of ten of these comic plays, with facing translation into modern English. The selection is divided evenly between formal stage-plays and monologues, and provides a representation of the full range of rederijker drama, from the sophisticatedFarce of the Fisherman, with its sly undermining of audience expectation, to the hearty scatology of A Mock-Sermon on Saint Nobody, and the grim gallows humour of The Farce of the Beggar. An introduction and notes place the plays in their context and elucidate difficulties of interpretation. Ben Parsons is Teaching Fellow at the University of Leicester; Bas Jongenelen is teacher of Dutch Literature at Fontys Lerarenopleidingin Tilburg.

- Softcover
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Zustand: New. 2012. Hardcover. Text and translation of comic plays sheds light on a fascinating era of theatrical production. Editor(s): Parsons, Ben; Jongenelen, Bas. Num Pages: 308 pages, 5, 5 black and white. BIC Classification: 2ACD; DD; DQ; DSB; DSG. Category: (P) Professional & Vocational. Dimension: 241 x 169 x 25. Weight… in Grams: 690. A Critical Anthology. 308 pages, 5, 5 black and white. Editor(s): Parsons, Ben; Jongenelen, Bas. Text and translation of comic plays sheds light on a fascinating era of theatrical production. Cateogry: (P) Professional & Vocational. BIC Classification: 2ACD; DD; DQ; DSB; DSG. Dimension: 241 x 169 x 25. Weight: 676. . . . . .

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Zustand: New. 2012. Hardcover. Text and translation of comic plays sheds light on a fascinating era of theatrical production. Editor(s): Parsons, Ben; Jongenelen, Bas. Num Pages: 308 pages, 5, 5 black and white. BIC Classification: 2ACD; DD; DQ; DSB; DSG. Category: (P) Professional & Vocational. Dimension: 241 x 169 x 25. Weight… in Grams: 690. A Critical Anthology. 308 pages, 5, 5 black and white. Editor(s): Parsons, Ben; Jongenelen, Bas. Text and translation of comic plays sheds light on a fascinating era of theatrical production. Cateogry: (P) Professional & Vocational. BIC Classification: 2ACD; DD; DQ; DSB; DSG. Dimension: 241 x 169 x 25. Weight: 676. . . . . . Books ship from the US and Ireland.

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Hardcover. Zustand: Brand New. 297 pages. 9.25x6.00x0.75 inches. In Stock.

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Hardback. Zustand: New. Text and translation of comic plays sheds light on a fascinating era of theatrical production.`[Opens] up an entirely new corpus of texts for scholars and readers familar with and interested in European dramatic texts from this period, but who have heretofore not had access to them due to the language bar…rier.' Professor David F. Johnson, Florida State University, Tallahassee During the Middle Ages and early modern period, a dramatic culture of astonishing vitality developed in the Low Countries. Owing to the activities of organisationsknown as rederijkerskamers, or "chambers of rhetoric", drama became a central aspect of public life in the cities of the Netherlands. The comedies produced by these groups are particularly interesting. Drawing their forms and narratives from folklore and popular ritual, and entertaining in their own right, they also bring together a range of important concerns; they respond directly to some of the key developments in the period, reflecting the political and religious turmoil of the Reformation and Dutch Revolt, the emergence of humanism, and the appearance of an early capitalist economy. This collection brings together the original Middle Dutch text of ten of these comic plays, with facing translation into modern English. The selection is divided evenly between formal stage-plays and monologues, and provides a representation of the full range of rederijker drama, from the sophisticatedFarce of the Fisherman, with its sly undermining of audience expectation, to the hearty scatology of A Mock-Sermon on Saint Nobody, and the grim gallows humour of The Farce of the Beggar. An introduction and notes place the plays in their context and elucidate difficulties of interpretation. Ben Parsons is Teaching Fellow at the University of Leicester; Bas Jongenelen is teacher of Dutch Literature at Fontys Lerarenopleidingin Tilburg.